Claudia tries to resist loving white girls that her sister, Frieda, and friend, Pecola, admires for their beautiful features blonde hair and blue eyes. Claudia does not believe that Frieda and Pecola should admire girls who do not look like them physically. Unable to convince Frieda and Pecola that white girls are not the only standard of beauty, Claudia begins to have intense feelings of resentment and anger toward the white beauty standard:
"I couldn't join them in their adoration because I hated Shirley.
Not because she was...
... middle of paper ...
...g" that she does not really care for white features and/or white girls but she must pretend to have the same feelings and admiration for whiteness. So why must Claudia pretend to like white girls? Claudia learns it is easier to love the white beauty standard than to fight it because everyone even black women believe in white as the only source of beauty. She cannot fight the whole culturethe media, her sister, her friends, her community and the white community. So Claudia must "convert from pristine sadism to fabricated hatred, to fraudulent love (Morrison 23)." She must fake her love for whiteness in order to survive in the culture; she must learn to hate her self to survive and treat herself as invisible object, rather than the socially recognized white girl.
Morrison, Toni. The Bluest Eye. Afterward by Toni Morrison. New York: Penguin, 1994.
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