The Quintessence of Humanity
Often in life, people take their freedoms, a gift that allows them to express their individuality, for granted. However, in the dystopian societies of The Handmaid’s Tale by Margaret Atwood and Never Let Me Go by Kazuo Ishiguro, people are reminded of just how easily their freedoms and humanity can be stripped away. Attwood and Ishiguro urge people to never lose sight of the core values that define who they are. The compelling novels chronicle the life journey of two protagonists as they fight to define their own existence and worth in life. Offred, the central character in The Handmaid’s Tale is exploited as a baby making machine, while Kathy, the leading role in Never Let Me Go, is degraded as a lifeless android in a sea of clones. From Atwood and Ishiguro’s provocative coming-of-age novels emerge two beautiful and inspiring heroines. Whether it is through their remembrance of the past, their loss of innocence, their capability to hope, or their ability to establish relationships, Offred and Kathy prove that they are every bit as human as the rest of society. Ultimately, despite the many differences in their distinct masterpieces, Atwood and Ishiguro share the same intent in their haunting portrayal of the protagonists’ dehumanizabtion—to shed light on the true essence of what it is to be human.
Humanity is defined in a person’s ability to grow and develop. The stages of growth are displayed throughout the intricate past of human beings composed of memories, experiences, and the loss of innocence. The past reminds people of their true self, encourages them to discover their identities, and provides them with hope and strength. Before the Gildean Era, Offred enjoyed the freedom to determine...
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...ale and Never Let Me Go are as different as they are the same; nonetheless, the passionate Atwood along with the melancholy Ishiguro exquisitely capture the essence of being human into the heart of the two novels. The heroines show through their past memories, their never yielding hope for the future, and their need for love, acceptance, and friendship that they are humans. The discovery and eventual acceptance of humanity marks the beginning of what a hero must embody, as they overcome whatever life throws in their way, in the end, however, only true heroes are able to embrace their fate.
Works Cited
Atwood, Margaret. The Handmaid's Tale. Cape: McClelland & Stewart, 1985. Print.
Donne, John. "Meditation XVII." Devotions upon Emergent Occasions. 1624. Print.
Ishiguro, Kazuo. Never Let Me Go. Toronto: Vintage Canada, 2006. Print.
The two texts Harrison Bergeron, written by Kurt Vonnegut Jr. and The Handmaid’s Tale by Reed Morano explore the idea of individuality loss due to complete government control through similar and varied techniques. Both texts enable the audience to obtain an understanding that a society where there is no ability to express one’s own self, is ultimately dangerous in both execution and outcome. Throughout the two texts the authors explore individuality suppression through government control by utilising varied techniques such as motifs, similes as well the ideas of handicaps which are a result of the need for constant surveillance. The dystopian texts of futuristic, imagined universes display the illusion of perfect societies that are being created,
Although Offred is the heroine of this story, The Handmaid’s Tale by Margaret Atwood, the hero’s journey can be found in many characters in the story as well. This story is breaking into shambles between the past and the present, however, through the story, readers can still see the signs of the hero’s journey that Joseph Campbell has studied. Offred, being a handmaid, has been thrown into a world where women are powerless and stripped away of their rights to read and write. Atwood illustrates a dystopian world where equality is a part of history, not in the present day Gilead. However, Offred is one of the main characters who ceased to live in a degrading world and find means to escape. Thus, Offred begins on her Hero’s Journey, which occurs
In The Handmaid’s Tale, much use is made of imagery; to enable the reader to create a more detailed mental picture of the novel’s action and also to intensify the emotive language used. In particular, Atwood uses many images involving flowers and plants.
The purpose of this essay is to analyse and compare the narrative situations proposed by Franz Stanzel in the dystopian novels Never Let Me Go by Kazuo Ishiguro and The Handmaid’s Tale by Margaret Atwood. For this aim, I am going to focus on the aspects focalization (reflection), relationship reader-narrator, narrative distance, knowledge, and reliability and demonstrate that they affect the interpretation of the novel by readers in a significant way. In the end, I will draw conclusions on how these techniques serve to alienate the narratives from their science fiction setting to set even more disconcerting issues about human’s existence.
Religion and the manipulation of history are the most important steps in creating a totalitarian state. In the novels discussed the reader comes to understand true oppression results when hope and power are removed in their totality. Katherine Burdekin’s novel, Swastika Night, portrays women who are degraded and removed, stripped of identity, femininity, and important self-efficacy as societal role-players. However, Margaret Atwood’s The Handmaid’s Tale presents a more inclusive and historically aware society, though still defined by the separation of citizens into a strict, sexist, man-made hierarchy and ruled by religious authority. The participation allowed to women leaves opportunity for women to shape their own environment, through underground movements, and influencing the men around them. Though society and religion can affect the Handmaids, Aunts, and other levels of women as it crowds out and vilifies the memories of a longed for past, the wounds of disenfranchisement are too fresh for history to be truly erased. The distinctive and definitive difference between the two dystopian societies discussed is the active presence of women, and through women, hope.
Margaret Atwood’s The Handmaid’s Tale, like so many other dystopias before it, seeks to warn of disaster to come through the lens of its author’s society. In the breadth of its dystopian brethren, Huxley’s Brave New World and Orwell’s 1984, The Handmaid’s Tale reflects not a society destroyed, but a society reorganized to disastrous effect. The reorganization of Offred’s world is not one of simple misogyny, corruption, or political ideas, instead, as in 1984; the focus of this new world order lies in the destruction of the individual and with that, all concepts of personal gain, satisfaction, and desire. In its place, the new world order thrusts a quasi-communist idea of community. Personal sacrifice is instilled in the populace as the greatest good, and the death or misery of one individual is negligible when compared to the decided ‘good’ of the community. In a true echo of communism, the handmaids bear children for those who cannot, truly in the stead of “from each according to their ability, to each according to their need” (Marx). In this Americanized distortion of communism, the community is placed on a pedestal above all else, and through this emphasis the cross-class destruction of individuality is assured. By echoing the most prominent issue of the time, communism, and detailing it with unique aspects of American society, Atwood creates a realistic nightmare that warns not of the dangers of a particular political ideology, but of the loss of individual identity and the concept of self.
The Handmaid's Tale is a dystopian novel in which Atwood creates a world which seems absurd and near impossible. Women being kept in slavery only to create babies, cult like religious control over the population, and the deportation of an entire race, these things all seem like fiction. However Atwood's novel is closer to fact than fiction; all the events which take place in the story have a base in the real world as well as a historical precedent. Atwood establishes the world of Gilead on historical events as well as the social and political trends which were taking place during her life time in the 1980's. Atwood shows her audience through political and historical reference that Gilead was and is closer than most people realize.
In The Handmaid’s Tale, when women see the patriarchal and social norms that oppress and deprive them from their rights, they “realize that a conscious reassessment of roles is necessary” (Newell, 16). Therefore, women try to reclaim their bodies and minds through reconstruction of the past, sexuality, language, and night. They use reconstruction of the past to reclaim their minds, while they use sexuality, language, and night to reclaim their bodies.
In Margaret Atwood’s, The Handmaid’s Tale, women are subjected to unthinkable oppression. Practically every aspect of their life is controlled, and they are taught to believe that their only purpose is to bear children for their commander. These “handmaids” are not allowed to read, write or speak freely. Any type of expression would be dangerous to the order of the Gilead’s strict society. They are conditioned to believe that they are safer in this new society. Women are supposedly no longer exploited or disrespected (pornography, rape, etc.) as they once were. Romantic relationships are strongly prohibited because involving emotion would defeat the handmaid’s sole purpose of reproducing. Of course not all women who were taken into Gilead believed right what was happening to their way of life. Through the process of storytelling, remembering, and rebellion, Offred and other handmaids cease to completely submit to Gilead’s repressive culture.
The protagonists of Never Let Me Go and The Handmaid’s Tale come to believe that the self is all that can be known to exist, as they have lost their freedom and rights. In discussing issues of identity, it is important to consider what characters lose, such as names and value in society, and how they try and protect their sense of self, by holding memories dear and valuing their soul above their functional body. This is most poignant in the lives of Kathy H. and Offred. Atwood herself is known to have described The Handmaid’s Tale as ‘speculative fiction’, and there is nothing in the novel that could not happen in the present day. Equally, Ishiguro sets his novel in modern Britain. This means that the loss of identity in both novels holds true today, as with the increase of identity cards and proof of identification, it becomes increasingly important to be obsessed with who we are.
According to Bella DePaulo, a psychologist at the University Of Virginia, most people lie to someone else at least once or twice a day. The question this brings about is how does one differentiate the truth from falsehood? In Margaret Atwood's novel, The Handmaid’s Tale Offred, one of the many characters who is facing oppression in the society of Gilead is struggling to know if her story is true or false. The lack of confidence that Offred has makes the readers question whether or not to believe her story.
The Handmaid’s Tale by Margaret Atwood is a dystopian novel told through the eyes of Offred, the main character. Within the novel, a totalitarian style government called the Republic of Gilead takes over the United States. The new established government restricts the freedom of citizens in many ways. As a result from being oppressed, people within society rebel against the government secretly. It is inevitable for people to want freedom; therefore, people will always find a way to obtain this freedom even if they must keep it hidden.
The sexual assault and rape of German women by Muslim refugee men in Cologne, Germany mirrors a few of the major issues in The Handmaid’s Tale by Margaret Atwood. Chancellor Angela Murkel’s decision to take in refugees from neighboring regions resulted in men groping and robbing scores of women during New Year Celebrations. Furthermore, Cologne police has received complaints from 90 victims but has made no arrests. The injustice in Cologne mirrors the Republic of Gilead through the men’s power over women, the violence against women, and the issue that stems from the assimilation of a foreign religion into another society.
The Handmaid's Tale is a dystopian, speculative fiction novel written by Margaret Atwood. The book, published in 1985, seemingly taking place around that time, is set in the Republic of Gilead. Gilead the former United States of America, but is now a totalitarian Christian dictatorship. The story is set in a time where birth rates have dropped substantially, and the government has taken away all of women's rights. Handmaids are fertile women who are forcefully recruited to procreate via sexual slavery: systematic monthly rape.
However, as Margaret Atwood warns in her novel The Handmaid’s Tale our reality is a dangerous one in which our complacency can result in the loss of every single one of these freedoms. Offred’s journey gives us a glimpse into what lies ahead for this country if we don’t take action. Her rights have been stolen from her and her family is taken away from her all as she is pushed into the role of a sex slave for the Gilead. Such a grisly depiction of the future is closer to the truth than what meets the eye. The inability to take a stand against this adversity is what is allowing it to begin with. Collectively, we must not stop the fight for actual justice for the oppressed of this country until we see them come to fruition. Inaction now will result in our own