Television and film define a viewer’s sense of normality . Whether one ascribes to a bottom up (society dictates media content), a top down (media content dictates the desires of society) or a mixture of the two, media cannot be denied as a reflection of society’s sense of normality. The formation of media content and the views of society can be seen as a continuously entangled web, interlinked on every level, leading to what we see each night when we switch on the TV. The representations of society we see on TV shape our views and desires, leading us to call for change and political reform . These calls for reforms, leading to increased visibility of issues, again impact upon desires and our sense of normality, thus, the cycle continues. This cycle connects in every direction, representations, desires of the society and political reform flow into each other (as shown bel...
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Enotes.com, 2004. ‘History of Homosexuality’ found at http://www.enotes.com/topic/Homosexuality#History
GLAAD, 2010, ‘2009-2010 Network Responsibility Index’, glaad.org at http://www.glaad.org/document.doc?id=127
Media-Awareness Network, 2010 ‘Representations of Gays and Lesbians in Film’ found at http://www.media-awareness.ca/english/issues/stereotyping/gays_and_lesbians/gay_film.cfm
Media-Awareness Network, 2010 ‘Representations of Gays and Lesbians on Television’ found at http://www.mediaawareness.ca/english/issues/stereotyping/gays_and_lesbians/gay_television.cfm
Sanders, J. 2007. ‘Queer Visual Culture Texts’ in Visual Arts Research, Vol. 33, No. 1(64) (2007), pp. 44-55, University of Illinois Press.
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