Symbolizing the unity and support for the revolution, the candles placed in the windows during the château fire is one way Dickens supports the theme of revenge. The four Jacques, North, South, East, and West, travel to the château and set it on fire. As the château burns down, Dickens adds, “The mender of the roads, and the two hundred and fifty particular friends, inspired by one man and one woman by the idea of lighting up, had darted into their houses, and were putting candles in every dull little pane of glass” (Dickens 178). Here the readers see that the peasants place candles in their windows, which is an act of rebellion. This single act of rebellion is a way of revenge against the Marquis because he is of nobility, and because he ran over a child. While the château is on fire, Monsieur Gabelle is trapped inside. He cries for help, but no one helps him, as the town watches delightfully as the château burns down. Dickens notes, “The officers looked towards the soldiers who looked at the fire; gave no orders; and answered with shrugs and biting of lips, ‘It must burn’” (178). From this, the readers can understand that the town...
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...ds up shooting her with the gun Madame Defarge has on her. Overall, Madame Defarge’s plan of revenge is short lived and unsuccessful.
The theme of revenge, which was probably the main motive in the revolution against the aristocracy, is supported precisely through Dickens’ symbols of candles during the burning of the château, bird of fine song and feather, and knitting. Dickens uses these symbols to enhance this theme. Successful of not, these acts of revenge help fire up the plot and make each chapter page turning. Additionally, Dickens’ cliffhangers left readers wanting to know what act of revenge was coming next during this revolution. Together, these three meticulous symbols tie the theme of revenge with the cause of the French Revolution.
Dickens, Charles. A Tale of Two Cities. Ed. Julie Nord. Mineola: Dover Thrift
Editions, 1870. Print.
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