The Protagonist in Willima Shakespeare´s Othello

797 Words2 Pages
bulb-icon

Recommended: Critically analyse the theme of racism in othello

The central character, or protagonist, in William Shakespeare’s tragedy Othello, The Moor of Venice is Othello. Aristotle defined the concept of a tragic hero as the destruction of a noble person, usually with a personal flaw, and this flaw determines their fate. Othello is a tragic hero with a tragic flaw in one of Shakespeare’s most known tragedies. Shakespeare so prominently exhibits the tragic flaw Othello obtains, allowing implications and thoughts, to overrun reality and show how just the insecurity one possesses can allow a person to become powerless. Othello’s actions essentially destroy him, with the intentional help of characters such as the infamous Iago. Othello’s tragic flaw centers on his insecurity of being an African Moor in a Venetian society. The danger of mistrust, so evidently portrayed in Othello’s at first noble character, leads to eminent insecurity of himself, his race, and ultimately his own demise.
Othello, honored in Venice as both a military and political leader, is portrayed as an outsider. Janet Adelman, an English Professor from University of California said “Othello . . . the victim of the racist ideology everywhere visible in Venice, an ideology to which he is relentlessly subjected and which increasingly comes to define him as he internalizes it—“ (125). In the beginning of the play Othello’s name was not mentioned, he is only mentioned in racial slurs. Roderigo and Iago are talking in a street in Venice; it is not exactly evident what they are bantering about. When they awake Brabantio to tell him that The Moor or Othello has married his daughter, Othello is portrayed as a beast and unworthy of Brabantio’s white Venetian daughter, Desdemona:
Your heart is burst, you have lost half your soul;
Eve...

... middle of paper ...

...stics such as jealousy and mistrust. Not only does this cause Othello’s suicide, but the death of his wife and other characters in Shakespeare’s tragedy Othello, The Moor of Venice.

Works Cited

Shakespeare, William. “Othello, The Moor of Venice.” Literature and the Writing Process.
Backpack Edition. Ed. Elizabeth McMahan et al. Boston: Longman, 2011. 585-669 Print.

Adelman, Janet. "Iago's Alter Ego: Race As Projection In Othello." Shakespeare Quarterly 48.2 (1997): 125. Academic Search Premier. Web. 13 Nov. 2013.

Little Jr., Arthur L. "`An Essence That's Not Seen': The Primal Scene Of Racism In Othello." Shakespeare Quarterly 44.3 (1993): 304. Academic Search Premier. Web. 13 Nov. 2013.

Skura, Meredith Anne. "Reading Othello's Skin: Contexts And Pretexts." Philological Quarterly 87.3/4 (2008): 299-334. Academic Search Premier. Web. 13 Nov. 2013.

Show More
Related

  • Othello Final Speech Analysis

    1488 Words  | 3 Pages

    1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her

    Read More

  • A Further Look Into The Downfall of Othello by William Shakespeare

    1048 Words  | 3 Pages

    Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.

    Read More

  • William Shakespeare's Othello

    911 Words  | 2 Pages

    Othello: The play's protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race. He possesses a "free and open nature," which his ensign Iago uses to twist his love for his wife, Desdemona, into a powerful and destructive jealousy

    Read More

  • Othello, The Moor of Venice

    1326 Words  | 3 Pages

    11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.

    Read More

  • “How does Shakespeare Encourage the Audience to Pity the Character of Othello?”

    902 Words  | 2 Pages

    At the beginning of the play, the audience is made aware that Othello is a Moor working in the service of Venice. During the time the play was written, racism was strong. Despite Othello’s carefully built up life in which he managed to rise from being very poor to a powerful general, he still experienced racism from characters such as Roderigo and Brabantio. In Act One Scene One, Brabantio is appalled at the idea of his delicate daughter Desdemona secretly marrying a black man without his consent. He openly insults Othello, oblivious to Othello’s power: “That thou hast practiced on her with foul charms, Abused her delicate youth with drugs or minerals.” Brabantio is accusing Othello of witchcraft and trickery, and suggesting that no one could ever love him without the influence of his evil witchcraft. The audience feels pity for Othello because they know that Othello loves Desdemona and that he is a kind man, and is receiving these insults because of his race. The audience realises that he is already at a ...

    Read More

  • Othello the Tragic Hero in William Shakespeare's Othello, the Moor of Venice

    1617 Words  | 4 Pages

    Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.

    Read More

  • The Relationship Between Love And Hate In Othello

    1651 Words  | 4 Pages

    ...ide of the Moor: A View of Othello's Mind." Shakespeare Survey: An Animal Survey of Shakespearean Study and Production. Vol 10. 1957. 98-106. Novels for Students. 20 November 2004. http://www.enotes.com/othello/17321/print

    Read More

  • Racism in William Shakespeare's Othello

    1065 Words  | 3 Pages

    Racism in William Shakespeare's Othello. The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialogue. This racism is directed toward Othello, a brave soldier from Africa and currently the supreme commander of the Venetian army.

    Read More

  • Pure and Foolish Love in Othello

    1273 Words  | 3 Pages

    Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)

    Read More

  • Racism in Othello by William Shakespeare

    1248 Words  | 3 Pages

    Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.

    Read More

  • What Way Would A Modern Audience React To The Way Race And Racism Is Portrayed In 'Othello'?

    1719 Words  | 4 Pages

    In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.

    Read More

  • Othello - Change Of Character

    952 Words  | 2 Pages

    	Throughout the first act of the play, Othello is shown as many different characters depending on who is speaking. Iago complains of Othello's pride and "bombast circumstance" and is angered by the appointment of Cassio, an educated military theoretician of Florence to lieutenant, instead of himself. As Iago speaks to Brabantio about Othello, he uses the term "white ewe" to represent Desdemona, and "black ram" when referring to Othello. By using these terms, it shows that he is trying to give a bad impression of Othello when he is speaking to the royal family in Venice, because Othello is a Moor, or a Negro. Iago shows his black hatred for the Moor and his jealousy of Cassio in his first soliloquy and also reveals his evil intentions.

    Read More

  • The Tragedy of Othello

    1286 Words  | 3 Pages

    William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”

    Read More

  • Othello

    1250 Words  | 3 Pages

    ​In many instances in literature, the flaws of characters lead into conflicts that arise and that the characters must attempt to overcome over the duration of the storyline. In some cases, the character facing these problems, typically the protagonist, is unable to triumph over such issues. This can cause their major character flaws to overwhelm them, and they can encounter even more troubles or even their own downfall. A comparable situation as the aforementioned is found in the Shakespearean tragedy, Othello, where the character flaws of the protagonist, Othello, cause weakness in his character, which ultimately leads to his downfall and death. One of the flaws that lead Othello to his downfall is the fact that he has very poor judgement, which is indisputably seen through the consistent trust that he finds in Iago. His downfall also occurs due to his overwhelming struggle against jealousy, which materializes primarily from the relationship that his wife has with Cassio. Furthermore, Othello’s insecurities cause weakness in his character, allowing the antagonist of the story, Iago, to use them in order to lead Othello into his downfall. With these faults in his character, it is evident that Othello’s downfall comes about due to his major character flaws.

    Read More

  • The Tragic Hero in William Shakespeare´s Othello

    611 Words  | 2 Pages

    Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.

    Read More

More about The Protagonist in Willima Shakespeare´s Othello

Open Document