Each of these texts contain a regressive transformation for their communities. These texts draw a direct connection between their narrations' past communities and their present tenses. Within Pauline Johnson's story, “The Lost Island”, the main character conveys a story from the history of his people, effectively showing how the societal oppression of his people affected their overall society (Johnson 334). In Archibald Lampman's poem, “The City of the End of Things”, the narration depicts a society that has progressed so much that it has regressed into a hellish state, abandoning the age of man in favour of a much less human state (Lampman 344). Each of these texts achieves these facets by calling upon their respective narrative pasts. In “The Lost Island”, the main character relies upon the medicine man's story in order to explain the lifestyle and ambitions of his people. In “The City of the End of Things”, the speaker recalls the way humanit...
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... status of society, showcasing the way a community may suffer across time. Lampman's poem remarks upon the cold indifference that the world could face without the bonding aspect of a social, human community in the future. Both stories indicate that progress through time does not necessarily equate to social progress. In conclusion, these texts that it quite possible that the progression of time may result in the regression of societal communities.
Johnson, Pauline. “The Lost Island.” An Anthology of Canadian Literature in English. Ed. Donna Bennet and Ed. Russel Brown. Third Edition. Canada: Oxford University Press, 2010. 233-235. Print.
Lampman, Archibald. "The City of the End of Things." An Anthology of Canadian Literature in English. Ed. Donna Bennet and Ed. Russell Brown. Third Edition. Canada: Oxford University Press, 2010. 243-245. Print.
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