The process of fighting piracy and copyright infringement has become increasingly difficult with the advent of new technologies. The transitioning of music and videos to an online platform has impacted the entertainment industry as well as consumers. The availability of online content has changed the way consumers purchase and listen to music. There are several legal channels available for consumers to obtain music and videos online, through live stream, on demand, pay per view, live tv, and other authorized music services and websites. However, consumers are also using unlawful means to obtain music and videos through illegal file sharing. Amongst these means, the most popular are peer-to-peer (P2P) networks that allow users to connect directly to each other and create a network of file sharing.
While it is illegal to download and distribute copyrighted content without permission, it is considered to be a widespread practice. The expectation for uninformed consumers is that it is acceptable to download anything from the Internet and that they are doing nothing wrong. However, even among those who know it is illegal, some still continue to download illegally, believing that their downloads would not create much harm to the entertainment industry or that they will not be caught. As for content owners, the expectation is that consumers pay for the products through the available legal options; and that if they do not, there should be a system to deter them from such behavior. To begin, we will examine the precedented copyright laws that have influenced the Copyright Alert System -- commonly referred to as CAS, being enforced today.
Piracy has been at the helm of concern for the Entertainment industry, its constituencies, the governme...
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...sential that they keep abreast on copyright laws and monitor their client’s actions from a distance to ensure they are behaving in both an ethical and a legal way.
Further more, the CAS system will affect or even change the behavior pattern of the consumers, by affecting the accessibility to the IP content, which involves the channels they use to obtain copyrighted content, the cost of obtaining those contents, and the experience of relating to it. Also, ideally it will change the cultural context, such as how they value creation; whether people think the creators should get paid for their works, etc. Both the behavioral change and cultural change contribute to the revolution of the ecosystem of Intellectual Property consumption, which PR professionals should be familiar with since the knowledge of the situation enables us to engage, and communicate strategically.
...nd a strong message that the illegal distribution of copyrighted works has consequences, but if individuals are willing to step forward on their own, we want to go the extra step and extend this option" (RIAA 1).
An option that copyright owners have considered toward protecting their works from circulating in P2P networks is to use a variety of technological tools to prevent piracy. Such tools would be capable of blocking, decoying and redirecting the connections of unauthorized copyrighted file transfers. However, federal and state laws such as the Computer Fraud and Abuse Act of ...
Whereas Rose advocated better policing practices and improved copyright legislation, Dyson proposed that the de facto legalization of content duplication would nullify copyright law, resulting in a service-based economy with little copyright law. While this economic and legal evolution will continue for years to come, it is this author's opinion that Dyson's model of change seems much more likely based on events and trends over the past six years.
It is first beneficial to know the definition of piracy. Piracy has been characterized multiple ways from multiple disciplines. For the purpose of this paper, I will apply the definition of piracy from the 1982 United ...
The privacy of the individual is the most important right. Without privacy, the democratic system that we know would not exist. Privacy is one of the fundamental values on which our country was founded. There are exceptions to privacy rights that are created by the need for defense and security.
Physical piracy-the copying and illegal sale of hard-copy CDs, videotapes, and DVDs-costs the music industry over $4 billion a year worldwide and the movie industry more than $3.5 billion. These numbers do not factor in the growing (and difficult to measure) problem of Internet piracy, in which music and movies are transferred to digital format and copies are made of the resulting computer file. Journalist Charles C. Mann explains why Internet piracy has the potential to be vastly more damaging to copyright industr...
There are a lot of people who download music and movies without paying. The main reason that this is such a big issue is because piracy substitutes for a legitimate transaction; for example, someone who would have originally bought a DVD of the movie Young Guns but instead downloads it for free on The Pirate Bay. In this case, the person pirating the movie or song would never have bought it. This happens frequently if the “pirate” lives in a relatively poor country, like China, and is simply unable to afford to pay for the films and music he or she downloa...
Just two decades ago, saying “copyright” to teachers most likely conjured images in their minds only of the fine-print notice in the front of a textbook. Today, with a world of Web 2.0 technology at their fingertips, copyright issues for teachers can be confusing and complex. Add to that an ever-increasing emphasis on technology literacy in our states’ education standards – forcing teachers to incorporate applications and resources that may be uncharted territory to them – and the waters get even murkier. Teachers bear the double-burden of carefully abiding by copyright laws in their day-to-day incorporation of technology in the classroom, while instilling copyright ethics in students as they meet state standards for technology and media literacy. A review of the copyright literature related to education provides some clarity on copyright and fair use applied to classroom practices, suggests barriers to copyright compliance among educators, and provides suggestions on how to teach copyright ethics to a tech-savvy generation.
The first reason why downloading and uploading copyrighted materials from the Internet should be legal is that downloading copyrighted materials positively affects the economy. The European Commission Joint Research Center reported that the profits of music companies would be 2% lower if uploading and downloading copyrighted materials were banned. However, music companies are able to acquire more profits despite illegal downloading because many people tend to purchase CDs or DVDs after watching or listening to copyrighted materials for free. Moreover, the research showed that people who download music illegally spent more money to buy music than people who did not download illegally. In addition, research conducted by the Swiss government informed that one-third of Swiss people downloaded copyrighted materials from the Internet because personal use of copyrighted materials is legal in Switzerland. Even though there is a fact that many people can download copyrighted materials from the Internet legally in Switzerland, the amount of money that people spend to buy copyrighted materials is not f...
According to the book “Pirate’s Dilemma,” “Are Pirates have to scupper us? Are they a threat to be battled or innovators we should compete with and learn from?” (Matt Mason 4). Piracy has and will always be a threat to the whole media industry and of course the economy. As long as people can download for free or buy never been released movies in a cheaper price, there is no way media industries can compete with that.
All around the world people connected to the internet are downloading free digital content through P2P file sharing software.
However, in recent years, it is not uncommon to see copyright in the possession of a third party other than the creator. These companies make use of copyright as an investment and financial tools to gain profit. In this case, the use of copyright loses its original purpose of protecting the creator, but used as a mean for financial gain. This could possibly hinder creativity as innovation becomes a financial tool catered to the tastes of the general public, while the less marketable new ideas goes unnoticed by the general public under the copyright laws. It is crucial to note that online platforms such as blogs, Facebook and Youtube, and people making their music/works available online for free shows the rapid surge in the number of people willing to sacrifice their copyrights to market themselves to the world. In this highly saturated market, copyright laws can become less relevant as marketing and business is placed on higher
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
With the popularity of the Internet, sales for CDs, DVDs, Movies, and many other products have increased. Along with the increase of sales has brought forth an ever increasing problem of illegal media being downloaded. Programs such as Bittorent, Kazaa, and other direct-connect networking programs have allowed the transferring of such illegal media. Downloading song files from the Internet over a free peer to peer network is the moral equivalent of shoplifting music CDs from the local mall.
At the dawn of the internet, many things such as books and text became obsolete, due to insufficient monitoring of internet activity and sites. Individuals were able to gain free access to books and publications that normally needed to be bought, or required a fee. This is something that has caused problems for booksellers and publishers. Now, as technology advances, it also begins the decline of music, software, and television industries—but something can be done before it’s too late. Illegal downloading is a problem that affects us all, either directly or indirectly. Many people do not take it too seriously. They have not realized that it is an epidemic; like a disease that keeps growing as people become more knowledgeable about computers and learn more about how software runs. People openly burn music CDs and download music and movies for friends who in turn give it to their friends; it’s a never-ending cycle on illegal practices. The problem started when Napster came out and should have ended when it was shutdown. Unfortunately, not enough has been done to stop the illegal transfer of files. It’s time someone takes full action and ends this detrimental offense.