Where vanity envelops those mesmerized by their own appearances and by materialism, overweening pride does not discriminate against class and status. The climactic use of pride and vanity is best represented through the tensions and fighting between Austen’s strongest female characters, Lady Catherine de Bourgh and Elizabeth Bennet. Lady Catherine is a shining example of the stereotypical “snobby, upper-class,” whereas Elizabeth symbolizes the “stubborn, oppressed middle-class.” Although Lady Catherine’s vanity is what is focused on, her pride (as well as the pride of other upper-class characters in the novel and film) is extremely prominent. The worst of Lady Catherine’s negative character traits is seen when she travels from her estate to the Bennets’ home simplyjust to ask Elizabeth “Heaven and earth! —of what are you thinking? Are the shades of Pemberley to be thus polluted?" (Austen 268). ...
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...itive accomplishments and attributes of oneself without feeling the need for comparison to others.
Nothing pure stems from prejudice flora. The roots of one’s ethics are derivative of his or her upbringing. With hubris playing such a large roll as it does in Pride & Prejudice, it takes on its own character as the true antagonist of the story. Dissecting the characters of the story shows a traditional core with an unorthodox backwards way of thinking. Where admitting to mistakes means admitting to defeat, it is not difficult to understand the individual stubbornness that comes from each character. This stubbornness provides complications in, what should be, simple romances. However, the ultimate understanding Austen wished to expose is that pride and vanity do more harm than good, emphasizing serves as an example of the havoc that prejudgment can subconsciously cause.
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