Sexuality in One Flew Over the Cuckoo's Nest and A Street Car Named Desire

Sexuality in One Flew Over the Cuckoo's Nest and A Street Car Named Desire

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In What ways is Sexuality portrayed as central to the conflicts of
the individual-v-society in Ken Kesey's One flew over the cuckoo's
nest and Tennessee Williams A street car named desire?

In What ways is Sexuality portrayed as central to the conflicts of the
individual-v-society in Ken Kesey's 'One flew over the cuckoo's nest'
and Tennessee Williams 'A street car named desire'?

The capacity of sexual feelings within the individual is central to
both the development and fundamental basis of any significant
character. As observed in both 'One flew over the cuckoos nest' (AKA
Cuckoo's nest) and 'A Street car named desire' (AKA. St. car)
sexuality emerges as a principal device used in defining a character
to the audience. By the reliance on and close association of the text
with the stereotypical characters found within society, the characters
presented to the audience can be made more identifiable with. The
physical description of a character can therefore be said to be
symbolic of its sexuality, "Broad across the jaw shoulders and chest"[1]
and in likening a description to a stereotype "I fight and fuh..too
much"[2] this can be greater reinforced. As you can see the physical
description of McMurphy is twinned with boastful memoirs of his
masculinity via his sexual prowess. This also being evident in St. car
with the introduction of the character Stanley Kowalski, "blood
stained package"[3] is symbolic of the instinctive masculine act of
the hunter-gatherer, this in collaboration with the description that
precedes it "Roughly dressed in blue denim work clothes"[4] suggests
to the audience that Stanley, like McMurphy is a strongly masculine
heterosexual male. The connotations that stem from the appearan...


... middle of paper ...


...flew over the Cuckoos nest, P-100.

[3] Stanley from St.Car, throws this up to Stella His wife.

[4] Description of Stanley from St.Car.

[5] Harding's hands are said to be the colour of ivory "carved each
other out of soap".

[6] Blanche is related to pale colours consistently throughout.

[7] Mitch says this to Blanche during her mental decline.

[8] The house Blanche once lived in Southern America, part of the
decline of slave labour and Southern way.

[9] The hospital ward is likened to that of a democratic community by
those in power.

[10] Both terms of castration are used in description of the Nurse's
desire to emasculate and thus gain power over the men.

[11] He has a stutter as a result of his persecution from society.

[12] A metaphorical representation of society as a machine, from the
narrative voice Bromden.

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