Imprisonment of Women Exposed in The Yellow Wallpaper
When asked the question of why she chose to write 'The Yellow Wallpaper', Charlotte Perkins Gilman claimed that experiences in her own life dealing with a nervous condition, then termed 'melancholia', had prompted her to write the short story as a means to try and save other people from a similar fate. Although she may have suffered from a similar condition to the narrator of her illuminating short story, Gilman's story cannot be coined merely a tale of insanity. Insanity is the vehicle for Gilman's larger comment on the atrocities of social conformity. The main character of "The Yellow Wallpaper" comes to recognize the inhumanity in society's treatment of women, and in her awakening to this, visualizes her torment in the faded yellow wallpaper that hangs in her chambers, her jail. The unnamed narrator of the tale is purposefully left unnamed; the narrator could be any wife, any mother, any woman. Gilman transforms the hysterical, insane female of early 19th century literature into genius.
The first striking image that readers of "The Yellow Wallpaper" are presented with is not that of a room, it is not of the house, but of the character of John, the husband. John is described as a man of a "practical and extreme" nature (246). His presence throughout the tale provides for the narrator's motive. John refuses to accept her wife's condition; he does not believe that there is anything truly wrong with her.
If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression, a slight hysterical tendency - what is one to do? (246)
The narrator is possessed by her hus...
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...ion. Sven Birkerts. Boston, Massachusetts: Allyn and Bacon, 1992. 387-400.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12 (1986): 113-128.
Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in 'The Yellow Wallpaper.'" Studies in Short Fiction 26 (Fall 1989): 521-530.
King, Jeanette, and Pam Morris. "On Not Reading Between the Lines: Models of Reading in 'The Yellow Wallpaper.'" Studies in Short Fiction 26.1 (Winter 1989): 23-32.
Knight, Denise D. "The Reincarnation of Jane: 'Through This' - Gilman's Companion to 'The Yellow Wallpaper.'" Women's Studies 20 (1992): 287-302.
Rigney, Barbara Hill. Madness and Sexual Politics in the Feminist Novel: Studies in Bronte, Woolf, Lessing, and Atwood. Madison, WI: The University of Wisconsin Press, 1978.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
The winning team in a dance competition is determined by a panel of judges. Some may argue that because the teams are not facing off head to head, dance is not qualified as a sport. However, a deeper look into the sport of gymnastics validates otherwise. There is no doubt gymnastics is an extremely difficult sport, which is why it is presented along with many other sports in the Olympics. The scores of the competitors are solely determined on the scores that the panel of judges decides to give them. There is a strict set of guidelines, which the judges follow in order to determine their scores. These same rules apply at dance competitions, so why would one qualify and not the other? Furthermore, multiple tests have been conducted at the Gatorade Sports Science Institute, ranking dancers from Fox’s So You Think You Can Dance among professional athletes in terms of overall athleticism (Wallace 1). This educated viewers and broke the misconceived stereotype that dancers are not
Like the darkness that quickly consumes, the imprisoning loneliness of oppression swallows its victim down into the abyss of insanity. & nbsp;
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Haney-Peritz, Janice. “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’.” Women’s Studies. 12.2 (1986)113-128. EBSCOHost. Web. 10 Mar. 2011.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
I stepped out of the chilly November air and into the warmth of my home. The first snowfall of the year had hit early in the morning, and the soft, powdery snow provided entertainment for hours. As I laid my furry mittens and warm hat on the bench to dry, I was immediately greeted with the rich scent of sweet apple pie, pumpkin pie, mashed potatoes, and the twenty-pound turkey my mother was preparing for our Thanksgiving feast.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
As Virginia Wolfe once stated, “For most of history, Anonymous was a woman” ( ). The word female has had countless meanings throughout its lifespan. Females can be seen as lowly and cheap, regal and sophisticated, or weak and underutilized. It has only been in the last 70 years that women have gained a foothold in society, to gain the rights they deserve. In the late 1800’s a new writer Charlotte Perkins Gilman questioned society’s views on the idea of being female and tried to make them understand that females are a force to be reckoned with and not a doormat for men to step on. She would not stand to be labeled anonymous.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Harvest celebrations have been around a long time. Ever since the very first harvest, about 2000 years ago, people have given thanks for a prosperous bounty. The first formal Thanksgiving was in the year 1578. A man named Martin Frobisher had given thanks for surviving his journey from England. He also gave thanks for a place that is now called Newfoundland.
Is dance a sport or not? Some people in our world today consider dance just to be all frilly and fragile. Dance takes time, effort, determination and impeccable strength. I believe that dance is a sport because it has the same components as any other sport. In any other sport you need to work hard with a lot of effort, and that is exactly what dancers do. For example, most beginning dancers practice between five to ten hours a week. Although most people in our world today look at dancing as nothing more than tutus and twirling, a good dancer must have a mind mentally engaged, a body able to endure physical challenges, and toned dedication and skill.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
To many, dance is only an art. In reality, dance is much more. It 's an art, a sport, a way to express one’s self, a way to exercise, a way to get feelings out. Since the beginning of time, humans have used different types of dance to express themselves. There are many advantages to dancing, however there are also some disadvantages. Dance is one of the most physically and cognitively demanding sports.