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Alvin Aileys style of dance
alvin aileys dance style
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Alvin Ailey’s Revelations and Tchaikovsky’s Swan Lake are two different styles of dance from very different points in history. Revelations is a contemporary dance and Swan Lake is a classical dance. Each dance has certain points that have made it critically acclaimed. They both incorporate different styles of dance but they do share a few characteristics.
The stage props and the lighting seemed to be different in each performance. Swan Lake had a backdrop of a lake. This was key for this dance. When the girls would turn back and forth from swans they would show a group of swans swim across the lake. This was very important for the audience to understand this very important transformation. The lighting in Swan Lake was a little bit brighter because it had more scenes where the entire stage needed to be illuminated. When the soloists were dancing they did not have a particular spotlight on them. Revelations had a very plain set. This seemed to put more of a focus on the dancers instead of the atmosphere on stage. The backdrop was just a dark cloth with no pattern or picture. The lighting covered the entire stage when many dancers were performing at the same time. When soloists performed, a spotlight was focused on them to draw all the attention to the dance.
The choreography in Ailey’s dance was very interesting. The dancers used the floor much more than Swan Lake. Swan Lake’s dance movements seemed to be very apar...
After watching the videos most made me feel same as in our book Bill T. Jones says, “Make something beautiful…Make something that comes honestly from you. Dare to fail.” That is exactly ho I felt after watching most of the videos. They were full of emotions and contact. The movements were very touchy feely and emotional with a story to tell; especially, the one called “What is contact improvisation?” I did reminded me of some of the previous choreographies we watched. I most of the videos there was a lots of ballet movements except the “Rennie Harris Puremovement │ Jacob 's Pillow Dance Festival 2009," which I actually enjoyed the most. I also did see some jazz, and musical, but not tap. If I look at previous video from Bob Fosse and his “Sweet Charity”, I don’t really see any connection between the videos we have see in this chapter.
The first act, Moon Over Jupiter, was the most challenging to interpret out of the three. This piece seemed to be about relationships, because the dancers were paired up on stage. The dancers’ facial expressions gave the impression that the dancers were experiencing intimate sentiments. The female dancers mostly did leaps, while the male partners would accompany or aid her in the air. Despite the interpretation of the dance, Dwight Rhoden, the choreographer, effectively used dynamics throughout the dance. For most of the piece the entire company was on stage, therefore Rhoden effectively used space when distributing the dancers on stage. In addition, the dancers used a lot of space vertically. In other wo...
Analyzing each personal dancer I am detailing the differences of each artist dance styles first starting with, Maud Allen, dance style used impressionism emotions through her movement at the time of her performance telling the story based on her movements and own emotions (Aloff). Based on feelings within that depicted the way she moved within the performance and displayed to the audience watching. Maud Allen was famous for the dance of Salome a story told in biblical text about the beheading of john the Baptist a prophet, captured by Herod because he denounced the right to marry his wife’s name Herodias due to being his half-brothers
The element that stood out the most to me was how effectively the music and the footwork corresponded. The best examples of this are seen through the dancers solos. Especially Albrecht's solo, his feet glide on the stage at the same tempo as the music. Similarly, Giselle's graceful footwork is truly amazing. I really like the similarities between the choreographed footwork and the music, it makes Giselle seem much more elegant and beautiful. This also seems to make the work look more put together and in sync because the dancers are dancing in harmony with the orchestra. The choreography by itself is amazing. The footwork is rapid and intricate, however, at the same time it is delicate and graceful. The ballerina (Giselle) made it look very easy to do the choreography, when it rea...
Revelations is a contemporary style dance that tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music.This choreographic work was first performed in New York City on January 31,1960 at the Alvin Ailey American Dance Theater and later recognized to be a signature piece for the theater. Alvin Ailey is the original choreographer of the masterpiece titled “Revelations” and also the founder of the dance theater where the piece Revelations is mainly showcased, Ailey was an African-American born January 5,1931 in Rogers, TX , only 29 when he decided to develop this dance piece. There was a time where opportunities for male dancers like himself was severely limited, so that 's when he decided to establish his work, this dance performance was Ailey 's idea for African Americans to express their talents,cultural history, and experience and was also encouraged by his memories of living in the south and his understanding of human development.
Allison Bonetti, a dancer in the performance, is quoted, remarking, “I feel dizzy every time we complete the Waltz section, but I don’t feel dirty or scandalous, as I would after, say I maybe danced in a club. I think I speak for many of us when I say that the Waltz feels like a dance my grandmother would do.” In fact, the performance is misleading seeing as it is paired with very formal and controlled dances such as the Pavane and the minuet. In fact, modern historians such as Mark Knowles have compared the Waltz to social hip hop dances of today such as “krumping and grinding” since through the ages social dances have been “manifestations of society’s beliefs, values, attitudes, confusions, and concerns.” If the performance was to correctly convey this notion, it would have beneficial to place the nineteenth century Waltz in the second half of the performance, along with dances like the Quan and the Whip. However, in order to maintain chronological accuracy, the Waltz was placed in the beginning of the performance, overall failing to reveal the true nature of the nineteenth century
Alvin Ailey, a dancer born in 1931, founded what is known today as the Alvin Ailey American Dance Theater. Born in Texas, Ailey faced intense racism and discrimination growing up. As a result he strove to created a multi-racial company where dancers were judged upon ability and not their race or background. This was groundbreaking since at the time racism led to limited opportunities for African American dancers. At 22 Ailey joined the Horton dance company where he would eventually become the artistic director after Horton’s passing. Ailey founded the Alvin Ailey American Dance Theater in 1958. Popularizing modern dance, Ailey became known throughout the world as he traveled internationally with his dance company. Emphasizing the theatricality of dance, Ailey utilized intricate costumes, stunning lighting displays and makeup in his performances. The style of Ailey’s choreography incorporates aligned ballet legs with a more loose, “modern” torso. Ailey choreographed 79 pieces for the company before his death in December of 1989, one of the most acclaimed being Revelations. Revelations was created by Ailey in 1960 and brought fame to the company. The highly acclaimed piece is still preformed today by the company’s dancers. Ailey died of AIDS in 1989 after choreographing countless pieces for his own company and others such as the American Ballet Theater.
The start of American Modern dance began in the 20th century as dancers began to pull away from traditional forms of choreographed dance like ballet. One of the founders of this rapidly modernizing dance movement was Isadora Duncan. Isadora Duncan seeked to create dances that were free with out the rigorous or confined movements of ballet. As a result Isadora Duncan formed a dance style that was reflective of her free spirit. She looked for inspiration in classical Greek arts, social dances and nature. In a speech entitled The Dance of the Future she stated that the future of dance would be similar to the dance of the ancient Greek, natural and free. Consequently she developed a dance style based on improvisation and interpretation. Her dance movements consisted of running, rising, falling and skipping all movements that became the foundation of her dance style.
One incident that happened to me that change how I thought about sports was when I first started playing soccer. It all started when my mom said that I should join a sport to get me more active. It took me awhile to choose soccer at first because there were so many sports to choose from. I told my mom I wanted to play soccer. She signed me up to play for a non competitive league (GYSA) so I can learn the basics of the sport. She also told me to play I would have to maintain good grades. After hearing that i always tried my best in soccer and school.
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
At the end of the 19th century, ballet was the most prominent form of dance. However, to Isadora Duncan, "ballet was the old order that needed to be overthrown, an embodied symbol of all that was wrong with oversymbolized 19th century living" (Daly 26). Duncan believed that the over-technical, over-standardization of ballet was not what dance should be about. Her vision of dance was one of emotions, ideas, social betterment, and the complete involvement of the body, mind, and soul (26). With these ideas in mind, she began to create a new form of dance; what she referred to as the "new dance" (23), and what is now known as modern dance. In creating this new dance, she was inspired by composers such as Beethoven, Nietzsche, and Wagner, writers like Walt Whitman, scientists Darwin and Haeckel, her Irish grandmother, and ancient Greek culture, as well as the spirit of America and its people (Duncan 48, 54). It was a combination of these influences that helped her to create the most expressive, soulful dance known today.
Born January 5th, 1931 in Texas, Alvin Ailey was an African-American dancer and choreographer. Leaving Texas to move to Los Angeles, he studied dance under modern choreographer Lester Horton, a teacher and choreographer of a modern dance school and company. He then moved on to pursue broadway, making his debut in Truman Capote’s House of Flowers in 1954, in New York (Alvin Ailey Biography n.d). It was here that he also had to opportunity to study dance with Martha Graham and in 1958 Ailey founded his own dance company, Alvin Ailey American Dance Theatre (Alvin Ailey Biography n.d). Over the course of his career Ailey both choreographed and danced in his pieces until his death in 1989. Ailey’s pieces include influence of African culture, most evident in his piece Revelations (1960). Studying this particular piece of work over the course of five weeks I saw that it
Dance has different definitions for each individual. For some it may symbolize beauty, perfection, and struggles amongst many others. The dance movement themselves can be executed in various ways (Ferrufino & Coubard, 2012). Not everyone performs the same exact way there are a variety of different ways to perform and that is what makes dance so special. From those precisely choreographed in advanced to those created on impulse or on the spur of the moment all dances require exploration and creativeness (Ferrufino & Coubard, 2012). Every person who watches choreography by Lizzie MacKenzie is probably surprised that she is not as well known as other choreographers (Nevin, 2013). However, she is identified as an exceptional dancer as well as for her many guest appearances in high profile social events (Nevin, 2013). She is also recognized as the founder and artistic director of Extensions Dance Company, which is one of the most successful and respected dance companies in the country (Nevin, 2013).
Aronofsky and is inspired by Swan Lake, which is a well known famous ballet by
It had come to the attention of my family that I had some sort of psychological problem and something had to be done. I was always labeled as a shy and quiet kid, and like my family I had thought nothing more of my behavior. However, now it had become something more obvious. I had told my parents the kinds of problems I was having. Basically I didn't want to talk to anyone or to be anywhere near anyone I didn't know. I didn't really want to leave my house for any reason for fear that I might have to talk to someone. I was so critical and scrutinizing in relation to myself that I couldn't even enter into a conversation. Everyone seems to have a part of themselves that lends itself to thoughts of pessimism and failure, but mine was something that was in the forefront of my mind at all times. Something telling me that everything I did was a failure, and that anything I ever did would not succeed. Through discussion with my family it was decided that I should move out of my parents house to a place where I could find treatment and get a job. I was to reside with my sister Lisa, her partner Brynn, and their Saint Bernard in Greensboro.