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an essay on othello morality
an essay on othello morality
an essay on othello morality
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Morality and Destiny in Othello They are questions as old as civilization itself. Does man have control over his own destiny? Is man ultimately held accountable for his actions by a higher power? Within the plays of William Shakespeare can be found such fundamental questions and conflicts of humanity, as well as situations, attitudes, and problems that continue to hold strong universal meaning to this day. During his lifetime, morality was at the forefront of society's concerns. Outstanding men such as Newton, Copernicus, Bacon, and Locke were leading great advances in science and reason, and these new ways of thinking, combined with the need for order and religious stability provided the perfect foundation for the development of the morality-based style of writing which is especially evident in his powerful tragedies. ..........Shakespeare's tragic heroes and villains have flaws which are synonymous with Christian sins. Greed, lust, envy, and jealousy are consistently among the issues that arise with these characters. The idea that improper dealings with such evil emotions must surely lead to a terrible fate is consistently demonstrated. Sylvan Barnet notes that after creating this world of certain consequences the author adds a special "twist" to his tragedy "for it insists that the good are rewarded and the bad are punished" (227). In William Shakespeare's classic tragedy, Othello, the playwright emphasizes the belief in man's inability to control his own destiny because of the actions of rivals, the emotional conflict within himself, and the moral guidance of the universe. ..........From the onset of this tragic play, conflict begins to brew in the soul of the title character's ensign, Iago. ... ... middle of paper ... ...use of the actions of rivals, the emotional conflict within himself, and the moral guidance of the universe. Introduction I......Iago plants the seeds of hate. .......A..... Iago plots against Othello. ......B......Others are affected by Iago's web of revenge. ......C......Coincidence and opportunities for deceit arise. II.....Emotional conflict brews within the minds of the characters. ......A......Othello struggles with trust and honor. ......B......Iago is a product of his own insecurities. ......C......Roderigo, Emelia, and Cassio fight their emotions. III....In a triumph of morality, God's justice prevails. .......A.....Desdemona dies an innocent death, and Othello commits suicide. .......B......Cassio's honor is reinstated. .......C. ....Iago declares his silence and realizes his punishment. Conclusion
During the incestuous wedding ceremony between Claudius and Gertrude, Hamlet still seems to be mourning his father's death, as he is wearing black and standing further away from his mother and new...
... on the other hand is described in the court room as to be staring off at the ceiling with no type of attitude change which suggests that he is less concerned with himself and surroundings (Dickens 72) We are told that Carton does not keep up on his physical appearance which is complete opposite of Darnay who is well reserved and up kept. Even so Carton is the reason behind Darnay being acquitted since they look so alike, which suggests Carton is heroic. To Carton, Darnay is a representation of the life he could have had. They both are in love with Lucie Manette and are similar in many ways. Carton comes to Darnays rescue again in the novel when he is sentenced to death and takes Darnay’s place. This suggests that although Darnay is portrayed to be heroic, Carton is far more heroic since he risked his entire life to allow Darnay and his family to have a happy life.
Sydney’s execution seems to allow him to forgive and redeem himself for his past wrongdoings. In his final actions (such as the reassurance of the weaver girl and the Bible quotation), Carton appears to better himself as a person in his last moments of personhood. In addition, Sydney potentially improves the life of future generations by giving up his own. He is motivated by the thought his love, Lucie, and Darnay having a child of his namesake, and pledges that his loyalty and death will mean betterment for thousands of good people. This is supported by the following quote: “I see him [Darnay’s child] winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away.” (pg. ) Carton’s choice could either be seen as a noble rebirth, Christ-like in its execution, or a final self-indulgent act of fatalism. However, Dickens certainly seems to think that he is nothing less than a
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
Hatred, in Shakespeare’s Othello, destroyed the lives of so many innocent people, creating an atmosphere of fear and mayhem. Jealousy turned into a deep hatred, and liberated the "beast in man" (Bloom's major dramatists).This mayhem caused a substantial amount of destruction and led to the demise of many.
...he will do anything for her, even die for someone she loves. Lucie recalls Sydney by opening him up to doing something with his life. He later uses this new mindset to save Charles’s life. After Sydney is inspired to make something of his life he vows to do something good. To do this, he dies for Charles Darnay to show his love for Lucie. This is how Sydney Carton is recalled to life.
William Shakespeare’s tragedy Othello puts on exhibit an obvious hero and other not-so-obvious heroes. Let us examine them all in this essay.
When one hears the word tragedy, one can assume that the human emotions are responsible for the collapse of an individual. To the Greek philosopher Aristotle, however, a tragedy is “an imitation of an action of high importance…in language enhanced by distinct and varying beauties…[or] by means of pity and fear effecting its purgation of these emotions” (Kennedy & Gioia, 945). He defined a tragic hero as having three common characteristics: hamartia, or the tragic flaw in the character which coupled with hubris (pride which results in overconfidence) causes his downfall and demise; katharsis, the purgation of the audience’s emotions, which causes the audience to feel “not depressed, but somehow elated”; and anagnorisis, or the recognition of some fact not previously realized by the true identity of the main character (Kennedy & Gioia, 946). Therefore, as defined by Aristotle’s concept of tragedy, William Shakespeare’s Othello could be classified as a tragic hero. Shakespeare’s play includes jealousy and intrigue, which intertwined with pride and suspense create the finest of Aristotelian tragedies. Othello complies with the requirements for a tragic hero as Aristotle began with the premise that the hero must be of “high estate,” as if he were the member of a royal family; however, he yet falls from a hierarchy of power to one of abashment. He has married the daughter of a Venetian nobleman. He starts out well, but his end is one of drama. Moreover, Shakespeare’s plot develops as Othello’s katharsis is revealed through the climax and conclusion of the play, while the anagnorisis with the recognition that Iago was a traitor and Desdemona his innocent victim.
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.
...g to a bank to deposit a check, it can be done through a bank app on a smartphone or tablet where you take a picture of a check and it is deposited in your account. This app is unnecessary and we are able to do without it, but it saves time and money. Auto Mee S is a device that is now popular in Japan. It is a smartphone vacuum. This device was created to keep screens smudge-free. It replaces the traditional microfiber cloth. Time magazine released an excerpt talking about newly created robots. Japanese developers introduced a robot that can win at rock, paper, scissors. Brazilian students developed a Rubik’s Cube solver. Cornell and University of Chicago students collaborated and developed a dart thrower. These robots are all useless and there is really no need for them in society, it is just merely a source of entertainment, or just makes life that much easier.
...ings to ignore. For example, they affect the manner in which the brain functions. Robots also affect the social life of people, in society, which has become an ethical issue among many researchers. On the right side, robots also offer security to families and companies and perform duties that are dangerous to human beings. In addition to that, robots are of benefit in the medical field especially to students with disabilities and those awaiting organ transplant procedures. This is where robots help them remain in touch with their friends. However, there are many security concerns in regard of robotic objects, especially when people use them in place of human interactions. However, the coming days may produce advanced robots with sensor-based, animated devices that use expressive sound, light, movement a screens to praise, encourage, advice and comfort human beings.
To conclude, robots could be the backbone of the society that will result in a technological revolution. Because of robots various characteristics that do not experience fear, nor exhaustion and they are precisely programmed, which make them able to help in case of need, housework, and factories production. Society needs to put the issue of robots into consideration to satisfy any shortage exists in the world.