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Importance of ethics to the growth of journalism
Importance of ethics to the growth of journalism
ethics in journalism
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Heinrich Böll uses his novel, The Lost Honour of Katharina Blum, to attack modern journalistic ethics as well as the values of contemporary Germany. The structure of this novel is important to conveying his message. He uses a police report format, differences in chapter lengths, narrator or author intervention, a subtitle, and the extensive use of the 'puddle' metaphor. All these things contribute towards the message in the text.
The puddle metaphor is the most significant device used in the structure of the novel. The 'puddle'; means the collective information from all the sources. The narrator speaks of the information as 'fluid' and he also talks of the 'conduction' of the information coming from these different sources. There are different types of sources. There are major and minor sources, subterranean streams, and sources 'that can never come together';. The major sources are the police transcripts, Blorna (attorney) and Hach (public prosecutor). The minor sources are Katharina's brother, Else Woltersheim, etc. The subterranean streams are the 'leaks' from the offices of the law e.g. police department. Of course this could also be criticizing contemporary Germany for allowing such things to occur. The sources 'that can never come together'; are the ones that can never be used in a court of law e.g. the phone conversations. The narrator or author uses this metaphor make the story flow and as a way a telling the reader why something has to be done e.g. the rerouting of the channels since there is something the reader has to know that happened before and the story or the channel cannot continue on it's current path. In the end, the metaphor is used very effectively and the reader can see why it was necessary to think of all the information as just one puddle getting bigger and bigger. Of course the narrator makes it very clear that he does not want blood flowing through these channels since the blood as nothing to do with big picture, the big picture meaning the message that he is trying to convey.
As said before, The Lost Honour of Katharina Blum is in a police report format. The tone is very formal and it is extremely detailed and logical (stereotypically German). Right from the start the reader can sense a message the author is trying to convey. The subtitle How Violence Develops and where it can lead gives the reader a sense of a trail to follow,...
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...ere the author intervenes are whenever the 'puddle' metaphor is mentioned and in chapter 41. He uses an entire chapter to either give the reader a break from the action or to get the reader to thing of something in the background to all this action, which is somehow important to the reading. 'To much is happening in this story. To an embarrassing, almost ungovernable degree, it is pregnant with action: to its disadvantage.'; (Chapter 41, p98). This chapter focuses on the wiretappers and what goes on in the 'psyche' of the wiretapper. The reader would never have thought of this, but perhaps this 'technical' interjection is rather important since the 'little plugs' are sources for the puddle.
The structure of The Lost Honour of Katharina Blum of course does not fully show how Heinrich Böll is attacking the modern journalistic ethics and contemporary Germany, that is all in the text of the story. However the structure that Heinrich Böll has put the text in is flawless, there can be no misinterpretation of the facts, unlike in newspaper reports. It is typically German in its style, every single detail given, so the reader can find out what the lost honour of Katharina Blum really is.
The essay begins with Griffin across the room from a woman called Laura. Griffin recalls the lady taking on an identity from long ago: “As she speaks the space between us grows larger. She has entered her past. She is speaking of her childhood.” (Griffin 233) Griffin then begins to document memories told from the lady about her family, and specifically her father. Her father was a German soldier from around the same time as Himmler. Griffin carefully weaves the story of Laura with her own comments and metaphors from her unique writing style.
Blood chilling screams, families torn apart, horrifying murders are all parts of the Holocaust. David Faber, a courageous, young man tortured in a Nazi concentration camp shares the horrors he was exposed to, including his brother Romek’s murder, in the book Because of Romek, by himself David Faber. When Nazis invaded his hometown in Poland during World War II, David remained brave throughout his father’s arrest and his struggle to stay alive in the concentration camp. David’s mother inspired him with courage.
...it may help us arrive at an understanding of the war situation through the eyes of what were those of an innocent child. It is almost unique in the sense that this was perhaps the first time that a child soldier has been able to directly give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the child-killer. While the book does give a glimpse of the war situation, the story should be taken with a grain of salt.
In The Book Thief by Markus Zusak, Liesel Meminger, an orphaned little girl living in Nazi Germany, evolves partly through her numerous literary thefts. At her younger brother’s gravesite, she steals her first book, The Grave Digger’s Handbook, which teaches her not only the method to physically bury her brother, but also lets her emotionally bury him and move on. The theft of her next book, The Shoulder Shrug, from a book burning marks the start of Liesel’s awareness and resistance to the Nazi regime. As a story with a Jewish protagonist “who [is] tired of letting life pass him by – what he refer[s] to as the shrugging of the shoulders to the problems and pleasures of a person’s time on earth,” this novel prepares her both for resisting the
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
German citizens had to endure a challenging lifestyle, presented by Adolf Hitler, of fascism, the holocaust, Jewish laws and propaganda during World War II. From 1939-1942, Nazi Germany affected the lives of Jews, Gypsies, Slavic people, and other groups living in Germany by getting rid of the undesirables, known as the Holocaust. Only Germans with the look of blond hair and blue eyes were even considered to live, only if he or she had no defects or disabilities, anyone else was sent to and killed in concentration camps. The Book Thief takes place in a town near Munich, Germany during this time of the holocaust. The novel focuses on the lives of the people and how they cope and deal with the immediate effects of WWII. It emphasizes the danger of hiding a Jew in a family’s basement, and how they are constantly paranoid of being caught.
Through war and gender, Susan Griffin interplays between private tribulation and public tragedy. The excerpt, ‘Our Secret’, from her book,‘A Chorus of Stones’, helps to set information about the first atomic bombs. Griffin alternates between the information of the first atomic bombs and the struggles in the personal lives of regular people and major figures, such as, Heinrich Himmler and her own family. While reading ‘Our Secret’, the lessons of reading, writing, and thinking are iterated throughout the work. The structure and features of her work are foreign to many such as myself, because the use of this method has not been seen before. When many read ‘Our Secret’, it is the first time that they are encountering this type of writing method. It keeps the readers interested in what was being read the entire time. The alternations between the italicized sections and her story require the re-reading of the two portions allowing for better comprehension. To better understand her method of writing looking at the connections within the text is vitally important. Without these connections, between such things as the first atomic bombs, DNA/biology, Heinrich Himmler’s life, and many other topics, the reading may make no sense at all to the readers. It would seem to the readers, through their first time of reading it, that it just jumps from one topic to the next and that may begin to confuse the reader. The reader may have seen this type of method in another text before, and they would be able to understand a lot more than the readers who haven’t seen this type of writing method used before. Students gain a deeper understanding of the text when they recognize connections. These connections connect the reader to the characters being discu...
The events experienced in Auschwitz by Wiesel would influence him to write about this moment. Though Wiesel had difficulty expressing the trial that he experienced, he discovered that formatting the event into ...
Culture of Honor: The Psychology of Violence in the South, written by Richard Nisbett and Dov Cohen discuss and explain violence found in the South. For decades, the American South has been viewed as more violent than the North. According to Nisbett and Cohen (1996):
In his most famous novel Goodbye to Berlin, British writer Christopher Isherwood is exploring different characters living in Germany (esspecialy Berlin) in the times of Nazi rising. However, his novel is not about politics. It is about ordinary people with ordinary troubles and thoughts. However, the reader can find various remarks on politics and political opinions. The aim of this essay is to find and explore expressions of political atmosphere, manily in portrayals of the characters.
As an essay, “Our Secret” shows the power of a writer’s voice—the scenes are few and spare in its forty-eight pages—but it’s mesmerizing. Despite its innovative braided structure, Griffin’s essay is much like a rather classical reflective essay. Somehow Griffin achieves narrative drive with her segmented approach, perhaps because of her interesting juxtapositions, intense focus, and the quiet power of her language as her family’s own story unfolds alongside those of war criminals and victims.
... the Criminal Justice system. The author offers the reader a front row seat to the unfairness and unreliability of the CJ system. Grisham is not a fair writer himself and is biased in his writing throughout the entire novel. It is evident to the reader by the end of the novel that the prosecution in the case went to every extreme possible to put Fritz and Williamson in prison for a crime they did not commit. From the reader’s perspective, we knew from the beginning that Fritz and Williamson, no matter how much negative behavior they engaged in, were not the criminals and that there was a high likelihood of Gore being the offender. Nevertheless, Grisham takes us on a wild, nail-biting edge-of-your-seat ride through the Criminal Justice system in this book that leads us through an unfair trial and a slew of biased opinions, lies and deceptions and unjust procedures.
I have to begin by saying that this book is incredible, in its use of descriptive language to paint a picture to coerce one feel like they are there with him. The way he uses words to immerse the reader into believing that they are experiencing theses travesty. He brings the reader into his mind and forces them to share his thoughts. The reader’s first introduction to Frankl is one of surprise. It does not start like thought it would, but putting the reader in the car not large enough to hold the amount of people in it. Heading to Auschwitz, me knowing the history of this camp, I believed that he would for sure in the near future of the book. It did not dawn on me until the second chapter that this is the man that created Logotherapy, but I will discuss more about that latter. When he is describing how small the cab that
J.M. Coetzee, a South African writer, chooses to set his novel Disgrace in the city section of Cape Town, Africa, a racially segregated era due to the aftermath of apartheid. Events including rape, women abuse, and manipulation occurred so often between the white citizens and the African American citizens in South Africa. The protagonist in the novel, David Lurie, faces many conflicts in the story such as rape and robbery when he leaves the city and moves to the country with his daughter Lucy. David Lurie learns the true meaning of disgrace both after witnessing his daughter being raped and when he rapes Melanie back in Cape Town. As a writer, J.M. Coetzee uses the protagonists and the struggles that he surpasses to portray a series of conflicts that can only be shown through the setting of South Africa.
In order to analyse this sequence, the narrative links that are drawn here must be addressed. After Dreyman’s long-term friend commits suicide due his ‘black-listing’ by the Stasi, an infuriated Dreyman is driven to write an anonymous article about concealed suicide rates. He sends this article to be published in the West German magazine, ‘Der Spiegel’. All typewriters are listed in the GDR in order to track all authors, so in order to avoid arrest, a miniature typewriter is smuggled across the border. This typewriter is concealed beneath a threshold in Dreyman’s apartment. After one unsuccessful search by the Stasi, drastic measures are taken in order to bring down Dreyman. Under interrogation and blackmail due to her perscription drug addiction, Christa-Maria, reveals to the Stasi where the typewriter is hidden. However, before the Stasi can search the apartment for a second time, Wiesler removes the typewriter, unbeknownst to both Dreyman and Christa-Maria. While the Stasi are searching the apartment Christa-Maria sees the horrified look on Dreyman's face as he realises she has disclosed the typewriter’s location. Guilt-ridden, sh...