The Psychology of Robert Frost’s Nature Poetry Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd. Frost uses nature as an image that he wants us to see or a metaphor that he wants us to relate to on a psychological level. To say that Frost is a nature poet is inaccurate. His poetry is in the main psychologically oriented with emphasis on specific recurring themes, which include, but are not limited to, loneliness, retreat, spirituality, darkness, and death. Frost said himself repeatedly, “I am not a nature poet. There is almost always a person in my poems” (quoted in Thompson). This may be hard for some to grasp, as Frost is world renowned for his alleged nature theme. Contrary to popular opinion, nature is not Frost’s central theme in his poetry; it is the contrast between man and nature as well as the conflicts that arise between the two entities. Frost’s nature poetry interconnects the world of the natural and the world of human beings – Both key elements of his motivation in writing poetry. The harsh reality of nature and the thoughtless expectations in the minds of man scarcely cohere to one another. Frost usually starts with an observation in nature, contemplates it and then connects it to some psychological concern (quoted in Thompson). According to Thompson, “His poetic impulse starts with some psychological concern and finds its way to a material embodiment which usually includes a natural scene” (quoted in Thompson). According to John F. Lynen, “Frost sees in nature a symbol of man’s relation to the world. Though he writes about a forest or a wildflower, his real subject is humanity…his concept of nature…is a paradox and it points toward the greater paradox in man himself” (4,5). Lynen also states that “the struggle between the human imagination and the meaningless void man confronts is the subject of poem after poem” (6). On speaking of Frost’s nature poetry, Gerber says, “with equanimity Frost investigates the basic themes of man’s life: the individual’s relationships to himself, to his fellow man, to his world, and to his God” (117). All of these... ... middle of paper ... ...adily yield its meaning to anyone (Bloom 9). From that last statement, one can recognize that indeed Robert Frost’s nature poetry is more than blooming flowers and snowy nights; obviously there is an underlying psychological meaning in most of his poems. Works Cited Bloom, Harold, ed. Modern Critical Views; Robert Frost First Edition, New York et al, Chelsea House Pub., 1986. Marks, Herbert. “The Counter-Intelligence of Robert Frost”. Pack, Robert. “Frost’s Enigmatical Reserve: The Poet as Teacher and Preacher”. Gerber, Phillip L., Robert Frost Revised Edition, ed. Kenneth Eble, New York, Twayne Publishers, 1982. Lynen, John F., The Pastoral Art of Robert Frost New Haven, Yale University Press, 1960. Poirier, Richard and Mark Richardson eds. Robert Frost; Collected Poems, Prose, & Plays 1st Edition, New York, The Library of America, 1995. Kennedy, X.J. and Dana Gioia, eds. Literature; An Introduction to Fiction, Poetry & Drama 7th Edition, New York, et al, Longman, 1999. Frost, Robert, “The Road Not Taken”, 910 Thompson, Carol, “Frost and Nature” Bennington, The Friends of Robert Frost, 2000 http://www.frostfriends.org/tutorial-4.html
Robert Lee Frost was born in San Francisco, California on March 26 of 1974 and died in Boston, Massachusetts on January 29 of 1963. Though he did not truly start publishing poems until age thirty-nine, Frost obtained four Pulitzer prizes in his writing career and was deemed one of the greatest twentieth century poets. His pastoral writing and skilled use of meter and rhythm has captured the attention of reader’s and critics for decades (Academic American, 345). Frost was very fond of nature and the beauty of things around him and illustrated this in many of his poems. A reviewer stated that Frost was “always occupied with the complicated task of simply being sincere” (Faggen, I). This statement describes the writer well in the sense that Frost’s works are very full of emotion. His use of the English language and the fact that he often seemed to be holding a little something back in his writing has made him one of the most celebrated American writers ever.
“Some say the world will end in fire,/ Some say in ice./ From what I’ve tasted of desire/ I hold with those who favor fire./ But if it had to perish twice,/ I think I know enough of hate/ To say that for destruction ice/ Is also great/ And would suffice.” This poem by Robert Frost is an excellent example of how even though people tend to think that Frost’s poems are just fun easy to read poems, a lot of them actually have dark themes to them. The poem “Fire and Ice” quoted above is a poem all about death and his prefered way to die/ destroy the world. So, although the average reader will quote Robert Frost as being a poet of positivity, yet many of his poems actually point out the dark side of human existence.
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
Robert Lee Frost was born on March 26, 1874 in San Francisco. When his father died, he moved to Massachusetts with his family to be closer to his grandparents. He loved to stay active through sports and activities such as trapping animals and climbing trees. He married his co- valedictorian, Elinor Miriam White, in 1895. He dropped out of both Dartmouth and Harvard in his lifetime. Robert and Elinor settled on a farm in Massachusetts, which his grandfather bought him. It was one of the many farms on which he would live in throughout his lifetime. Frost spent the next 9 years writing poetry while poultry farming. When poultry farming did not work out, he went back to teaching English. He moved to England in 1912 and became friends with many people who were also in the writing business. After moving back to America in 1915, Frost bought a farm in New Hampshire and began reading his poems aloud at public gatherings. Out of the blue, he suddenly had many family disasters. Frost’s youngest daughter and wife died and his son committed suicide, soon after which another daughter institutionalized. Darker poetry, su...
Frost, Robert. "Design" Literature: A Pocket Anthology. Ed. R.S. Gwynn. 5th ed. New York: 2012 593. Print.
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
March, Thomas and Harold Bloom. "The Poetry of Robert Frost and the Creative Genius of
Lentricchia, Frank. Robert Frost: Modern Poetics and the Landscapes of Self. Durham, NC: Duke UP, 1975. Print.
Robert Frost wrote his poems during the early- to mid-20th century, and that was during the time period of a huge change in the rural community. This was a very influential point for the people in America, because of the drastic changes of a rural community. People were used to living on secluded farms, that had no grocery store and everything relied on their work on the farm. Children would grow up around nature and using the world around them as their playground. With the new rural community people were getting away from the isolation and moving into mass groups into cities, which rid of nature as a playground for little kids. It seemed as if nature was being thrown out of the picture as the world grew, but Robert Frost made a point of including the beauty and importance of nature in his poems. There is something poetic about nature, and Robert Frost always mentioned these in his poems. In Frost’s poems, Birches, Stopping by Woods on a Snowy Evening, and Out, Out-, he includes the importance for children to play on trees, to admire all nature around, and to stop to admire nature sometimes.
Although this poem also is connected with nature, the theme is more universal in that it could be related to Armageddon, or the end of the world. Even though this theme may seem simple, it is really complex because we do not know how Frost could possibly relate to the events leading to the end of the world. It is an "uncertain" and sometimes controversial topic, and even if everyone was certain it was coming, we do not know exactly how it will occur and when. Therefore, how did Frost envision this event? Is he portraying it in a religious context, a naturalistic one, or both? The last line (14) speaks of God putting out the light, which brings out a religious reference, but the bulk of the poem deals with nature entirely. Physical images of water, clouds, continents, and cliffs present a much more complex setting than the simple setting in "Stopping by Woods on a Snowy Evening" or the yellow wood in "The Road Not Taken."
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground as his subject manner, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression.
Robert Frost is an amazing poet that many admire today. He is an inspiration to many poets today. His themes and ideas are wonderful and are valued by many. His themes are plentiful however a main one used is the theme of nature. Frost uses nature to express his views as well as to make his poetry interesting and easy to imagine in your mind through the detail he supplies.
Robert Frost’s love of nature is expressed in the setting of his poem "Stopping by the Woods on a Snowy Evening." His elaborate description of the woody setting brings vivid images to the reader’s mind. Frost explains the setting so descriptively that the reader feels he is in the woods alsoThe setting is a very important tool Frost uses in writing this poem. The setting is obviously in the woods, but these are not just any old woods. Something caught the speaker’s eyes in these woods making them a special place for the speaker. It seems as if the speaker has associated these woods with an aspect of his "personal paradise". The peacefulness, tranquillity, darkness, and silence are all important parts of this "paradise".
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”