Gothic and Feminist Elements of The Yellow Wallpaper
Charlotte Perkins Gilman's "The Yellow Wallpaper" has been interpreted in many ways over the years. Modernist critics have applied depth psychology to the story and written about the symbolism of sexual repression in the nursery bars, the chained-down bed, and the wallpaper. Genre critics have discussed the story as an example of supernatural gothic fiction, in which a ghost actually haunts the narrator. But most importantly, feminist critics (re)discovered the story in the 1970s and interpreted it as a critique of a society that subjugated women into the role of wife and mother and repressed them so much that all they could ever hope to be was an "angel in the house."
Keeping in mind that "The Yellow Wallpaper" can be - and most often is - interpreted as a feminist text in this way, we must also recognize that it holds its own in the Gothic genre. In fact, Eugenia Delamotte claims that "women who just can't seem to get out of the house [are] the most basic subject of Gothic plots" (207). The Gothic has always been and still is a genre that picks up on the concerns of its day. In the same way that postmodern Gothic (Don DeLillo and John Crowley, for example) concerns itself with late twentieth century technological issues, Gilman's Gothic of a century ago was very concerned with the plight of women in American society. When we recognize "The Yellow Wallpaper" as both a feminist treatise and a Gothic text, we can begin drawing conclusions that might not be obvious had we overlooked this dual nature of the story.
Gilman's narrator - who appears to be suffering from postpartum depression - has been diagnosed by several male physicians, including her husband, and...
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... Gothic and feminist. It is both classically Gothic and an expression of the position Gilman would like to see women achieve in society. This duality is quite powerful. The Gothic trope of concealed objects is what enabled Gilman to best express her feminist views on the status of women in her suffocating society. Her nameless narrator is representative of all American women who have lost their identity to oppressive and unfulfilling domestic roles.
Works Cited
Delamotte, Eugenia C. "Male and Female Mysteries in 'The Yellow Wallpaper.'" Legacy. 5.1 (1988): 3-14. Rpt. in Twentieth-Century Literary Criticism. Paula Kepos. 37. Detroit: Gale, 1991.
Golden, Catherine. "The Writing of 'The Yellow Wallpaper': A Double Palimpest." Studies in American Fiction. 17.2 (1989): 193-201. Rpt. in Short Story Criticism. David Segal. 13. Detroit: Gale, 1993
Operational leaders see how the individual components of an organization fit together and use those individuals work to make a larger outcome. When they focus on a problem, they think of what works best within the process and systems to make an impact on the situation. These types of leaders play a big part in making sure that things get done in an effective and functioning manner. According to the Army Doctrine ADP 6-0, the Army over time has strayed away from operational leaders and adapted Mission Command, which gives leaders the ability at the lowest level the capability to exercise disciplined initiative in an act of carrying out the larger mission . Mission Command is made up of the following six steps: Understanding, Visualize, Describe, Direct, Lead and Assess, in which a commander is responsible for. General Patton understood the intent of the Battle of the Bulge on different levels, he was able to form a mental image for the course of actions for the allies, enemies and lead his Army into combat while guiding his officers and soldiers to succeed in meeting his intent. The Battle of the Bulge is where General Patton gained one of his greatest military achievements by using his tactical leadership and logistical genius, which in return helped him turn around the main forces and forced the Germans to drive back in their final counter-offensive. General Patton strongly exercised Mission Command by understanding, visualizing, leading, and commanding what was known as the largest and bloodiest battle during World War II.
* 1 "The Yellow Wallpaper," Charlotte Perkins Gilman, The Norton Anthology of American Literature, 1994, W.W. Norton & Company, New York, p. 646.
Ford, Karen. “The Yellow Wallpaper’ and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985):309-314. Rpt. in Short Story Criticism. Ed. Lawrence J. Trudeau. Vol. 182. Detroit: Gale, 2013. Literature Resource Center. Web. 18 Mar. 2014.
Direct-to-consumer prescription drug ads are dangerous and can have serious effects on the health of the general public. In the article “Pros & Cons Arguments: ‘Should prescription drugs be advertised directly to consumers?’”, the pros and cons of the advertising of prescription drugs are compared. The negative aspects of these ads outweigh that of the positives. DTC prescription drug ads misinform patients, promote over-usage, and pressure medical providers. The counter side argues that these ads inform patients, create a positive impact on patient compliance with medication, and cause patients to confront their doctors.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
"Why I Wrote 'The Yellow Wallpaper'?" Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&id=GALE%7CH1420082945&it=r&asid=fa503d396619394dc49024ab2704723f. Accessed 30 Oct. 2017.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
Standing in a crowd of hundreds, anxious about what is to come—combat; waiting for a man whose reputation greatly precedes him…the man who will lead you into battle—into a nightmare. As he took the microphone and declared, “you are here because you are real men and all real men like to fight.” These words are those of General George Patton…and he has your attention. Inspirational and blunt are just a couple of the many terms used to describe General Patton. General Patton was also a visionary in employment of combat forces; in fact, he was an expert on the subject. The manner in which he led his troops was in itself visionary. Despite his military prowess and formidable leadership, General Patton was humble in leadership and intellect. These three attributes will demonstrate that he was above all, a visionary and ethical leader.
A mysterious car pulled into Connie’s driveway and the driver proceeds to get out of his vehicle, showing that he belonged there, not recognizing the car Connie opens the door to her house and leans out it. “She went into the kitchen and approached the door slowly, then hung out the screen door,” (2). Without even knowing who or why this person has come to her house, Connie opens her door and leans out to possible talk to the driver, who would turn out to be Arnold Friend and wants to take her on a “date”. Connie’s ignorance towards Arnold and his arrival almost immediately puts her in a vulnerable state without her even realizing it, this vulnerability would be the first event to foreshadow Connie’s inevitable kidnapping. After greeting and talking to Arnold for a little, he proceeds to ask Connie if she wants to go for a ride in his car. Instead of turning down the offer since she barely, if at all, knew Arnold, Connie somewhat debates it. “Connie smirked and let her hair fall loose over her shoulder,” (3). Though she lacks any information about Arnold, Connie kind of debates taking up his offer to go for a ride, further letting her ignorance towards the entire situation usher her into an even more vulnerable
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Societal control of the accepted terms by which a woman can operate and live in lends itself to the ultimate subjugation of women, especially in regards to her self-expression and dissent. Gilman does an extraordinary job of effectively communicating and transforming this apparent truth into an eerie tale of one woman’s gradual spiral towards the depths of madness. This descent, however, is marked with the undertones of opportunity. On one hand, the narrator has lost all hope. On the other, she has found freedom in losing all hope. This subversion of the patriarchal paradigm is tactfully juxtaposed against a backdrop of the trappings of insanity.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
For some time the Army has been using a certain expression to defines what an Army leader actually is. To keep it basic, the three words be, know and do explains it all!