Ode on a Grecian Urn
Throughout his “Ode on a Grecian Urn”, Keats uses innocent, unfulfilled images painted on the urn, to demonstrate the theme of innocence and eternal beauty.
In the first stanza the speaker standing before an ancient Grecian urn, addresses the urn, preoccupied with its depiction of pictures frozen in time. This is where Keats first introduces the theme of eternal innocence and beauty with the reference to the “unvarnished bride of quietness”(Keats). Because she has not yet engaged in sexual actions, the urn portrays the bride in this state, and she will remain like so forever. Also in the first stanza he examines the picture of the “mad pursuit,” and wonders what the actual story is behind the picture. He looks at a picture that seems to depict a group of men pursuing a group of woman and wonders what they could be doing. “What mad pursuit? What struggle to escape? What pipes and trimbels? What
…show more content…
The urn presents a priest leading a heifer dressed in garland up to an altar. The town symbolizes the potential of man. Then, as the story continues, a bit of irony becomes present. The people are portrayed to have taken over a spiritual nature of innocence and purity. They are spiritual in nature as depicted by the urn, but not even five minutes later, they plan to sacrifice the heifer. But, once again, by freezing in time the picture of innocence, the urn does not represent the corrupted image that is about to take place. It has caught the people in a holy moment, and it has caught the town as a picture of beauty. Therefore, Keats once again, by freezing in time the picture of innocence, the urn does not represent the corrupted image that is about to take place. It has caught the people in a holy moment, and it has caught the town as an empty picture of an uncorrupted town and a group of holy
So for the most the imagery was used really well. It seems to be a common trait and regularity in Keats poems. He always paints a vivid imagine in the readers head that really can clear up any confusion that the reader may have. The urn was the key component of this poem because since there is no time so loves last forever and that is the thing that John ultimately wants. Which also seems to be the regular in his
The poem’s narrator begins by asking how is it is possible for beauty, “whose action is no stronger than a flower” (4) to withstand time, when all the strongest structures and natural elements on earth are of no match. The speaker understands that time is the creator of all that is beautiful, acknowledging time is the taker as well. Finally, the speaker resolves this problem and understands that the beauty of his love can withstand time through the ink of his sonnet “in black ink my love may still shine bright.” (14). The aspects of romantic love that the speaker is representing is that of providing his love with a way to maintain her eternal beauty forever. Throughout the sonnet, the speaker states all the elements of the world that are unable to survive time, such as “brass... stone…earth…[and] boundless sea” (1). Yet, the poem’s narrator is able to find a solution. The speakers attitude throughout the sonnet begins out as confused, they are wondering how they will be able to capture and express the beauty forever. As the sonnet moves forward the speaker frantically becomes more vigorous. The sonnet’s narrator gains disbelief that there is no way to preserve such a goal, “O fearful meditation!” (9). The speaker comes across as frantic as they begin to rapidly fire questions within every line of quatrain three. It is not until the final rhyming couplet that
Keats, John. "On Seeing the Elgin Marbles." Ed. Abrams H. M. The Norton Anthology of English Literature, Volume 2 The Romantic Period through the Twentieth Century. New York: W. W. Norton, 1986. Print.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
Imagery and symbolism merged to express his imagination, he became a unique poet in an evolving world where Romanticism was quickly expanding globally, not into a movement, but a way of thinking. Keats’ mother and brother, and eventually he too, passed away of tuberculosis. At the time of his brother 's passing, he developed ‘La Belle Dame sans Merci’. ‘La Belle’ expressed Keats’ intellect and creativity, although at the same time he himself expressed his angst and depression for the loss of his brother. His poem ‘Bright Star’ was written in a part of his life in which a woman had influenced Keats’ greatly, so much in fact that he was driven to write ‘Bright Star’ in appreciation and celebration of the love of his life. These poems reflect Keats’ intellect, originality, creativity, and his ability to merge the contextual aspects of his life and his imagination with the ideals and concepts of Romanticism to create powerful
... imagery, as both meanings could describe Keats longing, as he could wish to remain for as long as possible in the embrace of his lover, but also how he could wish to continue to hear her ‘tender-taken breath’, in which the alliteration portrays his lover as beautiful and inviting, further showing how Keats now prefers the life of reality. He forgets about the impossible, and being immortal and being alone, but rather embraces the temporary and exhilarating.
While Lord Byron's poem enhances the beauty of love, Keats' does the opposite by showing the detriments of love. In “She Walks in Beauty,” the speaker asides about a beautiful angel with “a heart whose love is innocent” (3, 6). The first two lines in the first stanza portray a defining image:
Imagery is a primary literary technique a poet uses to capture the readers or listeners senses. We gain comprehension of the world through the use of our sense. Therefore, how the reader perceives a poem is always the most important aspect every poet considers whilst writhing. The images of a poem have the ability to appeal of each of our senses, taste, smell, touch, hearing and sight can all be heightened by certain aspects of poetry. The imagery of a poem has the ability to transport us into a different place or time, allowing the reader to experience new observations. When used correctly, imagery has the ability to form an understanding of different emotions the poet tries to address through their poetry. The sounds and diction incorporated into a piece also plays a role of major importance. The use of similes, metaphors, alliteration, personification and countless other forms of literary techniques, all add a sensual feeling and experience to poetry in an assortment of ways. In the Odes of John Keats we are witness to an extensive use of literary techniques. Keats uses a variety of approaches in order to evoke the world of senses throughout his poetry. His Odes ‘on Indolence’ and ‘to Psyche’, ’a Nightingale’, ‘To Autumn’ and ‘Ode on Melancholy’ all demonstrate Keats amazing ability to arouse the senses of his readers with his diverse and vast use of literary and poetic techniques.
John Keats’ belief in the beauty of potentiality is a main theme of him great “Ode on a Grecian Urn.” This idea appears in many of his other poems that precede this ode, such as “The Eve of St. Agnes,” but perhaps none of Keats’ other works devote such great effort to showcase this idea. The beauty of the Grecian Urn (likely multiple urns), and its strength as a symbol, is a masterful mechanism. Just about all facets of this poem focus on an unfulfilled outcome: but one that seems inevitably completed. Thus, while the result seems a foregone conclusion, Keats’ static world creates a litany of possible outcomes more beautiful than if any final resolution.
ideal of the poem. Ode to a Grecian Urn, Ode to a Nightingale and On
Keats places allusions throughout the poem as a way of referencing the mythical essence nature. Full of references to greek mythology, keats’ placement of these allusions reinforces a belief in nature as a perfect and mythical world that promises escape from human frailty. The speaker states in line 16 “ Full of the true, the blushful Hippocrene/...that I might drink, and leave the world unseen” . In greek lore the Hippocrene was a sacred spring to muses and was said to inspire poets. By alluding to specific greek mythology Keats reinforces the otherworldly quality of the poem. To a degree, these allusions influence the overall tone of the piece as well, making the poem seem almost dreamlike, which in turn paint nature as being a place to escape the struggles of human existence.
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
All written in just one month "Ode to a Nightingale," "Ode on a Grecian Urn," and "Ode on Melancholy" were a result of Keats’ feelings during that time. These feelings were, “the intense awareness of both the joy and pain, the happiness and the sorrow, of human life” (Thomas). Keats greatly contemplated human beings need to placate their craving for happiness in a “world where joy and pain are inevitably and inextricably tied together” (Thomas). This amalgamation of elation and agony is the integral part of human experience that Keats recognized and established as truth.
...storal” (45, p.1848). The urn’s eternity only exists artistically and does not reflect human life because only the urn “shou remain” forever (47, p.1848). Keats contrasts the ephemeral nature of human life with the longevity of the urn. In last two lines, Keats declares, “beauty is truth, truth beauty” (29, p.1848) embodying both sides of his perspective. By establishing a relationship between beauty and truth, Keats acknowledges that like truth, the beauty of the Grecian urn is unchangeable and that the ability accept reality is beautiful.
White, Keith D. and John Keats. John Keats and the Loss of Romantic Innocence, Volume 107. Rodopi, 1996. Print.