Essay about Exchanging Love for Death in James Joyce's Eveline from Dubliners

Essay about Exchanging Love for Death in James Joyce's Eveline from Dubliners

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Exchanging Love for Death in Eveline  

Like "Araby," "Eveline" is a story of young love, but unlike Mangan's sister, Eveline has already been courted and won by Frank, who is taking her away to marry him and "to live with him in Buenos Ayres" (49). Or has she? When she meets him at the station and they are set to board the ship, Eveline suddenly decides she cannot go with Frank, because "he would drown her" in "all the seas of the world" (51). But Eveline's rejection of Frank is not just a rejection of love, but also a rejection of a new life abroad and escape from her hard life at home. And water, as the practical method of escape, as well as a symbol of both rejuvenation and emotional vitality, functions in a multi-faceted way to show all that Eveline loses through her fear and lack of courage. By not plunging into those "seas of the world that tumble[d] about her heart" (51), Eveline forsakes escape, life, and love for the past, duty, and death.

Like many of the stories in Dubliners, moving eastward in "Eveline" is associated with new life. But for Eveline, sailing eastward with Frank is as much an escape as a promise of something better. From the story's opening, she is passive and tired (46) and remembers old neighbors like "the Waters" who have since escaped east "to England" (47). She looks forward to "going... away like the others" (47). She admits she will not be missed at her job (47) and at nineteen, without the former protection of her older brothers, she is beginning to feel "herself in danger of her father's violence" (48). Her father takes what little money she earns and she is in charge of her two younger siblings as well (48). The sound of a street organ playing an Italian tune is both a call to her fr...

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...e, and "perhaps love, too" and "she had a right to happiness" (50). Yet Eveline is not certain she will find love with Frank, just as she doesn't know what kind of life they will have together. The adult world of desire, longing, fulfillment, and heartbreak roil about in "the seas of the world that tumbled about her heart" (51) and this unknown world of emotional vitality and power is as frightening to Eveline as the physical reality of sailing halfway round the world. In this realm she might drown, yes, but she might just as likely learn to swim. Yet by declining "to test the waters" Eveline condemns herself to a life without emotional fulfillment at all. In the rite of passage from adolescence into adulthood, Eveline feels only that the transformative experience will "drown" her old self and she is unable to adequately imagine a new self emerging from the waves.

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