In Kate Chopin’s time, women and their sexuality and sexual passion was deemed a negligible, even improper, aspect of women’s lives. Yet Chopin boldly addresses a woman’s sexual desire in her short story “The Storm”. This story puts into great detail a torrid extramarital sexual encounter between Calixta and Alcee in the midst of a raging storm. While “The Storm” could have been presented in a traditional light, perhaps as a lesson of the evils of uninhibited female sexuality, Chopin maintains a non- judgmental stance by refraining from moralizing about the sanctity of marriage or impropriety of Calixta’s actions. In failing to condemn, and even condoning Calixta’s behavior, as well as acknowledging the existence and depth of sexual desire in women, Chopin infuses “The Storm” with a strong feminist quality. Chopin calls the very institution of marriage into question with this story.
The simple presence of Calixta’s sexual desire and its prominent intensity make this story innovative in its’ Feminist statement about women and their sexuality. Chopin uses the symbolism of a thunderstorm to describe the passion between Calixta and Alcee. First, Calixta is not fully aware of the approaching storm, and her desires may not be quite as obvious to her; yet as the storm continues, Calixta gets increasingly aroused. I believe that Chopin deliberately put these events side by side when she writes “felt very warm…she unfastened her white saque at the throat. It began to grow dark and suddenly realizing the situation she got up and hurriedly went about closing windows and doors”(Chopin, 1898,pg1). The ever growing storm serves as a metaphor for Calixta’s growing passion, suggesting that both the tension in the air and the sexual tensio...
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...nor does she have an excuse sanctioned by society. This expression of sexual passion does not become a moralizing tale about the value or inherentess of the female virtue. Thus, Chopin presents a bold, new idea; namely that women experience desire and should be allowed to act upon that desire with selfish intent, just as men have been allowed to do throughout history.
In conclusion, I believe this story relates to today by the way some people view female sexuality. Even though a woman’s uninhibited sexuality is more acceptable now-a-days, it is still frowned upon to a certain extent. When a woman sleeps with more than a few men, she sometimes is considered to be a slut or a whore. But if a man does the same exact thing, he’s just sewing his wild oats. Is this fair? I would think not, but that goes to show you society’s views on what is acceptable and what is a
Up until the early twentieth century, the accepted role of a woman was that of a housewife and mother. In the opening of ?The Storm,? Calixta exemplifies this homemaker image perfectly; the first time the reader sees Calixta she is ?sewing furiously on a sewing machine? (858). When the storm approaches, her first priority is not her own protection; rather, she gets up ?hurriedly and [goes] about closing windows and doors? and gathering Bobinot?s Sunday clothes, which she had hung out to dry (958). By showing Calixta as a selfless extension of her house and family and not as an individual person, Chopin reiterates the stereotypical inferior image of a woman. After setting up Calixta in this manner, Chopin quickly moves to awaken her with the arrival of her former lover, Alcee Laballiere. Hi...
The short story “The Storm” by Kate Chopin, deals with the subject of adultery. The story takes place in the early 1900’s. There are two main characters, Calixta (the wife) and Alcee (the former lover). Alcee must take refuge from a passing storm in Calixta’s house, while he is there the two end up making love while Calixta’s husband and son have to wait out the storm at the local store. By doing this Chopin implies the theme that is, adultery is natural and does not necessarily have negative consequences. Through out the story the constant changing of imagery plays a great role in the development of characters and their ability to demonstrate the theme.
In Kate Chopin’s “The Storm”, she offers an intoxicating account of two souls awakened by a storm. The story was composed on July 19, 1898. At this time in history women were considered objects, their sole purpose in life was to serve their husbands. In addition, social stratification was an important aspect of society that determined who they married. Calixta’s marriage could have been a product of an arrangement, making it of unnatural origin. Chopin points out singular characteristics of the storm to shed light on the uncommon strength of a marriage when it is not determined by social norms. Consequently, Chopin brings Calixta and Alceé together to embellish their passion, in which Calixta plays an active role rather than a submissive one.
'The Storm' begins on a stormy spring day, with the protagonist Calixta at her sewing machine. She is alone, her husband Bobinot and son Bibi have gone to the store. Calixta seems to be a bored woman, confined to her duties as a housewife and mother. As the distant storm approaches she is unaware of what the storm brings, her former lover Alcee. Calixta allows Alcee into her home and opens her whole world to him. There is a connection between the storm that is going on outside and the storm of emotions going on in Calixta and Alcee. The weather sends Calixta into Alcee?s arms, he wraps his arms around her, and they can no longer hide their feelings for one another. They gave into their raging emotions and made love. Outside the weather was subsiding and Calixta and Alcee?s bodies felt relaxed and calmed. ?The rain was over; and the sun was turning the glistening green world into a palace of gems.? (1614) His face beamed with light like the sun. The storm inside of her was satisfied and for a brief instant Calixta felt liberated from her ordinary dull life.
Like in many feministic works, that struggle constantly to point out the corruptions of a patriarchal society, which subordinates women to men and subconsciously make them accept their inferior position without defending, their opinions, their interests and themselves, Kate Chopin in her short story “The Storm”, does something completely different of what was consider as acceptable in the 18th century´s literature. She creates the character of a woman who breaks the socially accepted conception of how a woman should be and act in a relationship, or in this case in a marriage, to express her sexuality. In this society women were put in an inferior position and were deprived of many privileges and rights given to men, especially in the sexual aspect; but Chopin, with her viewpoints, went ah...
This story focuses on the extra-marital affair a housewife named Calixta has while her husband and son are away due to a storm. Although we learn that Calixta has an affair we also know that she doesn’t completely defy the Cult of Domesticity. From the story we get the idea that she remained pure until she married her husband and as Chopin tells us in page 689 “She had not seen him very often since her marriage, and never alone,” this line suggest that even if she saw her past lover around she would not speak to him because neither of them were ever alone and they both didn’t want to disrespect their marriages. In addition Calixta seems to be a very good housewife and mother. She appears to be always tending her home. In page 689 we learn that “[sitting} at a side window sewing furiously on a sewing machine. [Calixta] was greatly occupied and did not notice the approaching storm.” She is so focused on her chores that she didn’t even notice a storm. For Calixta sewing and doing chores around the house is what is normal. She has assumed a role as a married woman and mother and she is fulfilling it. Before the affair you can say that by societies expectations she was a true woman, she kept her virginity until marriage, she makes sure her house chores are done, and she takes care of her family. Even after the affair she acts as if nothing has
... to mind works written by subsequent generations of women novelists. One sees Chopin’s text straining toward, among other elements, the narrative innovations achieved in Virginia Woolf’s Mrs. Dalloway and The Waves. One is also reminded of the “lyric” novels of the American writer Carole Maso, whose so-called experimental works typically eschew plot and conventional linear narration. In a recent book of essays, Maso admits that her erotic novel Aureole was “shaped by desire’s magical and subversive qualities,” she notes; “[desire] imposed its swellings, its ruptures, its erasures, it motions.” (Break Every Rule, 115). If contemporary authors like Maso are able to access such boundless spheres of narrative play, it may be due in part to the pioneering efforts of writers such as Chopin, who first began to articulate the need for such liberating spaces in the novel.
In Kate Chopin’s “The Storm”, sin happens to make a bond stronger than before. The story illustrates a couple who seems to be similar to the nature surrounding them. Both Calixta and Bobinôt happen to be going through a stormy period in their marriage. Although they are going through this turbulent period, Bobinôt’s actions display his imperfect but unconditional love for his wife. Bobinôt may not be the husband Calixta dreams of but throughout the story he illustrates that it does not matter what happens, the storm will pass and he will love her no matter what.
A storm defined by the Princeton dictionary means "violent weather condition, or a direct and violent assault " Kate Chopin personifies and creates imagery of a dark ominous storm heading from the distance with an ominous presence and dark intentions. “…sombre clouds that were rolling with sinister intention from the west, accompanied by a sullen, threatening roar.” The calm before the storm is all but gone, the storm pressing closer and closer, yet, Calixta is not doing much before the unavoidable storm hits her home. By the use of symbolism Kate Chopin shows that Calixta willingly opens herself up in the beginning of the story. “She unfastened her white sacque at the throat” what can this represent? This poor defenseless woman lets her neck out in the open; just like an antelope in the wild that is tired of ruing from a lion gives up by turning their neck towards their predator and giving up their jugular. Calixta is not deterred by the ideals of the time and decides to take her conventional life out of the norm. Rebecca Long-Kluckner from the Association of Young Journalists and writers, writes the folloing "Kate Chopin wrote in a time period that believed women did not even possess sexual desires, but only behaved pro...
The first thing I noticed about Kate Chopin’s “The Storm,” is that it is utterly dripping with sexual imagery and symbolism. Our heroine, if you will, seems to be a woman with normally restrained passions and a well-defined sense of propriety, who finds herself in a situation that tears down her restraint and reveals the vixen within. I wonder if it was intentional that the name Calixta makes me think of Calypso – the nymph from Greek mythology. If half of the sexual symbolism I found in this story was intentional, Chopin was a genius. I was quite taken with the sexual imagery of the colors mentioned: white, and red. There is also mention a place called Assumption, while there’s nothing written on it in the bible, I believe it’s the popular opinion of those of Christian faiths, that Mary (Jesus’ mother) going to heaven was called “The Assumption.” Again, I cannot accept that as merely a happy coincidence, I believe its mention in the story was intentional. Finally, we have the storm, so central to the theme of the story that it was named for it. In this work, as well as others by Chopin, there is a recurring theme of infidelity, or women behaving in ways that society generally doesn’t accept, women behaving badly, if you will, I cannot help but wonder if Kate Chopin used her writing to express desires that she would not otherwise have expressed.
... The affair brews, it happens, and then it is over. But as we know another storm will happen and so will the affair between these two characters. When Alcée sends a letter to his wife saying that she must not rush home, this is an indication that Alcée may expect to see Calxita again soon. “Mrs. Chopin may refuse to sit judgment on morals, but she covers only one day and one storm and does not exclude the possibility of later misery” (Koloski 145). Kate Chopin ends the story with the idea that this may have been first time but is certainly not the last time will this happen.
Storytelling has been a common pastime for centuries. Over the years it has evolved into different styles containing different themes. Kate Chopin, a well-known author of the 20th century, wrote stories about the secrets in women’s lives that no one dared to speak of. Her work was not always appreciated and even considered scandalous, but it opened up a world that others were too afraid to touch. In Chopin’s story “The Storm,” a woman has an affair that causes an unlikely effect. The story’s two themes are portrayed greatly through an abundance of imagery and symbolism, along with the two main characters themselves.
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assign gender roles using a patriarchal approach. Specifically Margaret Bauer highlights, that most of Chopin’s works revolves around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom of women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dream and impose their will on their wives (149).
Many short story writers have written about the gender and role of woman in society. Some of these stories express what Barbara Walter calls, “The Cult of True Womanhood” meaning the separation of both man and woman in social, political and economic spheres. In order to be considered a “true woman” woman were to abide by the set of standards that were given to her. Women were expected to live by the four main principal virtues - piety, purity, submissiveness, and domestication. In Kate Chopin’s short story, “The Storm,” Calixta the main female character breaks away from “The Cult of True Womanhood” when she has a sexual encounter with her past lover Alcée. The storm goes through many twists and turns that tie with their adulterous actions. Although she breaks away from the four main principal virtues, she in the end is considered to be pure innocent of heart because the action in which occurred happened instantly, and as white as she was, she was taken away from her innocence.
Calixta and Alce, the two main characters in the short story “The Storm” by Kate Chopin, are sexual, mature, and knowing adults. By having them discover amazing sex outside their marriages, they return to their own marriages renewed. Chopin openly condones adultery due to the fact that the characters are not punished and in the end “everyone was happy” (paragraph 40) . A common theme of fresh sexuality and desire is seen in this story though symbols and other literary elements. Kate Chopin is an American author that wrote short stories and novels in the 20th century.