Emily Dickinson's world was her father's home and garden in a small New England town. She lived most of her life within this private world. Her romantic visions and emotional intensity kept her from making all but a few friends. Because of this life of solitude, she was able to focus on her world more sharply than other authors of her time were. Her poems, carefully tied in packets, were discovered only after she had died. They reveal an unusual awareness of herself and her world, a shy but determined mind. Every poem was like a tiny micro-chasm that testified to Dickinson's life as a recluse. Dickinson's lack of rhyme and regular meter and her use of ellipsis and compression were unimportant as long as her poetry was encouraged by it. Although some find her poetry to be incomprehensible, illiterate, and uneducated, most find that her irregular poetic form are her original attempts at liberating American poetry from a stale heritage. Her poetry was the precursor to the modern spirit with the influence of transcendentalism not puritanism. Her treatment of Death and profound metaphysical tendencies were part of the singular nature of her genius. Emily's simple language draws rich meanings from common words. The imagery and metaphors in her poetry are taken from her observations of nature and her imagination. She approached her poetry inductively, combining words to arrive at a conclusion the pattern of words suggested, rather than starting with a specific theme or message. Her use of certain words resulted in one not being able to grasp her poetry with only one reading. She paid minute attention to things that nobody else noticed in the universe." She was obsessed with death and its consequences especially the idea of eternity. She once said, "Does not Eternity appear dreadful to you… I often get thinking of it and it seems so dark to me that I almost wish there was no Eternity. To think that we must forever live and never cease to be. It seems as if death which all so dread because it launches us upon an unknown world would be a relief to so endless a state of existence." Dickinson heavily believed that it was important to retain the power of consciousness after life. The question of mental cessation at death was an overtone of many of her poems. The imminent contingency of death, as the ultimate source of awe, wonder, and e...
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...ows failed, and then I could not see to see. The speaker anticipates dying so that she may obtain a vision that will a revelation so that she may conceive what is to come, but her hearing takes over and we don't know of any vision. She becomes emerged in the sound of the fly's buzzing representing the hold the living world has on the dying person as it dominates its thoughts even as it welcomes death. It is important to take notice that the fly is the last thing she sees and hears in life because it obscures her consciousness so that she is unable to tell her story from beyond the grave. Dickinson is again unable to use her imagination to place herself outside the world of the living and finally comprehend death and immortality, and she is left on the brink of understanding. It is evident that throughout Emily Dickinson's poetry she searched for the knowledge of what lies beyond life and in the mysteries of death and immortality. The conscious and imagination was used as a tool to discover whatever she might be able to find about life and death. This unanswerable question fascinated Dickinson more than anything did and she embarked upon a journey to answer it through her poetry.
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