Eliot begins The Waste Land by bemoaning the fact that spring exudes false hope through its evidence of new growth and destroys the numbness and warmth acquired during winter’s hibernation from life or feeling. The return of feeling brings renewed acknowledgment of the emptiness and barrenness of modern life. “What Eliot wants to highlight is the pain of coming back to life” (Torrens 24). He expresses the cause of the pain in the description of the stony and barren landscape in which there is no shelter and nothing can grow. Man’s spirit can...
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...aracter of his poetry after his conversion. Bottum however would argue that although he possibly found a personal faith he was never quite able to present that faith in his later works. “What we encounter in his late poetry, however, is a profound confusion of faith with a brilliant and learned man’s rational understanding that he needs to have faith” (Bottum 23).
Bottum, J. “What T. S. Eliot Almost Believed.” First Things. April 1996. 21-6
Eliot, T. S. “The Waste Land.” The Norton Anthology of World Masterpieces. 6th Ed. Vol 2. Ed. Maynard Mack. New York: Norton, 1992. 1751-64.
Jones, Joyce Meeks. Jungian Psychology in Literary Analysis: A Demonstration Using T. S. Eliot’s Poetry. Washington D.C.: University Press, 1979.
Torrens, James S. “T. S. Eliot: 75 Years of ‘The Waste Land.’” America. 25 Oct 1997. 24-7.
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