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critical views on king lear
critical views on king lear
critical analysis of characters in king lear
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King Lear is throught the whole play a man who is a sinner and the victim of the evil deeds of those who surround him, those he keeps most close mostly are the worst sinners against him. He thinks he does the right good things but has to find out that almost everything he did out of meaning well by the people he considered as the good ones at the time he did it were the wrong moves. When Lear realizes that his moves seem to have been wrong he tells Kent and the Fool during a storm that he is “a man / More sinned against than sinning”, knowing that he also made mistakes, not only the others. But is King Lear really more of a victim than a guilty one?
The most shocking and maybe also the most fatal sin of King Lear is the disinheriting and chasing out of Cordelia by her own father right at the beginning of the play. When Cordelia is asked by Lear to tell him how much she loves him she answers in a way Lear did not expect by not telling him sweet words he liked so much when they were told to him by Goneril and Regan before. She tells him that she loves him like a daughter loves her father and nothing more. Lear gets mad at her and calls for France and Burgundy, to give her to one of them as his wife. Lear disinherits Cordelia and she has to leave her home to become the wife of France.
When King Lear sends away Cordelia he also sends away his most loyal man, Kent. Kent tries to warn Lear about making a big mistake by sending away Cordelia and only listening to what Goneril and Regan say, not thinking about the consequences the disinheriting of Cordelia might have. King Lear banishes Kent and says that he will have Kent executed if he dares to ever come back again. King Lear can’t realize that Kent is one of the true loyal men around him. Kent is even after that horrible treatment still loyal to his king so he comes back and serves him again in disguise. King Lear’s rage doesn’t allow him to see that Kent’s advise is only ment to protect and help his king, not to show and kind of disrespect to him.
The King is obviously not able to see that Goneril and Regan both are lying to him and that they both are only trying to blind him even more to reach their goals. Both daughters use the knowlegde they have about their father to take advantage of him. His personality helps them a lot because the king seems to be a man that enjoys and loves to be blinded by sweet words...
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...ze her death in the end and dies believing Cordelia, who he now knows was the only true loving daughter of the three, is still alive.
After all I come to the conclusion that the statement of King Lear about himself is not really accurate. My opinion is that Lear’s sins weight stronger and the sins against him are the pure results of his own doings. His rage and temper and pride have made him send away Cordelia and so is he responsible fore her fate and death in the end.
I also think that Lear’s bad personality had a very bad influence on both of his elder daughters and that his bad way of treating people have shown both Goneril and Regan in what ways you can behave when you are the one in power. Of course Goneril and Regan both already might have had their own weaknesses but King Kear’s behaviour in front of them might also have done a lot of damage.
So I believe that if Lear had not commited so many sins himself he would never have fallen like this. And it is also because of his sin of pride that to him the sins of the others against him seem so bad while his own sins are not that strong in his eyes.
This is why I think King Lear is not a man more sinnes against than sinning.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
We can all relate King Lear in a way. Sometimes people flatter us and tell us what we want to hear in order to get what they want. The people who really care about us, like the Cordelia’s of the world, tell us what we need to hear and are straight with us. Unlike King Lear, hopefully we don’t find out the hard way, who really has our back.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
For the rearrangement of the bonds, it is necessary that those based on money, power, land, and deception be to abandoned. In the case of Lear and Goneril and Regan, his two daughters have deceived their father for their personal gain. Furthermore, they had not intended to keep the bond with their father once they had what they wanted. Goneril states "We must do something, and i' th' heat." (I, i, 355), meaning that they wish to take more power upon themselves while they can. By his two of his daughters betraying him, Lear was able to gain insight that he is not as respected as he perceives himself to be. The relationship broken between Edmund his half- bother, Edgar and father, Glouster is similarly deteriorated in the interest of material items. By the end of the play, Edgar has recognized who is brother really is and when he has confronted him says "the more th' hast wronged me...
Once more, the consequences of Lear's single sin are felt. In a typically Christian or hopeful ending, King Lear would learn to listen to the caring friends he has, and become less selfish. Shakespeare, however, chooses not to end it so predictably or simply. Even after all of Lear's suffering and repenting, he continues to receive punishment. Cordelia, who he has now realized truly loved him most, is killed. Lear is left feeling hopeless, saying, "I know when one is dead, and when one lives. She's dead as earth," which seems slightly to refer to his now cynical view of the earth.
However, as their dreadful actions increased, they failed to realize the struggle to restore honor and certainty did as well. Shakespeare demonstrated how the only situation in which individuals struggle to restore honor is when that honor is gained through dominating and destroying the lives of others; when it is gained through wrongdoing. When the honor is gained through righteous actions, the challenges are easier to handle resulting in internal peace. Both of King Lear’s daughters were trapped in an illusion where they felt they must continue their mischief in order to gain honor. They both drew attention towards their status and power while neglecting their character. They failed to realize this thirst was only destroying the happiness they once owned. Their destruction occurred at the point where they both received what they had given their father: betrayal. Shakespeare presented the idea that restoring honor through harming others results in nothing but one’s self-destruction of their happiness and
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
King Lear is a play about loyalty. "Goodness" is portrayed by the characters as selflessness. Each "good" character displays loyalty through selfless actions. Cordelia selflessly does not attempt to rob Lear of his wealth by flattering him. Even though she risks banishment, she selflessly refuses to indulge her father's foolish wishes. Edgar, too, is selfless in his actions by leading his father to safety even when he knows Gloucester does not recognize him and will not appreciate that he was, in fact, the truly loyal son. Finally, Kent, Lear's Selfless servant, risks his life to protect his king even after he has been mistreated.
Most readers conclude that Lear is simply blind to the truth. As a result, he grants his inheritance to Goneril and Regan because they flatter him with the words he wants to hear, at the same time, he banishes Cordelia, the only daughter who really loves him. also when his advisor, Kent, warns him that this is a poor idea, Lear throws him out, too. So Lear has to deal with the power struggle his retirement sparked without two of the people who could have smoothed the...
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
This new Lear is certainly a far cry from the arrogant king we saw at the beginning of the play. Shakespeare has transformed Lear from an ignorant old king into some sort of god, using a seven stage process: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Lear’s transformation can be simply described as a transition from blindness into sight, he did not see the value in listening to others, but in the end he gained a sense of optimism and idealism. There is no doubting that Shakespeare has portrayed Lear as a flawed figure, who, through his misfortune and suffering, goes from a contemptuous human being to one who has been purified into an omniscient, godly type character, proving that ignorant people can truly change to become caring individuals.
Cordelia and Kent speak the truth which Lear does not want to hear. Their behaviour is foolish as they confront Lear, a mighty fortress of pride, in their willingness to be true and loyal to a father and to a king. Cordelia cannot heave her heart into her mouth and speaks plain, “I love your majesty according to my bond no more nor less”. In doing this she risks displeasing her father, furthermore she continues to displease him when she tries to make him realize his foolish behaviour. In the end she is willing to give her life for a father who has wronged her (when she returns to rescue him). Likewise Kent is also wronged when he confronts Lear with the true reality of things. In doing this he sacrifices his identity as Earl. Kent again risks his life when in disguise he returns to serve Lear again. In the end there are suggestions that he will follow Lear, his master, to the grave.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
It is said that no other playwright illustrates the human condition like William Shakespeare. Furthermore, it is said that no other play illustrates the human condition like King Lear. The story of a bad king who becomes a good man is truly one of the deepest analyses of humanity in literary history; and it can be best seen through the evolution of Lear himself. In essence, King Lear goes through hell in order to compensate for his sins.
King Lear was a tragic hero that was born into nobility, endowed with a tragic flaw and doomed to make a serious error in judgement. King Lear was born into nobility. "He owned vast amounts of land and ruled over many people. Give me the map there. know that we have divided In three our Kingdom." Not only was King Lear born into nobility he was responsible for his own fate. He disowned his daughter Cordelia and made his other two daughters rulers of his land once divided into three now divided into two. His two daughters really did not love him they just wanted the land and power. They turned against their father and had him sentenced to death by Edmund. Lear's death was his own fault. This reason came about because of King Lear's tragic flaw, his pride. Pride is also his reason of how he is a tragic hero. "Tell me, my daughters,-- Since now we will divest us both of rule, Interest of territory, cares of state,-- Which of you shall we say doth love us most, That we our largest bounty may extend Where nature doth with merit challenge?" King Lear was egotistic in the first act where he asked his daughters who loved him most. When he found out his favorite daughter Cordelia did not have much to say about his love for him he disowned her and divided his land to his two evil daughters Regan and Goneril, "From whom we do exist, and cease to be; Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee, from this, for ever." This was also the error in King Lear's judgement.