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The Complex Character of Amanda in The Glass Menagerie
Amanda Wingfield in The Glass Menagerie furnishes an excellent example of a carefully crafted, complex character whose speech and action arise from the "psychological" being created by the playwright.
In his character description, Tennessee Williams starts his reader on the road to discovering Amanda's complexity.
AMANDA WINGFIELD the mother. A little woman of great but confused vitality clinging frantically to another time and place. Her characterization must be carefully created, not copied from type. She is not paranoiac, but her life is paranoia. There is much to admire in Amanda, and as much to love and pity as there is to laugh at. Certainly she has endurance and a kind of heroism, and though her foolishness makes her unwittingly cruel at times, there is tenderness in her slight person. (Williams 781)
“Before the first lines are spoken Amanda's complexity is established”(Falk 126) by the nuances and contrasts given here. This basic description must be laid over all dialogue and action throughout the play so as to preserve the fullness of Amanda's character at times when only portions of her nature are being exhibited.
The complexity of Amanda's character directly affects her action and dialogue with her children. In her role as mother she exhibits an overwhelming desire to see her children succeed in life. In trying to...
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...ding Plays. Boston: Allyn, 1990. 307-314.
Bigsby, C.W.E. A Critical Introduction to Twentieth-Century American Drama. Vol. 2. Cambridge: Cambridge UP, 1984.
Falk, Signi. "The Southern Gentlewoman." Modern Critical Interpretations Tennessee Williams The Glass Menagerie. ed. Harold Bloom. NY: Chelsea House Publishers, 1988.
Jackson, Esther Merle. The Broken World of Tennessee Williams. Madison: & of Wisconsin P, 1965.
Parker, R.B., ed. Twentieth Century Interpretations of The Glass Menagerie. Englewood Cliffs: Prentice, 1983.
Williams, Tennessee. The Glass Menagerie. Masterpieces of the Drama. Ed. Alexander W. Allison, Arthus J. Carr, Arthur M. Eastman. 5th ed. NY: Macmillan, 1986. 779- 814.
"1750-1919: China and the West: Imperialism, Opium, and Self-Strengthening (1800-1921)." Afe.easia.columbia.edu. Columbia University, 2009. Web. 22 Jan. 2014.
At the end of the eighteenth century, China’s goods were much desired by Britain. However, the Chinese saw Europeans as savages and did not want to trade with them. During trade, there was an imbalance in China’s favor, because the Europeans were forced to buy Chinese goods using silver. The Western Imperialists began to grow opium poppies from in India, and then smuggle them into China. China soon became addicted to the drug and spent most of it’s money on the purchase of it from the Europeans and Americans. This shifted the balance of power to be in Europe’s favor.
Opium had first arrived in London as a new medicinal trade product. It was new, compact, easily transported, and non-perishable. Trade with China proved very profitable and flourished for more than twenty years uninterrupted, until in 1835 China passed its first laws prohibiting the importation of opium (1). In the years following this prohibition, England responded simply by shifting the drop off points to other ports in China. China resisted these efforts, by England, to continue trade and began attacking their ships. These acts were seen as aggressive in the eyes of the English and the first opium war resulted. The war ended with the treaty of Nanking, which ceded China to Britain. The second opium war between 1856 and 1858 ended with the treaty of Tientsin (2). These two wars were prime examples of commercial imperialism, not only through the opening of treaty ports but through British control of Chinese customs which the 1842 treaty established, and continuing opium trade without restraint (3). All these acts on the part of British and the Chinese prove that there was real awareness of the depth of the opium problem.
McHaney, Pearl A. Lecture on The Glass Menagerie. Engl 3860-American Drama. Georgia State University, Atlanta, GA. 20 June 2006.
In today's rough and tough world, there seems to be no room for failure. The pressure to succeed in life sometimes seems unreasonable. Others often set expectations for people too high. This forces that person to develop ways to take the stress and tension out of their lives in their own individual ways. In the plays "The Glass Menagerie" and " A Streetcar Named Desire" written by Tennessee Williams, none of the characters are capable of living in the present and facing reality. Two of the characters are Amanda Wingfield and Blache Dubios. In order for these characters to deal with the problems and hardships in their lives they retreat into their own separate worlds of illusion and lies.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The first law against drugs was made in year 1908 in Canada called the Opium Act of 1908. In the year1850 onwards there were many Chinese immigrants coming to Canada through British Columbia .These Chinese immigrants were a cheap source of labour to Canadian government. The consumption of opium by the Chinese immigrants was another way to gain income for the Canadian government by taxes on the opium manufacturing factories in1871. In late 1800s an...
“Catastrophe, riots, factories blowing up, armies in flight, flood - the ear can detect a whole apocalypse in the starry night of the human body (Cocteau).” China is the human body of this metaphor, as Cocteau points out the destruction and chaos opium can cause in the body of man; it does the same to the well-being of China during the early to mid eighteen-hundreds. The aim of this paper is to discuss a key issue in which plagued China in their opposition to opium trade leading up to and during the Opium War. While there are many important issues related to China’s opium problem, the scope of this paper will be strategic errors. It is important to note that if improvements were made in this field, it does not guarantee that the
The thought of opium as a topic of conversation in China throughout the late eighteenth century and nineteenth century brought about discussions that varied from arguments for its legalization and praise of its distributors to the complete ban of the drug and punishment for all users and smugglers. For those who acted as proponents of the narcotic, they sincerely believed that this necessary evil was one of the only aspects of the economy that could effectively propel China into the same class as that of the world’s supreme powers (Janin 6). Those who condemned even the slightest interaction with opium or its derivatives opted for the more “honorable” route, in that, they pledged to rid their country of such horrible vices in order to follow a purer path throughout their daily lives (Mackay 124). It was from these arguments that made these debates rampantly widespread throughout the country, with neither side effectively telling the truth about the future of China and ultimately being left to the voice of those in charge of the economy, since they are the ones who control what is worth importing and exporting. If the use of opium were permitted, then the impact would have been generally positive, in that, there would be fewer smugglers to worry about breaking the law, and more profit actually being given to the Chinese government since they would actually be included. On the other hand, basing this drug trade on purely moral and some economic terms, then the people of China will constantly be in a state of intoxication because they will no longer be able to think and process clearly, while the economy of the Chinese government might also not be able to possess the buying power that they would have previously had when they unc...
Allingham,, Philip V. "England and China: The Opium Wars, 1839-60." The Victorian Web: An Overview. 24 June 2006. Web. 06 Apr. 2011.
China was once the center of the world. Any other country in the world could not match China’s political prowess and economic strength. However, as time progressed China stagnated while other powers, especially those in Europe, were going through their industrial revolution were growing more powerful and were eager to break into the Chinese market. Great Britain was one European power that was eager to break into the Chinese market since China was one of the few if not only country that had a trade surplus with Great Britain. Great Britain then decided to sell non-textile products to China and started selling them opium. China was not pleased that their people were being exposed to addictive drugs that rendered their working class unable
Tennessee Williams has a gift for character. Not many playwrights do, and even fewer possess the unique ability to craft a character as paradoxical and complex as Amanda Wingfield. In The Glass Menagerie, Amanda is a very difficult character to understand because of her psychological disposition. Williams realizes this and provides the reader with a character description in hopes of making the character more accessible to meticulous analysis.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
To the normal Chinese man during the early 19th century, opium was nothing more than a luxury that only those of higher power or influence could indulge themselves in. Yet by the middle of the 19th century opium had become a commodity that everyone could have and that at the same time they seemed to need. Even though it was now such a big part of the normal chinese culture, it did not benefit the people nor Chinese culture, it did not benefit the people or the government. The only benefit it did seem to have was towards the British. The British were flourishing from the new Chinese market for opium, where the Chinese were beginning to turn into addicts of a drug that was slowly poisoning their way of life. The people no longer were concerned about their advancement and safety of their family but about how and when they would be able to get more opium. The Chinese government was not pleased about this and decided to take a stand that would, in the long run, only damage the very people they were trying to protect. This stand came to be known as the First Opium War (1839-1842). By the end of the First Opium War China had begun to lose its sense of identity through the use of treaties and encroachment of foreign countries, starting with the British and their Treaty of Nanking.
Opium was introduced to America when Chinese immigrants came to California in the 1850’s to work in the gold mines and on the railroads (DEA Museum). It didn’t take long for American’s to become addicted to opium. Opium dens became common in communities and women and young people started to take pleasure in the far off land of euphoria that opium provided. Due to the overgrowing popularity and concern of the affects this drug had taken on the population the government tried to implement taxes. “Initially, opium was taxed, then licensed, then discouraged, and ultimately made illegal for most us...