Oppression in Jane Campion’s “The Piano”
Jane Campion’s “The Piano” relates the story of a Scottish woman who is sent to New Zealand, during the Victorian Era, for an arranged marriage with a farmer. Ada voluntarily gave up speaking at the age of 6 and communicates by either signing for her daughter, writing on a small paper tablet around her neck, or, more joyously, through playing her piano. After a long and arduous journey with the piano, Ada is forced to leave it on the beach where her boat landed. Left without her musical passion, Ada must learn to adapt in very male world.
A native white man who has adopted the culture of the Maori Indians named Baines quickly discovers what the abandoned piano means to Ada. Baines secures the piano by trading 80 acres of land to the farmer and husband of Ada, Stewart. After getting the piano back to his home, he employs Ada to give him lessons, but really wants to have sex with her in exchange for the piano. Her passion for the music allows for this and an affair is born.
The affair is discovered by Stewart and he goes irate eventually cutting off Ada’s forefinger in a backwards attempt to win her love. When he realizes the futility of winning her love, Stewart sends her off with Baines. On the boat to a new home and life, Ada insists of getting rid of the piano and almost commits suicide as the piano sinks to the bottom of the ocean.
This movie is beautiful to watch, yet difficult. It is raw, yet the cinematography is breath...
Billy Jo finds some of her hope when she can by playing her mother’s piano. The piano is a big part because it was a way Billy Jo and her mother connected. The piano was a wedding gift from Billy Jo’s father. She learns to play at a young age with her mother she describes it as “heaven” (page 22). But there is a time where that seems to line up in a time where Billy Jo was sad when she could not play the piano because of her hurt hands. This old dust filled piano has segmental value to Billy
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
In their works, Charlotte Perkins Gilman and Kate Chopin show that freedom was not universal in America in the late nineteenth and early twentieth century. The three works, "The Yellow Wallpaper," "At the 'Cadian Ball," and "The Storm" expose the oppression of women by society. This works also illustrate that those women who were passive in the face of this oppression risk losing not only their identity, but their sanity as well.
Throughout history there have been strict guidelines placed on women. Women are supposed to remain in their domestic sphere, cooking, cleaning, and taking care of their children.
... to mind works written by subsequent generations of women novelists. One sees Chopin’s text straining toward, among other elements, the narrative innovations achieved in Virginia Woolf’s Mrs. Dalloway and The Waves. One is also reminded of the “lyric” novels of the American writer Carole Maso, whose so-called experimental works typically eschew plot and conventional linear narration. In a recent book of essays, Maso admits that her erotic novel Aureole was “shaped by desire’s magical and subversive qualities,” she notes; “[desire] imposed its swellings, its ruptures, its erasures, it motions.” (Break Every Rule, 115). If contemporary authors like Maso are able to access such boundless spheres of narrative play, it may be due in part to the pioneering efforts of writers such as Chopin, who first began to articulate the need for such liberating spaces in the novel.
In the novella The Awakening by Kate Chopin, the main character Edna Pontellier “becomes profoundly alienated from traditional roles required by family, country, church, or other social institutions and is unable to reconcile the desire for connection with others with the need for self-expression” (Bogard). The novella takes place in the South during the 1800’s when societal views and appearances meant everything. There were numerous rules and expectations that must be upheld by both men and women, and for independent, stubborn, and curious women such as Edna, this made life challenging. Edna expressed thoughts and goals far beyond her time that made her question her role in life and struggle to identify herself, which caused her to break societal conventions, damage her relationships, and ultimately lose everything.
In "The Story of an Hour" by Kate Chopin, we are introduced to Mrs. Mallard. She is portrayed an unloving, heartless, woman who is overjoyed by the passing of her husband- or at least that is the common misconception. Mrs. Mallard although perceived as inhuman, is actually more human than most would like to believe. While her actions may seem questionable or even to be condemned, they are hardly unthinkable in light of the issues involving marriage and the woman's role throughout history. The story itself presents a valid argument in favor of Louise as she is portrayed as the oppressed wife finally set free after her husband's death.
Chopin, Kate. Complete Novels and Stories. Ed. Sandra M. Gilbert. New York: Library of America, 2002. Print.
The Piano Lesson written by August Wilson is a work that struggles to suggest how best African Americans can handle their heritage and how they can best put their history to use. This problem is important to the development of theme throughout the work and is fueled by the two key players of the drama: Berniece and Boy Willie. These siblings, who begin with opposing views on what to do with a precious family heirloom, although both protagonists in the drama, serve akin to foils of one another. Their similarities and differences help the audience to understand each individual more fully and to comprehend the theme that one must find balance between deserting and preserving the past in order to pursue the future, that both too greatly honoring or too greatly guarding the past can ruin opportunities in the present and the future.
Every person has a past, every race has a heritage, and every family has a legacy. In Wilson’s play, four protagonists, Boy Willie, Berniece, Doaker and Wining Boy are all wounded by their traumatic pasts’ and have only have one reminder of their family history – the piano. During the beginning of the play, Wilson describes the setting and illustrates a piano that is dominating the parlor and gathering dust in the Charles’ home. The piano is covered with carvings of events and “mask-like figures resembling totems.” Wilson then begins to describe the carvings as “graceful” and rendering a “power of invention that lifts them out of the realm of craftsmanship and into the realm of art.” Nevertheless, to the Charles’ family, the piano is not just an ornately carved piano but rather the only symbol of their family legacy; the only way to understand the piano is to go back to the period of slavery. In the play, Doaker begins to reveal the family history to Boy Willie and explains the significance of the piano. During the slave period, Boy Willie and Bernice’s' grandfather's (Willie Boy) was owned by a man named Robert Sutter. Sutter had traded their grandmother and uncle for the piano as a present for his wife, Miss Ophelia. After getting tired of the piano, Miss Ophelia missed her slaves so much, Sutter made Willie Boy hand-carve the faces of his wife and son's faces all over the piano. However, Willie Boy didn't end there; he carved all of his ancestors onto the piano and “all kinds of things that happened with [the] family.” Miss Ophelia became ecstatic when she saw the piano, because “now she had her piano and her niggers too.” When she looked at the carvings in the piano, she could see all the faces of the slaves she missed and the...
Harris, Sharon M. "Kate Chopin." Magill’S Survey Of American Literature, Revised Edition (2006): 1-5. Literary Reference Center Plus. Web. 19 Apr. 2014.
According to the Merriam-Webster Online Dictionary, feminism is defined as the theory of the political, economic, and social equality of the sexes. Feminism is a major part of the short story, “The Story of an Hour” by Kate Chopin, which is a story that portrays women’s lack of freedom in the1800s. Women had no rights, and had to cater to all of their husband’s needs. The main character in “The Story of an Hour” is a woman who suffers from heart trouble, named Mrs. Mallard. When Mrs. Mallard was told about her husband’s death, she was initially emotional, but because of her husband’s death she reaped freedom and became swept away with joy. The story is ironic because Mrs. Mallard learns her husband was not dead, and instead of exulting her husband’s sudden return she regretted abandoning her moment of freedom. An analysis of “The Story if an Hour” through the historical and feminist lenses, suggests that the story is really about women’s self-identity in the 1800s male-dominated society, and how it caused women’s lack of freedom.
Chopin, Kate, and Kate Chopin. The Story of an Hour. Logan, IA: Perfection Learning, 2001. Print.
Guy de Maupassant’s “The Necklace” and Kate Chopin’s “The Story of an Hour” are famous short stories known for there unique setting’s and conflicts. “The Necklace” takes place in Paris, where Matilda Loisel lives with her husband, Mr. Loisel, in a shabby apartment. Mr. Loisel works as a clerk in the office of the Board of Education while Matilda stays home day dreaming about the life she always had pictured herself living. Madame Loisel was not content with her life which eventually led to an even more unfortunate outcome. “The Story of an Hour” has more of a victorian setting where the protagonist, Mrs. Mallard, is well off financially. She receives saddening news that her husband, Brently Mallard, has been killed in a railroad disaster. She takes the news and reflects on her life now feeling a weight lifted off her shoulders. Unexpectedly her husband arrives home and the newfound freedom she felt vanishes. Although both stories differ in setting and conflict, the centering theme of love and marriage in each short story share common characteristics. In both stories the women play a protagonist and struggle with conflicts internally as well as externally.
Xuding Wang writes in her essay, Feminine Self-Assertion in “The Story of an Hour”, a strong defense for Kate Chopin’s classic work, “The Story of an Hour”. Wang provides powerful proof that one of the pioneering feminist writers had a genuine desire to push the issue of feminine inequality. Even decades later, Xuding Wang fights for the same ground as Kate Chopin before her. She focuses on critic Lawrence I. Berkove, who challenges that Louise Mallard is delusional with her personal feelings of freedom once she discovers the news that her husband has passed away. The story opens with the line “Knowing Mrs. Mallard was afflicted with a heart trouble” (Chopin). [1] Chopin uses allegory to describe