Buffy the Vampire Slayer is a difficult media to classify into one genre. An obvious classification of the programme¡¦s genre would be horror; but this isn¡¦t entirely true, because the show has more concepts and themes that a horror movie would, and deals with more issues as well. The show uses elements contained in the more fantasy-orientated horror movies (such as Dracula): these include mythological beings such as vampires, demons and zombies; things that aren¡¦t always contained in horror movies. In the episode ¡§Dead Man¡¦s Party¡¨, the show deals primarily with the undead (a vampire appears near the beginning of the episode, and has very little effect on the story). Mythology is also applied in the form of a Nigerian mask, which raises the dead. Mythology has not always been applied in horror movies that use such creatures, but most movies that use these creatures (especially those containing vampires) almost always follow several rules. Examples of such rules are:
„h A vampire cannot enter a home unless invited first ¡V afterwards they are forever welcome.
„h Vampires can not come into contact with direct sunlight.
„h The only way to kill a vampire is to penetrate its heart with a stake.
These rules are also applied in Buffy the Vampire Slayer, and some others are devised in order to enhance storylines. This would associate Buffy the Vampire Slayer with the horror genre, although there is more to the show than vampires: there are situations involving teenage angst (especially in the given episode, because it deals with the consequences of Buffy running away from home). Some people have likened Buffy the Vampire Slayer to a hybrid of Dracula and Beverly Hills 90210, which might be an accurate description ¡V the show does contain elements of a horror movie and tries to include situations experienced in a teenage soap (the characters attend high-school and experience friendship and love).
Mise en scene in Buffy the Vampire Slayer is usually quite similar in each episode, and ¡§Dead Man¡¦s Party¡¨ isn¡¦t really an exception to this belief. The settings used are Buffy¡¦s house (located in a middle-class suburb), the school corridors and library, and Giles¡¦ apartment. The behaviour of the actors, in terms of humour, is often cynical and sarcastic, and though most characters share this, it does vary depending on each character. There are times when th...
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...hin Giles that we see in ¡§Dead Man¡¦s Party¡¨ is that he doesn¡¦t use an electric kettle ¡V instead he boils water on the stove. Xander¡¦s role in Buffy the Vampire Slayer is to provide humour, though this is done by almost all of the characters, however, Xander does it in abundance. Oz is there for similar reasons to Xander. Willow is seen as the studious girl, whose involvement with Buffy complicates her life. There is also Cordelia, who is the opposite of Willow (Cordelia is more of a ¡¥cheerleader¡¦ type girl), yet her association with Buffy has the same effect on her life too. The character of Angel in ¡§Dead Man¡¦s Party¡¨ is used to represent Buffy¡¦s guilt towards what happened to Angel ¡V Angel only appears in Buffy¡¦s dreams.
The narrative in Buffy the Vampire Slayer flows rather easily, but the story has to be interpreted by the viewer ¡V there are no voice-overs or flashbacks to explain events (past or present). The only disruption in the flow of the story would be the dream sequence. The importance of this sequence is unknown, and it may just represent Buffy¡¦s anxiety about returning to her life in Sunnydale, and Angel¡¦s presence may just show that she misses him.
At this juncture, it may be somewhat difficult to accept the proposition that a threat to the telecommunications grid, both wired and wireless, in the United States could potentially be subject to a catastrophic cyber attack. After careful research on the subject, it appears the potentiality of an event of such magnitude, which either disrupts one or the other grids for a long period or destroys either, is both theoretically and realistically impossible. It may be that proponents—those who advance such theories—equate such “doomsday” scenarios as if a cyber attack would or could be of the same magnitude as a conventional or nuclear military strike. Terms such as “cyber Pearl Harbor,” “cyber 9/11” and “cyber Vietnam” have been used to describes potential catastrophic cyber attacks and yet, “Though many have posited notions on what a ‘real’ cyber war would be like, we lack the understanding of how such conflicts will be conducted and evolve.” (Rattray & Healey, 2010, p. 77). Yet, the U.S. government continues to focus on such events, as if the plausibility of small-scale cyber attacks were not as pressing.
Throughout much of recorded human history, people have written tales of the dead returning to life, usually to trouble the living in some way. These traditional myths have progressed from ancient superstitions, to campfire ghost stories, to television shows such as Joss Whedon's Buffy the Vampire Slayer. In the series, vampires are created from the dead victims of other vampires (as long as a certain rite is performed during the victim's death). After a time they rise from their graves and immediately seek to kill and drink the blood of the living. Creatures such as these are, as Lacan [give first name when you first mention someone] describes them, "between the two deaths" and live again only to fulfill insistent, mechanical drive. This drive, often centered on killing, vengeance, or some other quest for closure, is distinct from desire in that it is not "caught up in dialectical trickery" (Zizek 21). According to Zizek [ditto], normal desires are not always what they seem, for when we desire something, we may be seeking something else entirely (21). Most of the vampires in Buffy the Vampire Slayer fit Lacan's profile of between the two deaths, and, as one might expect, they are antagonists to the protector of the living, Buffy. However, in the musical episode "Once More, with Feeling," Whedon explores two protagonists who are also between the two deaths, each struggling to revert back to their prior state of being, but both in a different situation. One of these characters, Spike, once fit the archetype of the vampire, but now faces difficulty as he is forced to cope with normal dialectical desire in order to exist in the civilized, symbolic world. The other, Buffy, fulfilled the death drive when she sa...
When our thoughts turn to the criminal justice system it is only a natural instinct to assume everyone associated with policing, courts, and corrections will have to deal with juveniles sometime in their career. Young people in today’s society can be so easily influenced by social situations, peer pressure, and family members. The courts in the United States are faced with difficult decisions on a daily basis. Sentencing juveniles to adult facilities for their crimes is becoming a common trend in the justice system today; however it is not a deterrent whatsoever. “The current policies of juvenile bind over to adult criminal court and severe sentencing have been unsuccessful
In 1997, a new series featuring a female lead aired, it was called Buffy the Vampire Slayer. This show became popular instantly and to this day it still remains popular, if not more. This series was named by TV Guide critics as “one of the fifty greatest TV shows of all time”, because of its feminist portrayals (Heinecken, 91). Buffy the Vampire Slayer was created by Joss Whedon due to the fact that he felt bad for women in horror films, he felt like their depictions were almost always sexist. Whedon quoted that the show he has created depicts, “the joy of female power: having it, using it, sharing it.”, which is important to show to women of newer generations (South, 35). What made Buffy so special was that there was finally a female character that was at
USCYBERCOM unifies the command of the cyberspace efforts and units of the United States military. The United States Department of Defense also has outlined the principles that form its cyber defense strategy, building and maintaining ready forces and capabilities to conduct cyberspace operations, defend the DoD information network, secure DoD data, and mitigate risks to DoD missions. Be prepared to defend the U.S. homeland and U.S. vital interests from disruptive or destructive cyberattacks of significant consequence. Build and maintain viable cyber options and plan to use those options to control conflict escalation and to shape the conflict environments at all stages. Build and maintain robust international alliances and partnerships to deter shared threats and increase international security and stability. The five pillars of cyber security, confidentiality, integrity, availability, non-repudiation, and authentication. Protecting information from disclosure to unauthorized individuals, systems or entities, Protect information, systems, and services from unauthorized modification or destruction, Timely, reliable access to data and information services by authorized users, the ability to correlate a recorded action with its originating individual or entity, and the ability to verify the identity of an individual or entity
Further, the reason for them to get involved in the deviant behavior should be established first before judging them. According to studies, most youths is exposed to environments that drive them to commit crimes. Studies indicate that 79 percent of the children who involve themselves with crimes witness violence in their homes (Steinberg and Scott). Besides, 17 percent of these children grows without the frequent presence of their relatives (Nellis 45). Children facing such social disadvantages are most likely to commit crimes. Sentencing them may not be the solution since it adds more suffering than good for their lives. Instead of convicting them, the cause of them committing crimes should be established. That way, other children may be saved. However, lawmakers in the United States continue to turn a blind eye to human rights and social problems facing
The Buffy the Vampire Slayer series is a very popular show that engages well with most youthful audiences, including teenagers and young adults. Teenagers are quickly captivated by the show’s great amount of comedy, adventure, and science fiction. Although it is remarkably entertaining, the show also teaches important life lessons pertaining to love, friendship, and family. In the episode “Hush” from the series Buffy the Vampire Slayer, the theme that through clear acts, one can develop clarity in relationships is presented.
When Robert asked if the narrator was religious, he confirmed that he was not “I guess I don’t believe in it. In anything. Sometimes it’s hard. You know what I am saying?” (Carver, XXX) It is then that Robert asked the narrator if he could draw a cathedral for him. With the guidance of Roberts hand and encouragement “terrific, you’re doing fine”, he begins. It starts off as a simple box, but the more the narrator draws, the more it begins to look like his own house. The reader can start to sense there is a change beginning to take place “Never thought anything like this could happen in your lifetime, did you bub? Well, it’s a strange life, we all know that. Go on now. Keep it up” (Carver, XXX). He was so overcome with emotion, that when he wife awoke and asked what was going on, he was not able to answer her. He continued to draw, with the encouragement of Robert. At the end of the drawing he was truly amazed at what he drew. When Robert asked him if he seen what he drew, he said “It’s really something”. (Carver, XXX) For the first time, the narrator was able to see with his eyes still closed, what he had in live, as if he had a coming to Christ moment, with him sitting in his cathedral, which was used to be closer to God. It was a freeing moment “But I didn’t feel like I was inside anything”. (Carver,
In Buffy the Vampire Slayer, the main character Buffy Summers is the chosen Vampire Slayer, even though she does not want to be the chosen one, but there is always some type of danger in her town. As she is battling demons and vampires, she is struggling to live a normal life, but soon learns to embrace and accept her destiny. Buffy was a very popular show with seven seasons won two Emmy awards a Golden Satellite award and multiple Saturn awards. In every season Joss Whedon was able to incorporate something different to make each season stand out. A recurring theme throughout the episode “Hush” is that sometimes talking is not the most efficient way of communicating or showing affection.
The greatest challenge for Combatant Commanders when planning cyber operations is unintentional effects. Cyberspace is unlike the other domains and does not have the same physical limitations. The network is not limited by range or distance so cyber-attacks can easily extend beyond the intended target resulting in unintentional consequences. Planners must deconflict cyber operations with other operations. Offensive and defensive cyber applications
The term “cyber terrorism” refers to the use of the Internet as a medium in which an attack can be launched such as hacking into electrical grids, security systems, and vital information networks. Over the past four decades, cyber terrorists have been using the Internet as an advanced communication tool in which to quickly spread and organize their members and resources. For instance, by using the instantaneous spread of information provided by the Internet, several terrorist’s groups have been able to quickly share information, coordinate attacks, spread propaganda, raise funds, and find new recruits for their cause. Instantaneous and unpredictable, the technological advantages these terrorists have obtained from using the Internet includes
...oday. Taking for granted a "normal" life that revolves around school, parties and friends. The Crucible and The Matrix exhibit more cultural and social values than Buffy and they are both done exceptionally well, covering many different themes and aspects without taking away from the plot or story.
In numerous interviews, creator Joss Whedon has explained that the inspiration for Buffy the Vampire Slayer struck while he was watching horror films and TV shows in which pretty women run away from or get killed by monsters in alleyways. Whedon claims he wanted to give this paradigmatic girl-victim a new role: that of the monster-killing hero. Whedon's explanation of his own artistic inspiration reveals at least two things about him as a film-viewer and maker: first, his description suggests his awareness of the pervasive, archetypal quality of the traditional, mainstream horror film. Second, his description rather coyly fails to account for the more marginal genre of the "slasher film," in which the pretty girl often does kill the monster in the alleyway.
Olender, Michael. “Keeping Pace with Cyber Power, Defense, and Warfare.” Journal of International and Global Studies 6.2 (2015): 55+. Academic OneFile. Web. 5 Oct. 2015.
Unequivocally speaking, the threat of a cyber-attack has become one of the most critical domestic and national security challenges we face as a nation today. Infrastructures supporting government operations are ...