How In Cold Blood Capote Desensitized Our Ability to Differentiate Between Truth and Fiction.
Reading In Cold Blood brought me a new literary and psychological understanding. I realized what such a heinous murder would do to a town like Holcomb, Kansas. I always took my childhood for granted; nothing bad happened in our town, nothing equal to the ugliness of the Clutter murder. After rereading In Cold Blood, I read every piece of literary criticism on the book as I could find. I began to consider the impact of Capote on today's based-on-fact books and movies. My goal was to discover whether the blurring of the line between truth and fiction has befogged how we, as readers and viewers, differentiate between truth and fiction.
What I learned (or didn't learn).
Wendy Lesser, in an article for the Los Angeles Times, wrote of her interest in murder in literature. She went so far as to teach a literature class at UC Santa Cruz on murder. The class focused on works of fiction based on true facts (books that Capote would have said were non-fiction novels), books such as Norman Mailer's The Executioners Song, Joan Didion's The White Album, and Capote's In Cold Blood (par. 13). At the end of the semester, one of her students said, " 'I've really enjoyed this course, but I'm worried that it's hardened me. I mean, I don't know how seriously I take murder anymore'" (par.15). Lesser replied that by looking at murder as art, you move away from the seeing it as murder (par.16).
Truman Capote claimed to have invented a new type of literature with In Cold Blood, the non-fiction novel (Plimpton, par 2). Although others (particularly Daniel DeFoe in A Journal of the Plague Year) had used this technique b...
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...into small-town Kansas with his long floating scarf and his negligees." The Guardian. 76 pars. 14 February 1998. Lexis-Nexis.
Swanson, William. "Murder, He Wrote." MPLS-St. Paul Magazine. 14 pars. November 1995. InfoTrac.
Yagoda, Ben. "In Cold Facts, Some Books Falter." The New York Times. 18 pars. 15 March 1998, late ed. Lexis-Nexis. Works Consulted
Boxer, Sarah. "When Truth Challenges Fiction and Becomes Art." The New York Times. 13 pars. 8 May 2000, late ed. Lexis-Nexis.
Fremont-Smith, Eliot. "Books of the Times: In Cold Blood." New York Times Book Review. 12 pars. 10 January 1966. Lexis-Nexis.
King, Larry. "Truman Capote and the Murder that Horrified a Nation." Larry King Live. CNN. 25 November 1997. Transcript. Lexis-Nexis.
Knickerbocker, Conrad. "1960's Kansas Death Trip." New York Times. 9 pars. 6 October 1966, late ed. Lexis-Nexis.
... the “power which knowledge gives” and I don’t believe anybody should have the right to ban books from school or from the public (Board of Education, Island).
Deep within African mines, elusive diamonds lay enveloped in the Earth’s crust. Possessing much influence, beauty, and tension, nature’s hardest known substance causes parallel occurrences of unity and destruction on opposite sides of the globe. Diamonds, derived from the Greek word "adamas", meaning invincible, are formed deep within the mantle, and are composed entirely from carbon. Moreover, only under tremendous amounts of heat and pressure can diamonds form into their preliminary crystal state. In fact, diamonds are formed approximately 150km- 200km below the surface and at radical temperatures ranging from 900-1300 C°. When these extremes meet, carbon atoms are forced together creating diamond crystals. Yet how do these gems, ranking a ten on Moh’s hardness scale, impact the individual lives of millions of people besides coaxing a squeal out of brides-to-be? These colorless, yellow, brown, green, blue, reddish, pink, grey and black minerals are gorgeous in their cut state, but how are these otherwise dull gems recognized and harvested? Furthermore, how and why is bloodshed and violence caused over diamonds in Africa, the supplier of approximately 65% of the world’s diamonds? (Bertoni) The environmental, social, and economic impact of harvesting, transporting, and processing diamonds is crucial because contrary to popular belief, much blood has been spilled over first-world “bling”.
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
we come today to a "Big Brother" is the mob. The people are also controlled by
In the First section of 1984 Winston doesn’t openly rebel, he starts a journal in which he writes how he remember the history that has been re-written. This is called thought crime, because it goes against what the party tells you to know. The Thought Police are in charge of arresting people who commit Thought Crime. That is the start of Winston’s rebellion against Big Brother and The Party.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Venkatesh, Sudhir. 2008. Gang Leader for a Day: A Rouge Sociologist Takes to the Streets. Penguin Books.
positively ashamed to be a woman- a member of a sex which can't even live up to male slanders!
Whoosh!A bed whizzed by, surrounded by about 6 medical personnel. “What’s going on?” I thought immediately with apprehension. I knew whatever was happening it was not ideal. Ensuring I was not in the way, I stood on my toes to see what demanded so much attention. To my astonishment, I saw a coin sized hot-pink little girl. She could not have been bigger than two quarters lying side by side.She was struggling! Even with all the procedures the doctors were executing to save her life, she was performing the most work.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
The novel 1984 is a futuristic portrayal of the world in the year 1984. The main characters Winston and Julia fall in love with each other but are caught and purified of all their wrong doings. In the end they betray each other because of the pressure of the party. The party is a group that controls society in these ways: Manipulation of Reality, Invasion of Privacy, and Desensitization.
he is a man with a tragic flaw. Winston's fatalism, selfishness and isolation ultimately lead him to his
George Orwell is considered to be one of the most creative and expressive political writers of the twentieth century, particularly for his views opposing communism and totalitarian regimes famously expressed in his novel, 1984. Orwell perceived communism as, “A new, dangerous form of totalitarianism, a powerful tool for controlling the masses.” Orwell’s hatred towards communism began with communist leader, Joseph Stalin whom he referred to as, “a bloody-minded master” (Rossi 1). Orwell’s views solidified during his participation in the Spanish Civil War; throughout his experience, Orwell was subject to communist propaganda, which led to his distrust of authority and established hatred of fascist and communist governments (Rossi 2). Orwell’s views, along with his participation ...