The Characteristics of Florentine Painting as Reflected in the Work of Masaccio

The Characteristics of Florentine Painting as Reflected in the Work of Masaccio

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The Characteristics of Florentine Painting as Reflected in the Work of Masaccio

The Italian Renaissance was one of the most productive periods in the
history of art, with large numbers of outstanding masters to be found
in many centres and in all the major fields painting, sculpture, and
architecture. In Florence, in the first half of the fifteenth century,
there were great innovators in all these fields, whose work marked a
beginning of a new era in the history of art. These innovators
included Masaccio in painting,

It was Masaccio (1401-28) who, in his brief and amazing career, was
the real successor of Giotto and revolutionized Florentine painting.
He too gave his figures a grave and noble dignity. His frescoes in the
Brancacci Chapel of the church of Santa Maria del Carmine in Florence
did much to determine the course of painting from that time on.

There are eight main classical characteristics of Florentine art,
which are displayed by both Masaccio and other artists are clearly
displayed in a variety of paintings of which I shall go into more
detail of three of them, although I will briefly refer to the other
eight for a wider knowledge and understanding of the revelation of the
Florentine work from the fifteen century. There is a greater
anatomical study to produce a higher standard of naturalism of figures
this is displayed my Masaccio in the baptism of Christ. Light is
exploited to give a sense of volumes to the figures; this is depicted
in the Masaccio’s Peter hea...

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