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how art plays in religion
art & music in the baroque period
art & music in the baroque period
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Fernando Botero
The art of Fernando Botero is widely known, revered, paraphrased, imitated and copied, For many, his characteristic rounded, sensuous forms of the human figure, animals, still lifes and landscapes represent the most easily identifiable examples of the modern art of Latin America. For others, he is a cultural hero.To travel with Botero in his native Colombia is to come to realize that he is often seen less as an artist and more as a popular cult figure. In his native Medellín he is mobbed by people wanting to see him, touch him or have him sign his name to whatever substance they happen to be carrying. On the other hand, Botero's work has been discredited by those theorists of modern art whose tastes are dictated more by intellectual fashion than by the perception of the power of his images. Botero is undoubtedly one of the most successful artists in both commercial and popular terms, and an artist whose paintings deal with many of the issues that have been at the heart of the Latin American creative process in the twentieth century.
An indispensable figure on many international art and social scenes on at least three continents, Botero's 'persona' might be compared to that of one of the seventeenth -century artists he so much admires, Peter Paul Rubens. Rubens represents the epitome of the standard notions of the "baroque". His own fleshy, eroticized figures exist in a world of exuberance and plenitude in both the realms of the sacred and the profane. Like Rubens, Botero is an individual whose intense engagement with the world around him enriches his perceptions, heightens his discernment of both the material and spiritual nature of specific things, places and people. Also in the manner of Rubens, Botero celebrates the palpable, quantifiable tangibilities of earthly existence without slighting more ethereal values.
Rubens was a diplomat by both profession and character. Polished in manner and eloquent in his words, he moved easily within many realms of Baroque society in his native Flanders as well as in Italy, England, France and Spain. Botero is similarly peripatetic and likewise gifted in his comprehension of the wide variety of human values and emotions. He is, in both his personality and his art, as comfortable with bullfighters as with presidents, with nuns as with socialites. His images of this range of types presents his...
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...milar to its aspect of the 1930s. In many of his paintings Botero recalls both the mundane and the extraordinary events of life in such a town. In a painting such as the 1995 House, a woman stands in her doorway observing the passing scene. Nothing seems to change, but we know that any instant something amazing - wonderful or horrifying - could happen. In a 1994 composition we observe just such an occurrence. The Woman Falling from a Balcony portrays a young woman, dressed only in a green slip and green highheeled shoes, flying through the air as she is observed by a man standing below. Does this represent a terrible accident, a suicide or a vision of the observer? We can only know the ultimate outcome in our imaginations. In paintings such as this Botero seems to be creating visual analogues to the extraordinary imagination of Gabriel García Márquez who, in his novels and short stories, has created a world that may be described as both banal and wondrous. The imagination of the painter, like that of the writer, conjures up fantastical happenings in village settings in which, seemingly, little or nothing changes throughout the years.
Bibliography:
www.artisan.net/botero.htm
Abraham Lincoln was one of the greatest presidents to ever serve in office in the history of the U.S., serving from 1860 to 1865. A self-educated attorney from Illinois, he proved himself to be a brilliant leader throughout the Civil War period. Although President Abraham Lincoln faced the biggest crisis in American history, he saved the nation by preserving the Union during the Civil War, boosting the economy, by fighting for the abolition of slavery, and by boosting the Northern economy.
Abraham Lincoln, the 16th president of the United States, was the president during the most difficult time in American History. While being the president during the Civil War Era, Lincoln had to face and conquer a large amount of difficult missions that helped to save our country. He resembled a dedicated, brave character that had a unique form of leadership that consisted of telling stories to explain his actions and to influence society to follow his lead. Lincoln’s goals as the leader of the country were to abolish slaves and to unify the nation. Abraham Lincoln did not let anything get in his way to improve the United States which makes him the most dedicated, influential American of the period up to 1877.
This paper will discuss and compare A Faun Teased by Children sculpture, of the Italian Baroque style, and the Little Fourteen Year Old Dancer of the French impressionist style. These two sculptures give us a clear insight and allows us to peer in on the moment that is taking place. The active movement, strong diagonals and dramatic facial expressions of the figures in A Faun Teased by Children tells the on looker a vivid detailed story of the actions that are taking place and what role each figure is taking on, in a mythical scene, while the stagnant and serene pose of the Fourteen Year Old Girl resonates calmness and a moment that has not taken place just yet.
This semester, in comparing works of visual art and opera and particularly between works of the same time period, many parallels emerge. But beyond the scope of individual time periods (e.g., Renaissance, Romanticism, Modern), there are parallels that transcend the scope of time entirely. Individuals of varied cultures and periods in history seem to be invariably fascinated by the idea of an archetypal character whom they can adapt and reinterpret according to the terms of their own zeitgeist and with whom they can identify. A salient example is the Orpheus figure, who hails from the myths of antiquity and has been remade and adapted in operas by composers including Monteverdi, Schütz, Lully, Fux, Telemann, Rameau, Gluck, Haydn, Offenbach, Debussy (in an unfinished project), Milhaud, Birtwistle, and Philip Glass—and that is really only the tip of the iceberg! We see Oprheus depicted as well in paintings by Gennari in the 17th century and by Redon in the 19th century, Corot (1861), dell’Abbate, and Rubens. I could similarly enumerate artists, writers, or composers who have famously depicted any of the figures we have studied this far: the Norse figures held so dear by Wagner, Saint Sebastian...
In general, Martin is not supportive of defining a governing rule of characteristics as only Baroque. However, in order for him to establish a basis to discuss the Baroque, certain major characteristics must be reluctantly defined. Martin organizes the book into different "essential characteristics" which describe art during the Baroque in order to help the reader. These characteristics include Naturalism, The Passions of the Soul, The Transcendental View of Reality and the Allegorical Tradition, Space, Time, Light, and Attitudes to Antiquity. Each chapter subsequently describes in further detail these characteristics.
Abraham Lincoln is regarded by many Americans as the greatest president to ever hold office in the history of the United States, and his reputation is definitely well deserved. Lincoln wasn't scared to stand up and fight for what he knew was right. He was convinced that within the branches of government, the presidency alone was empowered not only to uphold the Constitution, but also to protect, and defend it. Lincoln was able to lead our country and preserve the Union, keeping the United States from splintering during the devastating times of the Civil War. As President, he built the Republican Party into a strong national organization, and he rallied most of the northern Democrats to the Union cause. On January 1, 1863, he issued the Emancipation Proclamation that changed the war into a battle for freedom and declared forever free those slaves within the Confederacy. That November, Lincoln gave his famous Gettysburg Address, which stated how a country must be dedicated to human freedom in order to survive. He dedicated the battlefield to the soldiers who had perished, and called on the living to finish the task the dead soldiers had begun. (Donald, 1995) Lincoln believed that democracy could be a lasting form of government. He showed a nobility of character that had worldwide appeal, and he was a man of great integrity. However, Lincoln was not only the 16th president of the United States, he was an American hero. Lincoln was a well-rounded individual and he had numerous outstanding qualities. However, it is important to remember that Lincoln also led a private life, complete with close friends and family.
Other materials used for the Canadarm are aramid fibers [1] such as Kevlar [7]. This aerospace material is also used in bulletproof vests [12]. These aramid fibers are fibers in which the chain molecules are highly oriented along the fiber axis, so the strength of the chemical bond can be exploited [1]. Kevlar is also flame resistant [12] which bolds well in space due to the extreme heat from the solar winds. Kapton is another one of the materials used by spacecrafts. This material has the ability to sustain itself and be stable in many different temperatures such as -269 to 400 °C. Since Space is a vacuum the temperature is intense, therefore this material is well suited for counter...
Botticelli’s Primavera can be labeled as one the most notable interpretative challenges of art history, due to the plethora of differing interpretations of its meaning. Some interpret the Primavera as a mythological depiction surrounding a wedding in the painting’s patron’s family, others believe it is an allegorical representation of the arrival of spring or a symbolic portrayal of Neoplatonic philosophies concerning the nature of love. Although scholars disagree on what exactly Botticelli trying to express in Primavera, most do agree on the identity of the figures in the painting which include mythological figures based primarily on the works of the Greek poet, Ovid. Although the exact meaning will remain unknown, considering differing interpretations can assist in understanding the notions presented and can aid in analysing the findings accordingly.
As the seventeenth century began the Catholic Church was having a hard time bringing back the people who were swept away by the protestant reformation. The conflict between the protestant had a big influence on art. (Baroque Art) The church decided to appeal to the human emotion and feeling. They did so by introducing a style called Baroque. Baroque was first developed in Rome and it was dedicated to furthering the aims of Counter Reformation. Baroque was first used in Italy than later spread to the north. In this paper I will argue that the Italian Baroque pieces were more detailed and captured the personality of the figure, in contrast and comparison to Northern Baroque pieces that aimed to produce a sense of excitement and to move viewers in an emotional sense leaving them in awe. I will prove this by talking about the different artwork and pieces of Italian Baroque art versus Northern Baroque Art.
...epth perception, and clear lines make Sebastians Still Life with Glasses seem real. Brushstrokes, unclear lines on the table, and distance not visible to the viewer but symbolic, make Jeans’ Still Life with Kitchen Utensils more of a work of art, than a depiction of what is real.Jean portrays a table in a house of a commoner and Sebastian, a table in the house of the wealthy. The viewer of both of these paintings, is himself of nobility. On the one hand he sees this lush kitchen table of Sebastians’ and relishes in his own wealth, but on the other, he seems separated from the poverty of Jeans table. The wealthy man has the grapes, but not the onions, not the wisdom of the poor that leads them to seek virtuous things rather than material objects.He is inevitably separated from both the pain of poverty, and the wisdom of the righteous not self seeking but humble man.
Revered by architects and designers worldwide and widely celebrated in Brazil, Roberto Burle Marx (1909-1994) is considered one of the most influential landscape designers of the twentieth century and yet he remains largely unknown beyond his home country and professional milieu. More than a talented landscape designer, Burle Marx was a true humanist, devoting his life to art and nature and putting his ingenuity at use in multiple disciplines, from painting and sculpture to jewelry and set design. Roberto Burle Marx: Brazilian Modernist, on view at The Jewish Museum this summer (until September 8th), is the first exhibition in the United States to present the full spectrum of his multifaceted work , covering a long and prolific career from
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Few of Shakespeare’s minor characters are more distinct than Emilia, and towards few do our feelings change so much within the course of the play. Till close to the end she frequently sets one’s tooth on edge; and at the end one is ready to worship her. She nowhere shows any sign of having a bad heart; but she is common, sometimes vulgar, in minor matters far from scrupulous, blunt in perception and feeling, and quite destitute of imagination. She let Iago take the handkerchief though she knew how much its loss would distress Desdemona; and she said nothing about it though she saw that Othello was jealous. (222)
Many changes in the history of art have occurred with religious values and related to royal blood. The artistic genius of Peter Paul Rubens has impacted the development of the Baroque art. The prolific works from Rubens included many paintings, prints, and drawings. Thus, made Rubens one of the greatest Flemish artists during the seventeenth century. And they were very known to the Catholic church and the royal influences around Europe. But most of the time of his artistic career, he painted for his own pleasure. Picture studies were important to Rubens, especially when giving powers the Execution 1 of a painting to others.
Art is a constantly evolving process. The previous style of work serves as a roadmap for what will follow. As often is the case with any form of growth, there exists a transitional period. Because of this evolution, there are traces of a style’s illustrious history embedded in the adaptive art’s metaphorical DNA. The transition from early to late Renaissance established two styles of art known as Baroque and Rococo. While, on the surface, the Rococo style can appear to be very similar to the work produced by Baroque artists, the two also demonstrate distinct differences in their use of subject and theme, the manner in which they created the art, and how that art was perceived in their time. These factors establish both styles from one another, making them unique.