The Suffering of the Proud
Pride is a key to self-respect; however, when it goes to far, people forget that humility is a virtue too. In the play Antigone, pride plays a major role throughout, appearing as fatal flaws in both Antigone and Kreon, the main characters of Sophocles’s tragedy. For Antigone and Kreon, as soon as the stepped past the line of humility, they were doomed to fail.
For example, Kreon became so proud of himself he refused to listen to others warnings and assumes the gods are on his side. “But didn’t that girl do wrong?’ ‘The whole nation denies it.’ ‘Will the nation tell me what orders I can give?” (Kreon, Haimon, Kreon 881-3) this is a perfect example, because he refuses to listen to his son, and then, when presented with the fact that the whole nation thinks he is wrong, decides that he doesn’t care what the nation thinks. Throughout the play, his advisor, Koryphaios, repeatedly gives him gentle warnings, and Kreon claims he is getting old, ignores him, or refutes him with points that only emphasize his out-of-control pride, such as, “Men our age, learn from [Haimon] (Kreon 876). He also assumes that the gods will go along with whatever he says, “can you see the gods honoring criminals? Impossible” (Kreon 364-5). This kind of attitude is something that appears in almost every Greek myth, the thought that the gods will side with them no matter what, and it always ends up biting them in the rear.
Furthermore, Kreon holds his subjects in contempt...
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In most cases pride always results from great accomplishments. Pride can lead to deception where people especially the ones in power, base their decisions on their ability to have dominion over everyone else. It is the major cause of broken relationships within family members. Pride has and will always be root of evil unless people change and humble themselves. Pride is most evidently seen in Antigone by Sophocles where Creon, the leader, refuses to listen to reasons as seen through Teiresias and Haemon. Teiresias gives him an advice that states; “And your house will be full of men and women weeping, And curses will be hurled at you from far Cities grieving for sons unburied, left to rot Before the walls of Thebes.” (Ant. 214). Instead of listening to the advice and taking actions, Creon mocks Teiresias and tells him that his prophecy is for sale. Creon's human flaws and emotions such as pride and arrogance lead to his ultimate downfall as well as his family’s, which ties into him being the tragic ...
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
“There are two kinds of pride, both good and bad. ‘Good pride’ represents our dignity and self-respect. ‘Bad pride’ is the deadly sin of superiority that reeks of conceit and arrogance”-John C. Maxwell, American author. In Antigone by Sophocles, Creon, the king of Thebes, typifies the tragic hero and Maxwell’s quote. Initially, he makes a huge error in judgment that eventually leads to his downfall. Also, his pure arrogance caused to go against the will of the Gods. After he gets over his self-pride, his view shifts away from that of ignorance.
Pride is a quality that all people possess in one way or another. Some people take pride in their appearance, worldly possessions, or position in society. The story of Antigone written by Sophocles has two characters who have a tragic flaw of pride. I will show how Creon’s pride of power leads to his destruction, and how Antigone’s pride makes her an honorable character who should be treated as a hero.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
The classic plays of Ancient Greece are characterized by their use of hamartia to teach the audience not to make the same mistakes as the tragic hero. Hamartia and tragic flaws, such as hubris, are seen throughout Sophocles’ Antigone. However, the tragedy experienced in the play is all caused by one character’s flaw which causes a domino effect that leads to the ruin of the entire kingdom. Creon’s tragic flaw, his hubris and pride, is what essentially causes the demise of the other characters. His struggle to protect the lives of his family and kingdom all backfires as the rest of the characters, instead, chose death and honor than to defy the gods and live. This clash between life and death begins long before the start of
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Antigone's loyalty and stubbornness lead her to make irrational decisions eventually causing her death. Sophocles’s Greek tragedy, Antigone, shows how acting on emotions can lead to negative consequences and suffering. Throughout the play, Antigone keeps steady with her beliefs and always does what she thinks is right. Antigone's strong loyalty to her family and to the gods, as well as her stubbornness bring upon an early death. This shows readers that acting on emotions, especially negative ones, always have consequences.
When it comes to pride, when do we know that we have too much? A perfect example of having too much pride lies in the Greek tragedy, Antigone. In my opinion, it is the perfect example because the main character, Creon, is dealing with all the things that are happening because of Antigone’s decision to go against his law and many people are telling him that he is wrong, but he is too confident in his own choice that nothing bad will happen.
Greek politician and playwright, Sophocles, in his play, Oedipus the King, depicts a series of chronological events of the consequences of Oedipus’ downfall caused by his excessive pride. Sophocles’ purpose is to instruct readers that too much pride can dismally lead to unfortunate events. Sophocles illustrates an effective tone in order to inform the readers of the negative outcomes of stubbornness and denial.