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The Character of Robert Cohn in The Sun Also Rises
WWI consumed the lives of millions. Those lucky enough to have lived through the war did not necessarily to get away unscathed. Many war survivors had lost a large chunk of something called hope. Hope feeds the soul and is the fuel for love. Hope also supplies meaning in a confusing world. Lacking hope and love, feelings of disillusionment, loneliness, inadequacy, and alienation were commonplace.
The characters in Hemingway's The Sun Also Rises struggled with this, particularly Robert Cohn. Cohn was a ray of hope that people just couldn't bear. As in a dark room when someone opened the shade - the light hurts and one would rather close the shade than get used to the light. "It seems the bull-fighter chap was sitting on the floor. He was waiting to get strength enough to get up and hit Cohn again. Brett wasn't having any shaking hands, and Cohn was crying and telling her how much he loved her, and she was telling him not to be a ruddy ass. Then Cohn leaned over to shake hands with the bull-fighter fellow. No hard feelings, you know. All for forgiveness. And the bull-fighter chap hit him in the face again." As Mike spoke, he clearly showed us how much Cohn was pursuing Brett and how strongly everyone, including Brett, was rejecting and alienating him.
Robert Cohn was probably not even capable of truly being i...
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...e around him that had lost hope. Robert Cohn became the outcast for all others to exclude and spit upon to somehow feel superior. Cohn wasn't selling sex or cheap thrills drenched in alcohol. His wares were hope, the possibility of real love, and persistence. But no one could understand.
Works Cited and Consulted:
Bloom, Harold. Ernest Hemingway. New York: Chelsea House Publishers, 1985.
Hemingway, Ernest. The Sun Also Rises. New York: Simon and Schuster Inc., 1993.
Svoboda, Frederic J. Hemingway and The Sun Also Rises: The Crafting of a Style. Kansas: The University Press of Kansas, 1983.
Young, Philip. "Ernest Hemingway." Encyclopedia International. v. 8, p.388-389. 1982 ed.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
Trogdon, Robert W. Ernest Hemingway: A Literary Reference. New York: Carroll & Graf, 2002. Print.
other writers. He adds that the later novels seem more “mannered” and have less “impact” (p. 3). Comley and Scholes (1998) suggest that literary critics agreed that Hemingway’s style has undergone several changes. Cowley (1962, p. 46) argues that “by the early 1930’s Hemingway’s technique, apparently simple in the beginning, was becoming more elaborate”. Epstein (1982, p. 557) agrees that Hemingway was reduced to having produced only one good novel The Sun also Rises, some good short stories, and “the originator of once elegantly simple prose style that over the years dried up and flaked off in self-parody”. While Assadnassab (2005, p. 19) maintains that Hemingway uses “long plain words”, other critics such as Young (1966, p. 203) claim that Hemingway prefers to use short words.
"William Shakespeare, William. "Twelfth Night." Norton's Anthology of English Literature. Ed. Stephen Greenblatt. New York City: W.W. Norton & Co., 2010.
Tushnet, Mark. "Interpreting the Right to Bear Arms---Gun Regulation and Constitutional Law." The New England Journal of Medicine. 3 Apr. 2008. Web. 15 Oct. 2011.
Gajduske, E. Robert. Hemingway's Paris. New York: Charles Scribner's Sons, 1978. Mahoney, John. Ernest Hemingway. New York: Barnes and Noble INC., 1967. McSowell, Nicholas. Life and Works of Hemingway. England: Wayland, 1988. Meyers, Jeffery. Hemingway: A Biography. New York: Harper and Row Publishers, 1985. Shaw, Samuel. Ernest Hemingway. New York: Fredrick Ungar Publishing Company, 1974. Tessitore, John. The Hunt and The Feast, A life of Ernest Hemingway. New York: Franklin Watts, 1996. Waldhorn, Arthur. A Reader's Guide to Ernest Hemingway. New York: Octagon
McManus, Barbara F. "Julius Caesar: Historical Background." Vroma. N.p., Mar. 2011. Web. 21 Feb. 2014.
Wells, Stanley, and Gary Taylor, eds. "Twelfth Night, or What You Will". William Shakespeare: The Complete Works. Oxford: Clarendon P, 1998.
As the current prison structures and sentencing process continues to neglect the issues that current offenders have no change will accrue to prevent recidivism. The issue with the current structure of the prison sentencing process is it does not deal with the “why” the individual is an social deviant but only looks at the punishment process to remove the deviant from society. This method does not allow an offender to return back to society without continuing where they left off. As an offender is punished they are sentenced (removal from society) they continue in an isolated environment (prison) after their punishment time is completed and are released back to society they are now an outsider to the rapidly changing social environment. These individuals are returned to society without any coping skills, job training, or transitional training which will prevent them from continuing down th...
The setting in the stories The Lottery and The Rocking-Horse Winner create an atmosphere where the readers can be easily drawn in by the contrasting features of each short story. This short essay will tell of very important contrasting aspects of settings in that while both stories are different, both hold the same aspects.
Tranquility fills the dull atmosphere. Not knowing how much water the clouds contain before the downpour starts, we innocently set ourselves up for an endless journey; a journey to find the purpose in life. A droplet of rain trickles down onto the top of your head, following a shower of many more droplets. Lightning flashes and booms of thunder take over the sky. Many are hesitant of whether to continue their journey or hide from this storm; an umbrella can only give so much protection against the rapid winds and stinging raindrops. Many describe thunderstorms in a frightening way, but the strong willed individuals who embrace the storm think with positivity - rain is changing the environment and bringing life to the world. Once the rain subsides, the atmosphere, exhausted and worn out, settles down back into the calm tranquil environment that it once was. The sky, once filled with dark and murky clouds, is filled with blue. One may either face the challenge they have been approached with to move on, or decline and stay caught in a storm. An individual’s view of the world has immense power of whether one’s obstacles will result in failure or achievement. It is the mentality that we approach life’s challenges that determine the positive or negative outcomes in our lives.
Barton, Anne. Introduction to Twelfth Night. The Riverside Shakespeare. Boston: Houghton Mifflin Company, 1974. 403-407.
Logan, Thad Jenkins. "Twelfth Night: The Limits of Festivity." Elizabethan and Jacobean Drama. N.p.: Rice University, 1982. 223-38. Vol. 22 of Studies in English Literature, 1500-1900. Rpt. in Studies in English Literature, 1500-1900. N.p.: n.p., n.d. N. pag. Print.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.