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Is Kate Chopin a feminist? the story of an hour
essay on women in mid-nineteenth century
the women in 19th century
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Recommended: Is Kate Chopin a feminist? the story of an hour
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
Feminism is commonly thought of as a tool for educating society on the rights of women. It teaches that a woman is equal to a man in every civil and societal accord. Realizing this is not always the case, Charlotte Bunch, a noted lesbian feminist of the 1970s also defined feminism as "a way of looking at the world - a questioning of power [and] domination issues" (WIE). Many feminists attempt to bulrush the ideals of stereotypical women and push them away from those who believe in these standards. "Feminist scholars also seek to question and transform androcentric [sic] systems of thought which position the male as the norm," says Barbara McManus. They strive to find, examine, and eliminate biases in a world encumbered with intolerant men who see women as thoughtless objects and most certainly not equals. Other women announce their impressive intellect, economic well-being, and individual personalities to the people who oppose them. "A woman should always present herself and explain her forthcoming jaunts into Feminists, like Edna, howe...
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...Barbara F. "Characteristics of a Feminist Approach." December 8, 2001. http://www.cnr.edu/home/bmcmanus/femcharacteristics.html.
Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. New York, NY: Pantheon Books, November 1985.
Ward, Jennifer A. "Deconstruction or Feminist Critique?" December 9, 2001. http://www.geocities.com/athens/acropolis.6998/chopin2.html.
Wear, Delese and Nixon, Lois LaCivita. Literary Anatomies: Women's Bodies and Health in Literature. Albany, NY: State University of New York Press, 1994.
Women's Information Exchange. "Feminism Defined." December 7, 2001. http://electrapages.com/FEMINIST.htm
Wood, Ann Douglas. "'The Fashionable Diseases': Women's Complaints and Their Treatment in Nineteenth-Century America." Women and Health in America. Madison, WI: University of Wisconsin Press, Ltd., 1984.
John M. Murrin’s essay Coming to Terms with the Salem Witch Trials helps detail the events of these trials and explains why they might have occurred. The witch trials happened during a “particularly turbulent time in the history of colonial Massachusetts and the early modern atlantic world” (Murrin, 339). Salem came to be in 1629 and less than seventy years later found itself in a mess of witch craft.
The Salem, Massachusetts Witch Trials have generated extensive evaluation and interpretation. To explain the events in Salem, psychological, political, environmental, physical, and sociological analysis have all been examined. The authors Linnda Caporael, Elaine Breslaw, Anne Zeller, and Richard Latner all present differing perspectives to speculate about the events of the Salem Witch Trials. This changing interpretation and perspective has resulted in an extensive historiography to explain the
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Kent, Deborah. Witchcraft Trials: Fear, Betrayal, and Death in Salem. Library ed. Berkeley Heights, NJ: Enslow, 2009. Print.
Carlson, Laurie M. A Fever in Salem A New Interpretation of the New England Witch Trials. Chicago: I.R. Dee, 1999. Print.
In Kate Chopin's The Awakening, the main character, Edna leaves her husband to find place in the world. Edna believes her new sexually independent power will make her master of her own life. But, as Martin points out, she has overestimated her strength and is still hampered by her "limited ability to direct her energy and to master her emotions" (22). Unfortunately, Edna has been educated too much in the traditions of society and not enough in reason and independent survival, admitting to Robert that "we women learn so little of life on the whole" (990). She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her life, lets her goal become clouded instead of learning to depend on herself alone. Edna wants to overcome gender stereotypes, and is already using behaviours such as assertiveness and independence to question them, but the struggle is new to her and she fails to discover a method that would allow her to successfully leave behind society's preconceptions. Martin writes,
Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and The Nineteenth-Centurv Literary Imagination. New Haven: Yale University Press, 1979.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Kate Chopin’s The Awakening should be seen as depicting the discontentment that comes from self-gratification rather than the glorification of delighting in one’s fantasies. Chopin describes the central idea of one who is seeking to please her personal needs and desires and, in the process, neglects to notice how her actions affect others. The protagonist, Edna, is not able to find peace or happiness in the accepted daily life that a woman of her era and social status should have. The fulfilling of her desires could essentially cause social ostracism for her, her husband, and her children, yet she is unable to find repose in living the typical social Victorian life. The final resolve of her “awakening” to her desires, her ultimate suicide, is not an honorable position that women should strive toward as a romantic ideal because her desires were hopeless in her situation. Through Edna’s striving for personal satisfaction, she loses the joys that daily life has to offer.
Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1979. Print.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
...th intense compassion and love for the enemy and wait for the enemy to shoot him down. My contention is that war is impossible when every one follows the principle of “Love they neighbor…” and “service before self”. However, my ethical system does not propagate relinquishing one’s duty. It is possible to imagine a soldier fighting a war as a part of his duty, slaying his enemies even as he continues to love them. This was what Krishna preached in Bhagwadgita to his disciple Arjuna who was horrified at the sight of his kinsmen fighting on the enemy’s side.
Cixous, Helene. "Laugh of the Medusa." Feminisms: An Anthology of Literary Theory And Criticism. Ed. Robyn R. Warhol and Diane Price Herndl. New Brunswick, New Jersey: Rutgers University Press, 1991.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: the Woman Writer and the Nineteenth-century Literary Imagination. New Haven: Yale UP, 2000. Print.
Organic food is food that is grown without any pesticide or fertilizers. In recent years, sales for organic foods are increasing every year. A lot of people go to supermarkets in order to buy some organic foods, because they think that organic foods are healthier than conventional foods. People purchase organic foods for different reasons such as personal health, the quality of organic foods, and taste, but the most important reason is personal health. The topic that whether organic foods have more benefits or not is very controversial for a long time. Maybe some people believe that organic foods are beneficial to human health, but some other people disagree with the viewpoint, so buying organic foods depend on people’s choices. People believe organic foods are healthier because they generally think organic foods have less pesticide and fertilizer residue, more nutritional values, and are beneficial to environment.