Communication is important to the life of human beings, yet communicating feelings in words has never been top priority in American literature. A characters thoughts and feelings rarely surface, resulting in a conflict of sorts with other characters. Communication in realistic literature displays body language in great detail, as well as characters personal thoughts and reactions to stimuli. Samuel L. Clemens, described by The Oxford Companion to American Literature as a “journalistic humorist in the frontier tradition” (Hart 162), wrote several compositions pitting romanticism against realism. In Clemens’ Huckleberry Finn, a moral dilemma between characters is not addressed in words, but in thoughts. Realistically, humans do not express speech or take action before thinking; therefore, the documentation of thought is more accurate than the blurting out of ideas. When Huck is faced with the moral...
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...ckleberry Finn. (1876) Baym, Nina, et al., eds. 28-216.
Eliot, T.S. The Wasteland. (1921) Baym, Nina, et al., eds. 1380-1392
Howells, W.D. “Editha”. (1907) Baym, Nina, et al., eds. 258-267
Miller, Arthur. Death of a Salesman. (1949) Baym, Nina, et al., eds. 1920-1985
O’neill, Eugene. The Hairy Ape. (1921) http://www.theatrehistory.com/plays/hairyape001.html.
Rideout, Walter B. “The Simplicity of Winesburg, Ohio” (1962) Rpt. in Winesburg, Ohio eds. Modlin, C.E. and White, R.L. A Norton Critical Edition NY: Norton 1996.
Trachtenberg, Alan. The Incorporation of America: Culture & Society in the Gilded Age. ed. Foner, Eric NY: Hill and Wang 1982.
Updike, John. “Twisted Apples” (1984) Rpt. in Winesburg Ohio eds. Modlin, C.E. and White, R.L. A Norton Critical Edition NY: Norton 1996.
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