Manipulated history used in an inappropriate manner is one of the ways in which the Nazis were able to convince so many people to follow their evil and tyrannical beliefs. This is not something that we as Americans can have happen. History in the cinema should be a carefully monitored area, so as to prevent fictional accounts to be passed as the truth. If we allow our screenwriters and directors to have free reign in the movies, they could theoretically conjure up any scenario that they pleased and pass it off as an actual event. This can not be so. If history is to be conveyed through film, it should be of the highest accuracy. Many people rely on what they see as fact so that if all movies decided to create a “history” that never happened, a large percentage of the American population would fall victim to their chicanery.
 Through a discussion of how history has been maneuvered within films, specifically Woodstock: 3 Days of Peace and Music, I pose the question of how closely should our films be monitored for historical inaccuracies. This serves to benefit ...
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... learn about the true evils of slavery, Columbus, and the other tyrants that we have since held up as divine, but in time they will learn the whole truth. Learning this truth is the purest form of nationalism. Learning every aspect of our history is the only way that we as a people can truly take pride in our country. If we allow our filmmakers to continually bombard us with fallacies and half-truths, where will we be as a society when we no longer have a history, an identity, to hold onto?
Holden, Joan. “Woodstock: The Four Dollar Revolution.” Ramparts Oct 1970: 60-62+.
Kauffman, Stanley. “Stanley Kauffman on Films: Woodstock.” New Republic 2 May 1970: 20+.
Loewen, James W. Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong. New York: Touchstone, 1996.
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