Edgar Allan Poe’s Tale of the Ragged Mountains and Lovecraft’s The Outsider
Both Edgar Allan Poe and H.P. Lovecraft were known for their tales of horror, shocking discoveries and mysterious characters. Lovecraft was known to have mimicked Poe’s style in his popular horror stories of the early 20th century. Poe, one of the most famous writers of short stories and poems in the 19th century, amazed readers with his rich descriptions and chilling plots. Neither disappoint in two of their stories: Poe’s “Tale of the Ragged Mountains” and Lovecraft’s “The Outsider.” Although these are not the most famous of each authors’ works, scholars often debate over the meaning and themes of each story. One common theme in both the stories is the shocking discovery made by the characters. In “The Outsider,” the narrator discovers his true identity by glancing into a mirror as he explores his new world. “A Tale of the Ragged Mountains” tells both of Bedloe’s discovery of the similarity of Oldeb’s past to his own, as well as the narrator’s discovery of who Bedloe might actually be, himself. The common thread between the two lies in those discoveries, and also in the entrance of each to a new, foreign world; however their personal reactions to their respective discoveries are very different.
In his “Outsider,” H.P. Lovecraft tells the story of a man who lives in a dark, musty world, void of any light. His entire knowledge comes from the thousands of books that line the dark wet castle he inhabits. Since he has never seen another person, he can only imagine the human language or what he himself looks like. After scaling a tall tower, he stumbles into a world above his, on a night with a clear moon. His joy i...
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...ered the writer and his style. Their similarities are common in many of their stories. The themes of these two works are no exception, and share many mutual points, despite the plot differences.
Works Cited
Lovecraft, Howard Phillips. “The Outsider.” H.P. Lovecraft Library. 1921. 6 Nov. 2002 < http://www.gizmology.net/lovecraft/works/outsider.htm>.
Mosig, Dirk W. “The Four Faces of The Outsider.” Discovering H.P. Lovecraft. Ed. Darrell Schweitzer. Mercer Island, Washington: Starmont House, 1987.
Philippon, Daniel J. “Poe in the Ragged Mountains: environmental history and Romantic aesthetics.” Southern Literary Journal 30.2 (1998): 1-16.
Poe, Edgar Allan. “A Tale of the Ragged Mountains.” 1844. Rev. 29 Jun. 1999. http://www.literature.org/authors/poe-edgar-allan/atale.html (15 Nov. 2002).
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Kennedy, Gerald J. A Historical Guide to Edgar Allan Poe. Oxford: Oxford University Press 2001
...ce, although both writings are interesting in their own ways, the most interesting aspect of both writings together is that they both have a similar plot and theme. It is rare that two
However, later, in her "Tale" the Wife of Bath presents another opinion - women wish to have emotional power over their husbands as well. The fact that the hag is able to decide for herself whether to turn into a beautiful wife or to remain in her present state, manifests her power over the husband. It is up to her whether to make the knight the happiest men on earth or to make him miserable for as long as she lives:
A careful reading of Poe’s tales will quickly reveal the importance that landscape plays in the development of each literary work. "Ragged Mountains" has both a surreal and realistic landscape allowing Poe to use both the mental and the physical environment to explain his tale. This technique is also found in "The Fall of the House of Usher," "William Wilson," and "The Masque of the Red Death." In these tales too the reader may tend to focus on the action at hand, and the psychological details, because that is what we are prone to do with Poe stories. However, it is also important to understand that physical landscape as well. As Daniel Philippon states in his article "Poe in the Ragged Mountains": "Any search for a whole universe of suggestion must be held in check by the realities of the landscape in which it occurs."
Poe is a very complicated author. His literary works are perplexed, disturbing, and even grotesque. His frequent illnesses may have provoked his engrossment in such things. In 1842 Dr. John W. Francis diagnosed Poe with sympathetic heart trouble as well as brain congestion. He also noted Poe's inability to withstand stimulants such as drugs and alcohol (Phillips 1508). These factors may have motivated him to write The Tell-Tale-Heart, The Cask of Amontillado, and The Black Cat. All of these stories are written in or around 1843, shortly after Poe became afflicted. His writing helped him to cope with his troubles and explore new territory in literature. Poe's interest in the supernatural, retribution, and perverse cause them to be included in his burial motifs; therefore sustaining his interest. There is a common thread laced through each subject, but there is variation in degrees of the impact. The supernatural is the phenomena of the unexplained. With this comes an aura of mystery and arousal of fear. Death in itself is the supreme mystery. No living human being can be certain of what happens to the soul when one dies. It is because of this uncertainty that death is feared by many. These types of perplexing questions cause a reader to come to a point of indifference within one of Poe's burial motifs. One is uncertain of how the events can unfold, because a greater force dictates them. Reincarnation in The Black Cat is a supernatural force at work. There is some sort of orthodox witchcraft-taking place. The whole story revolves around the cat, Pluto, coming back to avenge its death. One can not be sure how Pluto's rebirth takes place, but it is certain that something of a greater force has taken hold. The cat's appearance is altered when the narrator comes across it the second time. There is a white spot on the chest "by slow degrees, degrees nearly imperceptible…it had, at length, assumed a rigorous distinct outline…of the GALLOWS" (Poe 4). Foretelling the narrator's fate a confinement tool appears on the cat's chest. This also foreshadows the cat's confinement in the tomb. It reappears like a disease to take vengeance on a man that has committed horrid crimes. "I was answered by a voice within the tomb! --By a cry, at first muffled and broken, like the sobbing of a child, and quickly swelling into one long, loud and continuous scream, utterly anomalous an...
Though Chaucer showed multiple tales of various characters in The Canterbury Tales, the Miller’s and Wife of Bath’s tale surpassed them all on their concept of marriage and love. Both allow the reader to understand where they are coming from and their perception. While one does not seem to believe too much in love, the other does. However, both clearly believe that women control the game of love in their own respective ways.
Poe, Edgar Allan, and Arthur Hobson Quinn. Complete Tales and Poems. New ed. : Dorset P., U.S., 1992. Print.
Plato, . The Trial and Death of Socrates, "The Apology". Trans. G.M.A. Grube. Third ed. Indianapolis: Hackett Publishing Company, 2000. 34. Print.
Edgar Allan Poe, an often misinterpreted literary mastermind, known predominantly by his extraordinary tales of horror, forbidden love, madness, and mystery, is more than meets the eye. Though his genres of expertise may indicate otherwise, Poe was a very social person, a gentleman by trade, and he possessed more hands-on military experience than any other major American author in history. As a writer, Poe gained a great deal of his inspiration from his surroundings. His enlistment in the army contributed significantly to his repertoire, and inspired some of his greatest works, including “’The Gold Bug;’ ’The Man Who Was Used Up,’ a satire of southern frontier politics; ‘The Balloon Hoax,’ set along the mid-Atlantic Carolinas coast; ‘The Oblong Box,’ involving a voyage out of Charleston harbor; [and] ‘The Cask of Amontillado,’ possibly based on a Fort Independence/Castle Island Legend”(Beidler, Soldier 342). The death of his mother and his unfortunate love life played another major role in his authoring, giving him the ability to write about “. . . the intense symbiosis between love and hatred . . . [illustrating that] love is seldom as simple or as happy as popularly hoped” (Hoffman 81). Poe’s chilling tales remain popular today, and have a long history of providing inspiration for major books and other cultural staples of entertainment.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
During this essay the trail of Socrates found in the Apology of Plato will be reviewed. What will be looked at during this review is how well Socrates rebuts the charges made against him. We will also talk about if Socrates made the right decision to not escape prison with Crito. Socrates was a very intelligent man; this is why this review is so critical.
“An introduction to climate change.” Natural Resource Defense Council. Natural Resources Defense Council 8 November 2015 n. pag. Web. 28 November 2015.
Freedom is a human value that has inspired many poets, politicians, spiritual leaders, and philosophers for centuries. Poets have rhapsodized about freedom for centuries. Politicians present the utopian view that a perfect society would be one where we all live in freedom, and spiritual leaders teach that life is a spiritual journey leading the soul to unite with God, thus achieving ultimate freedom and happiness. In addition, we have the philosophers who perceive freedom as an inseparable part of our nature, and spend their lives questioning the concept of freedom and attempting to understand it (Transformative Dialogue, n.d.).
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Socrates was a wise man who realized that life was not something that could be easily understood. He knew that questioning life would lead to a stronger conception of life and reality. When he stated that “the unexamined life is not worth living” (Plato 45), he truly meant that without questioning life, one would not be truly living. Actions would have no understanding of being right or wrong. For Socrates, a man who believed that life should be based on what was right, there would be no greater wrongdoing.