Tennessee Williams's play A Streetcar Named Desire contains more
within it's characters, situations, and story than appears on its surface.
As in many of Williams's plays, there is much use of symbolism and
interesting characters in order to draw in and involve the audience. The
plot of A Streetcar Named Desire alone does not captivate the audience. It
is Williams's brilliant and intriguing characters that make the reader
truly understand the play's meaning. He also presents a continuous flow of
raw, realistic moods and events in the play which keeps the reader
fascinated in the realistic fantasy Williams has created in A Streetcar
Named Desire. The symbolism, characters, mood, and events of this play
collectively form a captivating, thought-provoking piece of literature.
A Streetcar Named Desire produces a very strong reaction. Even at
the beginning of the play, the reader is confronted with extremely obvious
symbolism in order to express the idea of the play. Blanche states that
she was told "to take a streetcar named Desire, and then to transfer to one
called Cemeteries". One can not simply read over this statement without
assuming Williams is trying to say more than is written. Later in the play,
the reader realizes that statement most likely refers to Blanche's arriving
at the place and situation she is now in because of her servitude to her
own desires and urges. What really makes A Streetcar Named Desire such an
exceptional literary work is the development of interesting, involving
characters. As the play develops, the audience sees that Blanche is less
proper and refined than she ...
... middle of paper ...
...st into a reality which is not his own, yet somehow seems familiar.
This realistic fantasy Williams creates with his brilliant use of symbolism,
intriguing characters, and involving action in the play causes the reader
to connect fully with the setting, characters, conflicts, and emotions
Adler, Thomas P. A Streetcar Named Desire: The Moth and the Lantern.
Boston: Twayne Publishers, 1990
Kernan, Alvin B. "Truth and Dramatic Mode in A Streetcar Named Desire, In
Modern Critical Views: Tennessee Williams." Ed. Harold Bloom. New York:
Chealsea House Publishers, 1987
Quirino, Leonard. "The Cards Indicate a Voyage on A Streetcar Named Desire,
In Modern Critical Interpretations: Tennessee Williams's A Streetcar Named
Desire." Ed. Harold Bloom. New York: Chelsea House Publishers, 1988
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