Outside the bar, on the dimly lit street, a slovenly old man lays against a wall. Drunk, he sings out to the night sky like it was his only friend, attracting the attention of the local bullies. In the glow of the street-lamp, they punch and kick him, showing the old man what they think of his drunken display. As they beat him, he hollers out, telling them he has no urge to live in this filthy, corrupt world anyway, so they might as well do him in. They leave him there, bloodied and puking, moving on to the next adventure of the night.
In a nearby wear-house, a rival gang is assaulting a young lady. The wear-house is large and filled with miscellaneous debris and stored items covered with cloth. On the stage at one end, drama takes place, but it is no play. The four droogs taunt the other gang, drawing the attention away from the lady. They commence in fighting their rivals with chains and knives, and any other conceivable dirty means. Easily overtaking the six guys, they set the girl free and cac...
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...es of violence, a smile pasted on a scarecrow. The writing is fast paced, giving the feeling that anything could be right around the corner.
The structure of the book is a straightforward narrative written from Alex's perspective. Using the slang language of the British street gang, Burgess details the violent lives and wild antics of these gutter punks. He uses shock tactics to convince his audience of the true nature of his characters. Later on in the book, when Alex goes to jail and undergoes "treatment", Burgess goes deep into the criminal mind and what makes it tick, thus giving his character more depth. By the end of the book, you feel like you have come a long way with Alex and his "droogs", and you most likely have a different view of justice.
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