A Comparison of 'The Skeleton Key’ and ‘Dungeons and Dragons’
‘The Skeleton Key’: Horror
‘Dungeons and Dragons’: Fantasy-Adventure-Action
In ‘The Skeleton Key’ poster there is only one actress who is standing
and looking into a key hole (facing the camera). She looks scared but
also anxious and worried with tension. She also looks like she
intensely desires to know what’s behind the Key hole.
The woman is wearing dark clothes and jewelry signifying that this
film is a horror. She is also wearing sandals which represent that
it’s a worm time of the year e.g. summer or spring. The setting looks
like a normal house. This must mean that the scary parts of this film
would probably be mostly in that house since the key hole is there
also.
In this poster the whole background is black. There is also a key-hole
shape on the middle with a woman walking towards it. In the house, it
looks like its day time since there’s light coming through the windows
– this is surprising because this specific gesture code is the
opposite of a horror type of film since usually it is typical for the
nights to be the most scariest and fearful time of day for most
people. The woman is holding a torch and a pole which shows that she
is scared of something that might be behind that key hole and that she
is planning to go inside since she looks so curious.
The tagline of this poster is ‘fearing is believing’ – this is a big
giveaway to the genre. It includes the word ‘fear’ which signifies
that there is going to be something dangerous, scary and that causes
distress. It also makes a lot of sense - if you are scared of
something, it means that you bel...
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...o make people want to see the movie straight away
therefore making the movie successful. People can get interested in
the film because the posters have information about the film that may
be attracting such as the cast – some people go too watch a movie
because of all the good actors that it includes, genre – some people
go to watch particular genres, writer or director – some people might
like a specific writer or director. All of these features are
noticeable to the audience in these 2 posters which means that they
would attract the audience who like horrors, the writer or Kate Hudson
should get attracted to ‘The Skeleton Key’ and those people that are
fans of action, fantasy, adventure, or any of the characters that they
can recognize or see in the credit block should be interested in the
‘Dungeons and Dragons’ movie.
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
Arising lethargic and groggy after their sleepless night at camp six, Mark Whetu and Mike Rheinberger were slow to dress, melt ice, and get out of the tent at three o’clock in the morning. They should have left at one at the latest but the wind was too gusty. Unfortunately, by the time they loaded their backpacks, strapped on their crampons and were ready to leave, it was three thirty. Mark, an experienced climber knew they wouldn’t summit before one p.m. but he had only been hired as a guide for Rheinberger, who, after seven tries at Mount Everest had still not been able to summit. For Rheinberger, descent was totally unacceptable. Too much labour, too many sleepless nights, and too many dreams had been invested to not summit. He couldn’t come back for another try next weekend. To go down now, would have raised one big question: what might have been?
For many, the world of Runescape is an unfamiliar world. Runescape involves many players in a medieval world of ghosts, goblins, and dangerous dragons. By fighting these monsters, characters can level up and get stronger. Each combat level that a player acquires increases his or her character’s strength by one point. People outside this discourse community would have a difficult time trying to understand everything that is going on in this internet game. Even people playing for years might not know everything there is to know about the game. It takes about two weeks to understand and incorporate Runescape’s terms and ways to trade, but that two weeks goes by plenty fast. Breaking things down to its simplest parts is a tough thing to do, but it puts the world of Runescape into view for others that have not heard about the game. Interacting with the other players of Runescape and understanding what the other people are trying to say are key survival techniques that must be used in order to last in this game.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
The Rebirth of a Game Basketball in my home state goes way back, straight to the beginning. The University of Kansas (KU) hired James Naismith, the inventor of the game, as its first basketball coach in 1898. The fledgling sport has caught on, and has gained force ever since. KU was also the scene of the emergence of Wilt Chamberlain, who dominated the game like none other. At the same time that “Wilt the Stilt” was breaking out, Kansas State University (KSU) had a basketball coach by the name of Tex Winter.
Condren’s article, “Two Witty Glosses” discusses how the “The Friar’s Tale” and “The Summoner’s Tale” both use language to create ironic foreshadowing of each tale’s events. Condren also expounds upon how each tale is structurally similar. Both tales follow a straightforward formula to present both tales’ engagements with social discourse and the importance of intent. Condren’s structuralist approach to the three tales in Fragment III (“The Friar’s Tale” and “The Summoner’s Tale in particular) illustrates how language itself operates within tales that rely heavily on the specifics of
...er apparently created successful persuasive appeals for the crowd to be attracted and enjoy a movie that will be funny, colorful, and full of adventures that eventually will teach a life experience to the public.
King is right when he argues that people like the sudden excitement of watching a horror film. The horror genre keeps us on the edge of our seats and has us entranced with the overstimulation that comes with them. When he says “To show that we can, that we are not afraid, that we can ride this rollercoaster” he is implying that a horror movie is similar to riding a rollercoaster (King 1). The analogy lets the reader know he is saying people revel in the emotion of a horror movie, even if it scares them. People enjoy riding roller coasters because of the excitement and the rush that comes with it, just like people enjoy horror. The
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Cultures all around the world, some of which never connect with each other, have traditional stories, myths, and legends to explain the nature and way of the world. Theses myths have similar structure to one another including character archetypes, patterns of plot, and universal symbols. The novel Arrow of God by Chinua Achebe and the film Crouching Tiger, Hidden Dragon directed by Ang Lee are two modern representations of myth based in two very different cultures.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Most dystopian young-adult fiction that has been published within the past few years follows a similar formula. Divergent and The Hunger Games in particular are two book series that have striking similarities in the way the authors have set them up. They both take place in a future version of the United States run by a corrupt government, but they contain differences in the exact location and who runs the government. On the outside, the main characters appear very similar, even though there are some apparent differences after the reader gets to know both. In both of the series, the characters are split up into important groups that will determine how they live most of their lives, though they enter the groups in different ways. Divergent and The Hunger Games both have unique qualities, but the general outline of the two series is similar enough to attract the attention of readers who have already read and enjoyed one of them.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
The producer was aiming to create mystery and fear. The dark of the night and the description of the house as feeling dead in the protagonist’s narration sets a suspenseful scene filled with fear and tension. The young girl is followed by the camera as she explores the mansion. When entering the room suspected to be that of her aunts the camera leaves her side to pan around the room. The darkness doesn’t reveal everything but one becomes aware of a search. The revelation of little secrets leaves the viewer with many questions. The room is familiar to the protagonist as she finds items symbolic to her and familiar photographs. This familiarity however does not retract from suspicions that something sinister has been hidden. The producer has successfully captivated the viewer. The protagonist is being followed throughout the scene and has thus allowed for the viewer to bond with them. They are engaging with the audience through narration and have in return enticed the viewer to follow them along their journey. One feels nervous for the young girl however through tension in the scene one does not want them to discontinue the journey as too many questions have been left unanswered. One has been drawn into the world of which the protagonist dwells and is intrigued as to how the drama is
Instructor’s comment: This student’s essay performs the admirable trick of being both intensely personal and intelligently literary. While using children’s literature to reflect on what she lost in growing up, she shows in the grace of her language that she has gained something as well: an intelligent understanding of what in childhood is worth reclaiming. We all should make the effort to find our inner child