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literary devices and their use
literary devices and their use
rhetorical devices philosophy
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Analyzing Style in Literature The style of a piece is a function of the writer’s craft or the techniques used by the writer to communicate his ideas. To discuss the style of work of literature, consider the diction (vocabulary choices), the syntax (sentence construction) and the tone (author’s attitude toward the subject and the reader). A. DICTION: When analyzing diction, consider the following: ============================================================ - figurative language (use of simile, metaphor, personification, hyperbole, allusion, irony, metonymy, symbolism) - abstract or concrete words - denotative or connotative words - monosyllabic or polysyllabic words - archaic diction - formal or colloquial English - slang, clichés, idioms, foreign phrases - sound effects: onomatopoeia, alliteration, euphony, cacophy - jargon, technical language B. SYNTAX: Sentence structure and Rhetorical Devices - long or short sentences - loose or periodic sentences - balanced sentences - parallel sentences - rhetorical questions - syntactic inversion - epigram - paradox - climactic sentences - Methods of achieving emphasis: i. Repetition ii. Climactic order iii. Periodic sentences iv. Short sentences v. Active rather than passive verbs vi. Parallel structures and balanced sentences vii. Antithesis viii. Chiasmus C. TONE – analysis of the author’s attitude toward the subject and the reader ====================================================================== - sincere, genuine, honest - satirical, ironic,... ... middle of paper ... ... happens, between what is said and what is meant, between the supposed and the actual, etc Balanced Sentence – symmetry in sentence structure with the clauses on either side of a coordinate conjunction (but, and yet) being approximately equal grammatically. Eg – He could not love her, yet he could not hate her. Parallel Structure – Balancing one statement against another in words, clauses or phrases of similar length and grammatical structure. Eg. “I do not doubt by your obedience to my general, by your concord in the camp, and by your valour in the field, we shall shortly have a famous victory over the enemies of my God, of my kingdom, and of my people.” Euphemism – a substitution or a less distasteful word or expression for the harsh or unpleasant truth. Eg. “He was under the influence of liquor.”
1. Have you established a writing style? What does it involve? What are the challenges you encounter when writing? What do you anticipate encountering when writing longer research papers?
Jane Smiley’s novel, A Thousand Acres, is a contemporary interpretation of William Shakespeare’s classical tragedy King Lear. Comparisons are clearly visible in the very beginning of A Thousand Acres when Smiley begins with a vivid description of the landscape. Even the characters are similar and having read King Lear, I already had an impression of them before reading A Thousand Acres. But they are not completely similar as there are some differences due to the perspectives through which the stories are told.
History is rich with culture and tradition. Culture and traditions greatly influence people’s behaviors, the way they perceive others, and the way they are perceived by others. Environment also plays into the development of culture and the decisions people make. Although each person has an individualized idea of what culture is and practices their own unique traditions, the fact remains true that every human being is subject to the effects of culture and tradition. Three classic authors accurately portray culture through setting and tradition in order to affect the reader’s view toward the characters and the authors themselves in Zora Neale Hurston’s “The Gilded Six-Bits”, Alice Walker’s “Everyday Use”, and John Patrick Shanley’s Doubt: A Parable.
“The Tired Man” Poem Anna Wickham -couples need to understand each other’s needs&desires-in a relationship, there must be give and take- couples must be alike to have a successful relationship. Simile – “wild as a hillstream”,“night as black as ink”RhymeRepetition –“sit I am a quiet gentle man” “ Oh give me a woman of my race”
Tim Burton is noted for many of his mysterious, suspenseful, and thrilling movies. His childhood has influenced the way he writes, screens and portrays movies to his public audience and fans. Four of these outstanding films are Edward Scissorhands, Frankenweenie, Corpse Bride, and Coraline. In these movies, and many of his others, Tim Burton uses a variety of cinematic techniques to portray and express feelings felt by the characters, set the moods, scenes, and the story. Tim Burton uses lighting, sound, and camera angles in order to create a coherent movie with amusing, suspenseful and tragic scenes.
While there are people who love to read and write, there are others that do not. When a student is required to read a book for a class and that student does not enjoy reading, there are very few things they would rather do less. And when that book’s topic is about learning how to write that is the worst of it. When I was assigned to read Writing with Style by John R. Trimble, my immediate thought was that this book and assignment was going to be a struggle to get through. To my pleasant surprise, I couldn’t have been more wrong. Writing with Style provides the reader with a wide range of writing tips while being written in a fun, conversational style. This book provides easy to find writing tools that can be understood by people of varying
In Speak, Laurie Halse Anderson develops the idea that you should learn to speak for yourself and admit your past to others so you can move on to your future, and your life. The main character is named Melinda Sordino, her first day of highschool wasn’t the best day she thought it would be. Everyone that was best friends with her, now turned into her ex-friends. Throughout the book Melinda is trying to figure out why everyone is mad at her, and trying to find her voice. Then Melinda finds a friend who is new to Merryweather High School, named Heather. Through the book she starts to get her own voice, and by gaining her confidence. Heather finds new friends but is still friends with Melinda, one of Heather's
In writing, pure originality is impossible. The novel, How to Read Literature Like a Professor, compares writing to setting up a camp. The ground has already been camped on, yet camp is set up in that spot again. The camps in the same spot will have structural similarities, but still be different enough. The same idea applies to writing. Even writers like James Joyce, who sometimes coin their own words use the same words as everyone else, and it is only so often those words can be combined in a way that is completely unique (Foster, 195). For example, using conflict to develop theme is found in most works of literature. These works feature similar conflicts and themes allowing the same story to be told in slightly different styles. Authors often utilize the conflict or resolution of the conflict to exemplify the theme. Furthermore, the short stories, “Araby” and “The Boarding House”, by James Joyce exemplify the use of conflict to develop theme.
In Franz Kafka’s The Metamorphosis, symbolism, archetype, and myths are three concepts he uses to compose the unique story. The symbolism in the story stands out vaguely. An archetypical reference occurs at the very beginning of the story that carries on throughout the book. The mythological aspect is sensibly the whole concept the story is about. All three of these notions are openly highlighted throughout the story. They each obtain explanations for multiple subjects. The book, How to Read Literature Like a Professor by Thomas C. Foster helps explain the three concepts in Kafka’s, The Metamorphosis.
Many times it is easy for a reader to identify the specific writing style of a piece, but people rarely analyze how the style is communicated. Style can be communicated through tactics such as juxtaposition. The use of this tactic propels the author’s writing style and many times reveals an underlying message that the writer is attempting to convey to their audience. In Harrison Bergeron Kurt Vonnegut concerns himself with the issue of the destruction of free speech rights by the equal rights movement in the 1950’s and early 1960’s and communicates his feelings toward the issue through a satirical writing style and juxtaposition.
What is writing style? I started out thinking that writing style is a personal thing and that all writers have their own style. But, this way of thinking is really just a simple way to answer the question. After more careful thought, I realized that style is actually quite the opposite of personal and original. Style is a form of standardization. As writers, we all follow certain rules and guidelines to make our point. Style is these rules and guidelines.
a chance to play the role of the detective to try and solve the crime,
Describing Stylistics as a Concept in English Studies Definition Stylistics applies linguistics to literature in the hope of arriving at analyses which are more broadly based, rigorous and objective. The pioneers were the Prague and Russian schools, but their approaches have been appropriated and extended by radical theory in recent years. Stylistics can be evaluative (i.e. judge the literary worth on stylistic criteria), but more commonly attempts to simply analyse and describe the workings of texts which have already been selected as noteworthy on other grounds. Stylistic analysis in linguistics refers to the identification of patterns of usage in speech and writing. Analyses can appear objective, detailed and technical, even requiring computer assistance,
Advances in technology and cultural developments over the last few decades have led to an increased production of multimodal texts (McIntyre and Busse 2010, pg.433). As these multimodal texts have developed, it can be said that the field of stylistics has needed to develop the tools for analysing the effects these texts create (Jeffries and McIntyre 2010, pg.194). Multimodal stylistics is a relatively new branch of stylistics and with the focus of multimodal stylistics being the meaning that is made through multi-semiotic modes the scope can be extended beyond literary texts to include analyses of film and drama (Norgaard et al. 2010, pg.30).
In his own fantastical world, where words are play-things and sanity is a bygone, sits Ogden Nash atop his throne. Anyone who says that he is just another poet is gravely unaware, and those unaware should then find themselves asking: “Well, the what is Ogden Nash?”. Whimsical, bold, crazy. That is Ogden Nash. To go into further detail, Ogden is risk taker, a word maker, and perhaps a world shaker, often using controversial topics and makeshift rhymes to add intrigue and humor to his works. A fan of nonsense, the late Ogden Nash often took seemingly typical literary devices and adding hidden depth to what they mean. Some of the more notable examples are his use of repetition and rhyming, but a less obvious case would be his subtle touches of alliteration. All of these are few in the long list of literary devices he uses to get a deeper meaning across to the reader.