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the significance of the ghost in hamlet
interpretation of hamlet
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How Plot, Characterization, and Theme are Effectively Portrayed in Act 1 of Hamlet
In order to answer the above question, I will divide my essay into
three parts first I will look at the plot, second the characterisation
and thirdly the theme. Followed by a discussion how these three have
been used effectively in the first Act of Hamlet.
In Act 1 Scene 1 we first meet Bernardo, Francisco and Marcellus who
are officers of the watch we also meet Hamlet’s friend Horatio.
Marcellus and Barnardo have been on watch and seem to be very worried
and conscious of something, they use short blunt lines to make there
point and also they seem very agitated and impatient for the arrival
of Horatio and Marcellus:
” Well good night.
If you do meet Horatio and Marcellus,
The rivals of my watch bid them make haste”
Marcellus and Barnardo had seen the ghost twice previously and due to
Horatio's disbelief; Marcellus has convinced him to stand watch with
them that night. They believe that the ghost resembles the dead King
Hamlet. The atmosphere has a sense of danger and a chill of excitement
is running through the air. Around one o'clock, the ghost appears.
Horatio attempts to speak with it but the ghost will not answer and
leaves:
Horatio: “ What art thou unsup’st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee speak. “
As Marcellus, Horatio, and Barnardo begin to discuss how the late king
conquered Fortinbras of Norway and seized his land, the men seem to
respect the King. However as the night a proceeds there is a feeling
...
... middle of paper ...
...state of Denmark is rotten”.
Hamlet feels betrayed by his own mother and this seems to “confuse”
him even more. He is betraying his mother by doing what the ghost of
his father has asked him to do. But then again his uncle betrayed his
own brother. The sense of betrayal intertwines and links to each
character. The plot is effective because each speech is needed to
learn about the personality of the character. It contributes to the
atmosphere of the play.
Although when Hamlet discovers the atrocity committed by his uncle, he
wishes for revenge. In that time, it would have been quite natural to
take matters into his own hands. In order to keep his plans secret;
he cannot let on that he knows of the crime. This in itself makes the
play effective and each character makes a decision but faces its own
consequences.
My mother told Claudius that I murdered Polonius. Claudius told Gertrude that they must ship me to England at once and find a way to explain my misdeed to the court and to the people and sent them to find me. After I safely stowed Polonius’s body Rosencrantz and Guildenstern found me and asked me where I placed the body. I refused to give them a straight answer. Feigning offense at being questioned, he accuses them of being spies in the service of Claudius. I agreed to allow Rosencrantz and Guildenstern to escort him to Claudius. All Claudius did was tell everyone why he was sending me to England. After I left with Rosencrantz, and Guildenstern on our way to the ship bound for England, we ran into the captain of Prince
Presentation of Hamlet in Act 2 Scene 2 and 3 in William Shakespeare's Hamlet It is hard to determine the intentions of William Shakespeare when he wrote "Hamlet" without looking at the social, historical and ethical context in which it was conceived. From the cover notes found within the 'Longman Literature' edition, we can deduce that it is Shakespeare's most well known play and, written during the year 1602, it was one of his later works. At this time, revenge was a very popular theme for plays and there is evidence if this in the vast number of plays about revenge that were written at the start of the seventeenth century.
The significance of the players exceeds the sole purpose of entertainment, as each possesses the power to unveil the "occulted guilt" (3.2.75) and conscience of the King. Hamlet assumes the responsibility to advise these players with precise and adequate direction so that a "whirlwind of passion" (6) may not effectively separate Claudius from personally identifying with the play. Hamlet's enthusiastic approach toward direction may be so that he encourages the players to "suit the action to the word, the word to the/ action, with this special observance, that you o'erstep not/ the modesty of nature" (16-18). However, this exercise of caution may justify Hamlet's too often delayed attempt toward the action of avenging his father's murder. His direction confines him to the overflow of words as he experiences imprisonment within the truth of his own identity.
Hamlet Act 2 starts with a conversation between Polonius and Reynaldo, his servant, about how Reynaldo is to find out about the behavior of Laertes, Polonius’ son. This event foreshadows the Queen and King’s conversation with Rosencrantz and Guildenstern about how Hamlet’s two friends will uncover the reason for Hamlet’s recent behavior change. In their conversation, Polonius tells Reynaldo that he is to ask random people about Laertes and to tell the people about how Laertes, in his youth, gambled, was intoxicated and got into fights. He then tells Reynaldo to spy on Laertes. Through these actions, Polonius shows that he will do almost anything to control his children and their reputations. Throughout this Act, one general theme is revealed. This theme is the scheming of characters to
When one reflects on the questions they are asked in life, one of the most thought provoking questions is “what is your favorite movie?” Though a trivial question, one constantly finds oneself baffled trying to think of a movie in which they can truly say is their favorite. Once one comes up with an answer to this question, the preceding question is “why?” What is it that truly makes a movie great? One can argue the characters, or the story line that makes the movie great. But ultimately it is the memorable scenes in which make the movie ones favorite. It is the scenes that truly stand out above the other components of a movie or play. For this reason, numerous writers emphasize one or two scenes in which stand out from all the rest. This technique was mastered by no other than the playwright William Shakespeare. Shakespeare throughout his tragedies focuses on two scenes that stand out to the audiences. Shakespeare’s emphasis on scenes is evident in act 1 scene 1, act three scene 1 of his play Hamlet, and Act 2kj… of his play King Lear.
Sometimes, revenge can be utterly nasty and repeated. A Serbian patriot once slayed an Austrian archduke to exact his revenge for Austria’s occupation of his land. Austria retaliated by starting World War I. After the war, the Allied powers took revenge by enforcing massive fines and taking away land from the defeated countries. One of them was Germany. This led to Hitler’s rise to power and took revenge against France by making them sign their surrender in the same train where Germany gave up in World War I. Following World War II, Germany was obligated to repair some of the damage done by paying war reparations to the Allies and Jewish people after the war. When countries recur to revenge, history reiterates, more often than not, it means war. On a smaller scale, in Hamlet, the prince of Denmark begins an inner war that provokes quite significant inner struggles as well as an outer war with Claudius to avenge his father’s death. William Shakespeare masterfully portrays Hamlet, whose experiences and emotions drive him to alternate between the realms of sanity and insanity to achieve his ambition. As the ancient proverb states, “desperate times call for desperate measures.” These “desperate times” include the murder of his father Hamlet Senior, King of the Danes, by his malicious uncle, Claudius, the seeming suicide of his love, Ophelia, his mother's quick remarriage to Claudius after his father's death.
Originally titled The Tragicall Historie of Hamlet, Prince of Denmarke, this tragedy has been reproduced more times than any other play written by William Shakespeare (en.wikipedia.org 1 of 9). Prince Hamlet also has the lengthiest appearance of any character in all of Shakespeare's plays (en.wikpedia.org 6 of 9). In the play, Prince Hamlet is caught between balancing his need to avenge his father's death, dealing with the disgust he felt for Gertrude and Claudius' love affair, and maintaining the relationship he has with Ophelia without exposing his plans to kill his uncle Claudius for the murder of King Hamlet.
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as one great puppet show, "I could see the puppets dallying".
A majority of people will say that in the play “Hamlet”, by William Shakespeare, the main theme is revenge. A majority of people will say this until they have read Hamlet’s soliloquy/speech in Act four Scene four. When readers are finished reading through the speech, they realize that the real theme of the play was about how Hamlet was going to get over his inner struggle to take action about his father’s death. When looking back at the play with this new theme, you can understand why this does make sense to be the theme. A theme like this made great sense to have for an Elizabethan audience. The Elizabethan audience really enjoyed more realistic plays as to ones that could never happen. They could have understood Hamlet’s inner struggle
To understand a play, you must first understand the fundamentals for the play: protagonist, antagonist, exposition, rising action, crisis, climax and resolution. I will examine Hamlet by William Shakespeare. This is a great example for the purpose of this paper it provides a clear and great examples.
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.
cold, and I am sick at heart" and it is twelve o'clock "Tis now struck
The imagery in the play of Hamlet is composed of disease, poison, and decay this adds to the overall atmosphere of horror and tragedy. First, hamlet uses images of disease to show the state of the country of Denmark and his mother. Second, the imagery of poison is used to describe his father’s death. Lastly, Hamlet describes his feelings toward himself and Claudius and his feelings toward his mother by using images of decay. In Hamlet, as in all literature, imagery adds to reader’s ability to imagine the feeling of the story.
The Complex Character of Shakespeare's Hamlet. Upon examining Shakespeare's characters in this play, Hamlet proves to be a very complex character, and functions as the key element to the development of the play. Throughout the play we see the many different aspects of Hamlet's personality by observing his actions and responses to certain situations. Hamlet takes on the role of a strong character, but through his internal weaknesses we witness his destruction.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.