Struggling with Death in The Epic of Gilgamesh In the ?Epic of Gilgamesh,? Gilgamesh deals with an issue that nearly destroyed him. He sought after immortality so much that he put his own life on the edge. Centuries later, this quest unites our high tech, fast paced culture with the remote and different culture of Gilgamesh. Humanity has yet to find the secret of letting go of the idea of everlasting life. Many people today hold on to the topic of immortality because they find it so difficult to say goodbye to a loved one. Placing flowers on graves is a popular way to remember the deceased. Even years after the person has died, the family members and friends still go to the gravesite to reminisce. People find it difficult to accept the fact that they will never see someone again. They want to believe that the person is still there. Gilgamesh had the same problem. He made the journey looking for his friend. He couldn?t deal with the fact that Enkidu had died. He wanted him to live forever. Gilgamesh even went as far as almost sacrificing his life to find him...
Gilgamesh’s most prominent characteristic is his bravery. This is exhibited when Gilgamesh and Enkidu decide to fight Humbaba in the Cedar Forest, one of the most feared beings in the world. “Enkidu said, ‘But how can any man/ dare to enter the Cedar Forest?” (pg. 92). Since Humbaba is so feared, no one dared to fight him. Gilgamesh also went on a quest to find immortality. After his beloved friend Enkidu dies, Gilgamesh decides to try and bring him back by finding immortality. This is an epic journey that humans could never accomplish. “This one who approaches--he must be a god.” (pg. 160). Though Gilgamesh is two-thirds divine, finding immortality is still an incredible feat, regardless of whether he became immortal or not. Not only did this journey require bravery, but it also
The epic of Gilgamesh seems to have little, to no correlation, to the Harry Potter series. After all, they were written four thousand years apart from J. K. Rowling’s beloved series. Even though they have no apparent association with each other, they do have an overarching theme of the quest for immortality and its inevitable failure that link the two texts together. Generally speaking, society and their texts have their own idea on how they perceive everlasting life and how to achieve it. However, all searches, crusades, and pursuits can be summarized in one word; futile.
I believe that the exact meaning of immortality cannot be existed; no one has the ability to live forever. Actually, it is a divine attribute not an inherent part of humans. However, I believe in spiritual immortality even there are many groups of people do not assent to the notion that people will live forever whether in heaven or hell after their death. The beliefs of immortality differ from one to another according to his religion, traditions and culture, but all people agree on a significant point which is one can be immortal by his great achievements, influential works and good reputation, and this what Gilgamesh fully digested after his long tiring journey to quest for immortality. The contradiction in this book is when he
The whole reason Gilgamesh takes this journey to search for eternal life is due to the death of Enkidu, with whom he was close with. Before all of the events occurred, Gilgamesh had never thought about the topic of death. It’s as if it never crossed his mind; as though he would live forever. He went through phases along his journey. The first was not accepting reality, the second was fighting for eternal life, and the last was accepting reality. Now, his aspirations for immortality are no longer apparent as he enters the last stage.
The most ancient form of text ever recorded dates back to somewhere around the years 1700-1500 b.c, and is known as The Epic of Gilgamesh. Many scholars have translated this story, but the translation that will be used for this essay is by Andrew George. This particular epic has been around for centuries, and has quite the viewpoint on what happens to someone after death. As demonstrated in The Epic of Gilgamesh, the Sumerian culture holds a firm belief that everyone dies, unless they are immortal, and it is an unavoidable case. This is most accurately described with the dream that Enkidu has in tablet seven, the description that Utanaphishti gives in tablet 10, and the denied immortality that Gilgamesh receives in tablet 11. This essay will
To fear death is to fear life itself. An overbearing concern for the end of life not only leads to much apprehension of the final moment but also allows that fear to occupy one’s whole life. The only answer that can possibly provide relief in the shadow of the awaited final absolution lies in another kind of absolution, one that brings a person to terms with their irrevocable mortality and squelches any futile desire for immortality. Myths are often the vehicles of this release, helping humanity to accept and handle their mortal and limited state. Different cultures have developed varying myths to coincide with their religious beliefs and give reprieve to their members in the face of irrevocable death. The same is true for the stories in the Book of Genesis and the Mesopotamians’ Epic of Gilgamesh. In these two myths similar paths are taken to this absolution are taken by the characters of Adam and Gilgamesh, respectively. These paths, often linked by their contradictions, end with the same conclusion for each man on the subject of immortality; that no amount of knowledge or innocence, power or humility, honoring or sinning, will achieve them immortality in the sense of a life without death. Eternal life for a mortal lies in memory by one’s friends and family after one’s death.
“You will never find that life for which you are looking. When the gods created man they allotted him death, but life they retained in their own keeping,” Siduri talking to Gilgamesh. (Gilgamesh 4). The epic of Gilgamesh has an abundance of parallels to the trial and tribulations of any human life. Gilgamesh’s story is humanities story of life, death, and realization. The awaking of Gilgamesh from a childish and secure reality connects my own life experiences to the epic tale.
At the beginning of Gilgamesh, the theme of acceptance of mortality emerges. Gilgamesh introduces the idea of mortality when he states, “Why are you worried about death? Only the gods are immortal anyway, Signed Gilgamesh. What men do is nothing, so fear is never justified.”(pg. 29) Here, Gilgamesh
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
In the literature piece “The Epic of Gilgamesh,” Gilgamesh plays the main character revered as a two-thirds god and a wealthy leader according to his profile as the king of Uruk. His subjects consider him to be powerful, but most complain of living a life of oppression under his rule. However, despite his earlier misgivings, Gilgamesh emerges a hero in the end after coming to terms with the idea of death following his futile pursuit for immortality. He realizes some of his fruitful efforts in Uruk with regard to his intelligence and skills, thereby experiencing a subtle transformation pegged on productivity. In a positive perspective, Gilgamesh is a valiant character as is depicted in his earlier battles with beasts regardless of the odds (Mitchell). A hero is a person who is willing to take the risks to ensure that he secures a place and rids it off possible threats for the sake of his subjects or loved ones (Olley). The literature piece has evidence in this respect and it can be identified in his relentless mission to obtain answers that will ascertain death so that his people can also understand the concept and accept it. Gilgamesh’s bravery in protecting his people, zeal in power and eventual compassion certify him as a hero.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.