Stanley Kubrick's 1971 film production of the Anthony Burgess novel, A Clockwork Orange, is a truly unforgettable film. It is narrated by one of the most vicious characters ever put on screen, Alex DeLarge. The promotional poster for the film advertised it as "The adventures of a young man whose principle interests are rape, ultra-violence, and Beethoven" (Dirks 1). Needless to say, music plays a very important role in A Clockwork Orange. The expressive use of music in this film gives the viewer a look into the psyche of the vicious Alex, a psyche that equates violence with art. By doing so, the film shows us the complexity and duality of the human mind through a character who loves both the most refined art and the most brutal violence.
One way that the film's music expresses Alex's twisted view of the world and of himself is by stylizing violent scenes, making them seem like a ballet. Alex, who loves Beethoven, gets a sort of inspiration to commit violent acts from classical music. A prime example of this is the scene in which Alex and his "droogs" are walking in slow motion along the flatblock marina outside Alex's home. While Rossini's "The Thieving Magpie" plays, Alex says, "For now it was lovely music that came to my aid." The music inspires Alex to take action, and he knocks both Georgie and Dim into the water of the marina. All the while, the violent actions are filmed in slow motion--an aspect of the film which, along with the sounds of Rossini, gives the impression of a ballet-like performance. The action taking place in this scene seems as if it is synchronized with the music, like a finely choreographed dance. As the music builds to a climax, the scene's ...
... middle of paper ...
...orce the contradiction of Alex's character. In turn the film becomes disturbing, yet somewhat comical. The viewer is drawn to love Alex for his wit and humor and to hate him for his brutality. By doing this, A Clockwork Orange shows us that we are all contradictions of ourselves to some degree, and that the complex human psyche can love high art and brutal violence at the same time.
A Clockwork Orange. Dir. Stanley Kubrick. Warner Bros. 1971.
Dirks, Tim. "A Clockwork Orange." 12 April 2001. 19pp. (http://www.filmsite.org/cloc. html).
Kagan, Norman. The Cinema of Stanley Kubrick. New York: Holt, Rinehart and Winston, 1972.
LoBrutto, Vincent. "The Old Ultra-Violence." American Cinematographer. 80.10 (1999): 52-6+.
Sobchack, Vivian. "Décor as Theme: A Clockwork Orange." Literature/Film Quarterly 9.2 (1981): 92-102.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- A Clockwork Orange (1971) helped establish director Stanley Kubrick as one of the most innovative filmmakers of all time. For him film must be a work of art, and art exists for its own sake. The film has no goal beyond its own enjoyment. Given its subject matter—political corruption, hedonism, violence, and the elusiveness of moral certitudes—one might even go so far as to call A Clockwork Orange a nihilistic film in both form and content. This style of filmmaking would later heavily influence the “New Hollywood” directors.... [tags: vilet, message, director, filming]
834 words (2.4 pages)
- 1. As I was reading the book Clockwork Orange, I felt like it deserved a 8 out of 10. I enjoyed the book because while I was reading it, I did not have such a clear image of all the rape, sex, and violence. Talking from personal experiences, I did not want to picture those images in my head. Finding out there was a movie of Clockwork Orange kind of scared me but also gave me excitement because I wanted to see how different the the book was from the movie. After viewing Clockwork Orange, I would rate it a 7 out of 10.... [tags: A Clockwork Orange, Stanley Kubrick]
1002 words (2.9 pages)
- The arrangement of scenery that appears in a frame has a crucial impact on our perception of the film. Everything observable exists to help establish the director’s vision. The lighting, set, and costume all come together to create a powerful technique called mise-en-scene. The director employs the technique to gravitate our attention towards important details, while using other details to support the frames focal point. A scene that shows elements for mise-en-scene is the ‘’the old ultraviolence on a tramp’’ scene from the cult classic A Clockwork Orange.... [tags: A Clockwork Orange, Stanley Kubrick, Light]
884 words (2.5 pages)
- A Clockwork Orange is a Stanley Kubrick film from 1971. Kubrick directed the film and wrote the screen play based on the 1962 novel from author Anthony Burgess. A Clockwork Orange was originally rated, “X” and nominated for Best Picture, Best Director, Best Film Editing and Best Screenplay, but lost in each category to William Friedkin's The French Connection (filmsite.org). The set design is by John Barry, costume design by Milena Canonero, music by Wendy Carlos and cinematography by John Alcott.... [tags: Film Analysis]
1536 words (4.4 pages)
- "A Clockwork Orange", directed by the immeasurable Stanley Kubrick, starring Malcolm McDowell, Patrick Magee, Adirenne Corri, Aubrey Morris and James Marcus and produced by Stanley Kubrick in 1971, is, in my opinion, one of the greatest morality plays ever captured on film. It leads viewer in to many different pathways of thought about the time we live in, and about the validity of the concepts of law and morality, and the applications of the two in general society. Vincent Canby was on to something when he called "A Clockwork Orange" perversely moral and essentially Christian.... [tags: Film Analysis, Movie Analysis]
643 words (1.8 pages)
- A Clockwork Orange Film Analysis Stanley Kubrick’s Clockwork Orange was a deeply disturbing depiction of human nature that shed light onto dark thoughts in the character’s soul. Alex seems to have no regard for human decency or human life. He and his gang of friends kill at will. They have no purpose for their violent outbursts other than to shock and degrade their victims. They have fun making others suffer. This is the logic that is upheld by Friedrich Nietzsche in his approval of Prosper Merimee’s statement “Know that nothing is more common than to do harm for the pleasure of doing it.” Though he does believe that most men try to deny this by never outwardly expressing any violent... [tags: essays research papers]
541 words (1.5 pages)
- A Clockwork Orange A Movie Analysis In 1962, Anthony Burgess' novel A Clockwork Orange was published for the first time. This novel was an anti-utopian fable about the near future, where teenage gangs habitually terrorize the inhabitants of a shabby metropolis. The novel deals with the main focus that man is a sinner but not sufficiently a sinner to deserve the calamities that are heaped upon him. It is a comic novel about a man's tragic lot. (Bergonzi 152). In 1971, Stanley Kubrick turned Burgess' novel into a 136 minute, color motion picture produced by Warner Brothers.... [tags: Movie Film comparison compare contrast]
1699 words (4.9 pages)
- The Films of Stanley Kubrick The films of director Stanley Kubrick divert from any categorized genre upon analysis. Instead they use themes that also expand into cinematic concepts due to certain construction processes used in the making of his films. This distinguishes Stanley Kubrick as a film maker and also places his films in their own genre.... [tags: Papers]
2155 words (6.2 pages)
- Stan the man kubrick It is easy to look into the eyes of a motion picture and dissect it for its form, style, underlying meanings, and other characteristics that separate it from a film and a classic. There are concrete elements that can be found in all classics that make it such a powerful and remarkable work. One of these elements is undoubtedly the concept of the auteur theory. The Auteur theory is described as a filmmaker, usually a director, who exercises creative control over his or her works and has a strong personal style.... [tags: essays papers]
1637 words (4.7 pages)
- Are we human if we don’t have a choice to choose between acting good or acting evil. A Clockwork Orange directed by Stanley Kubrick is a brutal film that entails many sociological meanings. Alex DeLarge and his “droogs” (gang) live in a derange society of “ultra-violence” and rape. Alex and his gang cause havoc around the town that leads to the “droogs” turning on Alex during a mischievous act on an innocent women and Alex getting arrested. While in prison he is chosen for “treatment” that is suppose to purify Alex and turn him into the “perfect citizen”.... [tags: Sociology, Morality, A Clockwork Orange]
1426 words (4.1 pages)
- Heroes and Heroism in Anita Desai's Clear Light of Day
- Chaucer's Canterbury Tales - The Wife of Bath as Depicted in the General Prologue
- Women and Self-Reliance, Is This Possible?
- Teens, Sex, and Virginity - Teenage Pregnancy
- Cheating and Plagiarism - It’s Not Plagiarism, It’s Recycling
- Failure of Democracy