Jason as the Foil of Medea
In Medea, by Euripides, the two main characters Jason and Media are forced to leave Lolkos and have taken refuge in Corinth. Jason has the possibility of establishing a position of standing in the community by marrying King Creon’s daughter. Medea is enraged by Jason’s betrayal of her and their two children and she vows to stop the marriage and exact revenge. In the play, Medea and Jason are set up as foils. Medea is completely dependent on the dominance of passion over reason. She is depicted as conniving, brilliant and powerful. In contrast, Jason is portrayed as a a character of little feeling; he is passionless, obtuse, witless, and weak.
Medea first enters the play and greets the women of the chorus. The chorus has just witnessed her wild lamentations, where she prayed for death and threatened to avenge herself on Jason and his new wife. Medea proceeds to tell the chorus about Jason’s betrayal and her own humiliation. She explains how heartbroken she is and the difficulties of being exiled in a city were she knows no one. She has no family or friends in Corinth and has been completely dependent on Jason. She laments the gloomy despair into which she has fallen. During this exchange she reveals to the chorus that she intends to devise a plan to break up the marriage and seek revenge against Jason. She explains that while most women would not stand up to for themselves, she will not remain defenseless: “but, when once she is wronged in the matter of love, No other soul can hold so many thoughts of blood.” In this scene Medea is not speaking calmly or reasonably. She is undoubtable distraught, and her thoughts and actions are being controlled by her hatred. The ...
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...om a hateful women, this monster, murderess of children? Still what I can do that I will do: I will lament and cry upon heaven, calling the gods to bear my witness how you have killed my boys and prevent me from touching their bodies of giving them burial”. Jason is portrayed as helpless against Medea.
Medea is a strong proud women, she is dominated by her passion and her refusal to submit to injustice. Despite her unrestrained emotions she remains calculated and controlling. Medea is lead by her heart and by her passion. Her husband Jason is the complete antithesis of Medea, he is her opposite and foil. Throughout the play he is depicted as passionless and weak. He uses pure logic to guide his every decision. He is void of most worthy qualities. Medea embodies strength, intelligence and passion, while Jason represents weakness and feeblemindedness.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
In Euripides Medea, Medea is the morally ambiguous character. In part, Medea can be seen as good because she wanted to live with Jason and her two children in Corinth as a family and enjoy a happy life. So it is understandable that Medea becomes devastated and an emotional wreck after Jason leaves her for the princess. He claimed by marrying the princess, he could bring the children up in a well-being and make more royal children. Medea became a distressed. Hateful, and a bitter woman at Jason. Medea mentioned, “we women are the most unfortunate creatures.” Medea acknowledges that the women don’t have much choice in the marriage and if they want a good life, they need a man to control them. And that woman would be much better off if they had
Courageous, powerful, and reckless, Medea left her home without her father's blessing to accompany Jason to the land of Corinth, after using her magic powers to slay the dragon that guarded the golden fleece. She also killed her own brother to slow Jason's chasers. For a while, Medea and Jason lived in harmony in Corinth where they had two children. Later, Jason left Medea for Kreon's daughter. She became grief-stricken at her loss and filled with rage at Jason's betrayal. This, is explained by her nurse during the prologue in World Literature Volume A (pg697), "she'll not stop raging until she has struck at someone",
...racterization all combine to reveal Medea’s true character throughout the play. She is first revealed as an evil, wicked person that only seeks vengeance and revenge in order to get back at Jason for using then leaving her. Throughout the play different characters, especially that of the chorus helps contribute to how the different view of Medea’s character changes and develops. With the indirect/direct characterization of Medea with other characters being used to characterize her, the audience begins to develop an idea as to why she did what she did, and how she justified the mix of emotions she had. Medea is a women passion, so enraged by betrayal so dear to her heart, that she acts based on her passion and rage even when these irrational thoughts controlled her to kill her own brother, her own children, Glauce and her father, king Creon. She followed through.
Imagine if a romantic relationship collapses as a result of getting seduced by a younger person. Which is better to seek revenge or be the bigger person? Medea is a tragic play about a heartbreak who is seeking revenge as her own pleasure. She uses different techniques to cause her ex-husband to suffer for example, killing the mistress and killing her own children. She is a cruel mother who was selfish enough to behave in this way than accepting reality. Jason is willing to take care of his loved ones even after the betrayal, but Medea closes the doors and takes matter into her own hands. She commits 3 different crimes as she feels betrayed and heartbroken. As this situation could have been in a peaceful way, she is a lunatic for killing innocent souls. Medea in psychological lens, suffers from ID, Parental Alienation Syndrome and has a crisis.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
As she is "Faced with her husband's cold pragmatism, Medea responds according to her nature." Euripides really stresses the "otherness" of Medea's nature: she is "of a different kind", described in terms of nature and animals: she is "a rock or wave of the sea'", "like a wild bull", "a tiger". Yes, she is a little dangerous, but she is driven by her hear; that vital force which distinguishes the body from the corpse and has been crushed by Jason's betrayal.
Medea shows herself to be a proactive, determined woman who is ready to do what she has been planning throughout the story. In the begging of the book she starts to threaten revenge on her husband, Jason, “If I can find the means or devise to pay my husband back for what he has done to me…”(pg 9). Medea is just touching on her anger that she has built up within her for her husband. The traditional Athenian women would be mourning the loss of her husband, and may feel angry with him but would never swear to revenge him for his doings, and lastly actually do them. Women are usually portrayed in this situation being so dependent on their husbands that they will still do anything for him as so he will continue to help support the children and possibly his ex-wife.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
In The Medea, Medea gives up her home, murdered her brother and tossed the pieces of his corpse and betrays her family to escape with her lover Jason. Against her father's wishes she helps Jason recover the Golden Fleece. Afterwards, Medea and Jason fall in love, get married and Medea gives birth and raises two sons. Unfortunately, Jason abandons Medea and marries King Creon's beautiful daughter. Medea alternates her role from a lover and partner in crime to an obsessive prideful monster. Me...
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
"Finally, the play opens with Medea's Nurse indirectly giving background information to the story about to unfold. It is quickly understood by the audience that Jason, the husband of Medea, for whom she disowned her family and had killed for, has left her for the King of Corinth (Creon's) daughter - a beautiful princess. Medea is outraged by this and is set on seeking revenge on him.
Because Medea was such a different woman people in her society were afraid of her, including men. As a result of this, before Jason, she never experienced being in love. When she finally experienced this type of love she went to no end for Jason. To protect Jason and her love for him she killed the beast guarding the Golden Fleece, she killed her brother, and she left her home, family and everything she knew for him. Most women would not have gone that far for love, especially women during her time; but Medea was not your average woman. All of the things she did for Jason will come into play, and partly account for her actions at the end of the play.