Dear MGM Studios
I have chosen to make the best selling Tom Clancy's Splinter Cell
books/games into my film project, in which I as the director will
faithfully recreate the books characters and likenesses.
The reasons why I have chosen the Tom Clancy Splinter Cell brand out
of many others are because of their realistic intrigue and the books
hardcore approach to modern day warfare.
The story begins when it is the year 2004 and the CIA has lost contact
with two of their operatives monitoring unusual activity in the former
Soviet Republic of Georgia. There has become a rising terrorist
movement, the CIA and the National Security Agency call on Third
Echelon, a secret agency that deploys Splinter Cells. While the books
concentrate on multiple characters I have chosen to base my film on
one and that character is Sam Fisher.
Sam Fisher, an ex-CIA, ex-Navy SEAL who's called into service at the
request of the National Security Agency. The NSA has commissioned a
new sub-agency called Third Echelon to gather intelligence in the
colder, harsher political landscape of 2004. Third Echelon has the
liberty to deploy Splinter Cells, such as Sam highly trained
operatives who are granted the "Fifth Freedom" to do whatever it takes
to protect the country. The downside is that if Sam's ever caught
doing dirt, the US government will deny any knowledge of his
existence. Sam must remain as hidden as possible, his main objective
over all is to remain silent and complete tasks without the use of
unnecessary force or violence.
Sam is such an interesting enigma of a character and always keeps
himself to himse...
... middle of paper ...
them. This also firmly establishes them as the heel characters.
Lighting is also used to effect throughout especially in frame 10
where it is used to show the guards face and coincided with the sad
music we as an audience even though we know these guards are the bad
guys feel sorry for them.
Finally in the last scene we still don't get to see the man who is
hunting these guards only his hand and gun, this will keep the element
of intrigue and willingness to see who the character is. At the end
Sam says 'Boo' at this point the comical side of the story appears and
the audience find out that all along it was a human. As the screen
fades out and we hear gun shots the humour is immediately taken away
from the scene and this again reassures the audience that they are
watching a realistic action adventure.
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