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how does shakespeare present the character of prospero throughout the play the tempest essay
literary devices of revenge in shakespeare
how does shakespeare present the character of prospero throughout the play the tempest essay
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Shakespeare's Use of Language, Imagery and Setting to Illuminate Prospero's Journey from Revenge to Reconciliation
The Tempest opens on 'a ship at sea' caught in 'a tempestuous storm'.
This setting would immediately suggest to the Elizabethan audience,
the presence of danger and evil, as they would be familiar with other
Shakespearian plays where storms have been used in this way, for
example, Macbeth and King Lear. The desperate language of the
characters in the opening scene would further reinforce the audience's
sense of evil afoot. The panic of the Boatswain is illustrated when he
cries 'A plague upon this howling' and the terror of the passengers
down below can be heard as they cry 'Mercy on us!' 'We split, we
split'. The feeling of chaos is further reinforced by the use of
language such as, 'howling', 'roarers' and 'drowning'. To the
audience, the storm would signify a disturbance in the Natural Order,
suggesting that God was upset or angry with certain individuals who
have disrupted an ordered hierarchy. This would lead them to suspect
that the play would probably involve elements of revenge.
The fact that the opening scene takes place at sea during a storm
would also have been significant to the Shakespearian audience. The
idea of a sea-change was common in writing at this time and was used
as a motif to suggest that following a shipwreck or disaster at sea,
anyone surviving the event would emerge as a better person, with the
opportunity to have a fresh start in life, almost like being reborn.
The imagery in the opening scene is violent and dark, suggesting a
need for revenge and also creating anticipation amongst the audience...
... middle of paper ...
...for is his final act as a magician and following this
act he is able to renounce his 'rough magic'. The disturbance in the
Natural Order, present at the start of the play, is restored, as the
sea again becomes calm and Prospero, having rejected the idea of
taking vengeance, forgives those who have wronged him and is restored
to his lawful position as Duke of Milan.
In The Tempest, Shakespeare successfully uses evocative language, dark
imagery and a magical setting to lead Prospero on a journey from
revenge to reconciliation. The audience is led skilfully from a
threatening start, through a period of anticipation to the final
conclusion, where the situation is resolved positively for all
characters without the need to resort to acts of vengeance, which at
the start of the play appeared to be the only possible outcome.
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Ariel’s use of subtext communicated to Prospero that his power and consumption with vengeance was causing him to become inhumane. Prospero experiences an epiphany when Ariel says, “[m]ine would, sir, were I human” (V i, Shakespeare). Ariel points out to Prospero that his power is so strong and the revenge consuming him is making him into an evil person. Once Prospero has this moment of realization, he turns his behavior around by first denouncing his magic. Prospero shows how he is done using magic when he says, “[b]ut this rough magic I here abjure; and, when I have required…And deeper than did ever plummet sound I’ll drown my book” (V i, Shakespeare). This illuminating episode and reveal of Prospero’s true character is used by Shakespeare as the casement to emphasize the inner meaning of the work. Shakespeare’s intended meaning of the work as a whole was that things such as hatred or revenge should never overcome and alter your true identity. Prospero exemplifies that revenge is a dangerous tool and can consume the one who uses it. Prospero’s epiphany allows him to find the human part of himself again and he has a realization that he should no longer be a
Proser, Matthew N. The Heroic Image in Five Shakespearean Tragedies. Princeton, NJ: Princeton University Press, 1965.
Snyder, Susan. “Othello: A Modern Perspective.” Shakespeare: Othello. Eds. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1993.
William Shakespeare, one of the most inspirational authors, playwrights, and Englishman’s to ever walk the earth. During his time during the 1600's he wrote two great plays. “Shakespeare was prolific, with records of his first plays beginning to appear in 1594, from which time he produced roughly two a year until around 1611” (McDorment”) They share things that are similar but they also disagree with each other quite a bit. What we can really talk about is the two main characters from the two stories. These two stories are Macbeth and Tempest. The two main characters are Macbeth and Prospero. Three things can be compared with these two; they are both the protagonist, they have to do with betrayal, and the tragic loss of something.
Prospero is the image of the ideal Renaissance magician; whose magic is obtained from his books and knowledge that, in contrast to Marlowe’s Doctor Faustus, has domain over spirits, which represent the passions, Ariel and Caliban. B...
Mowat, Barbara A. and Paul Werstine, ed. Introduction. Shakespeare: Othello. New York: Washington Square Press, 1993.
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
In the tragedies, “man and nature stand in continuous relationship” (54). In this section, Clemen returns to analyzing the development of Shakespeare’s use of imagery and metaphor. He compares a passage from Henry VI, which says that the sea “refused to drown me”, to a similar passage from Othello which says: “Tempests themselves, high seas and howling winds” (55). The primary difference that Clemen notices in these two passages is that the ocean in Henry VI—an earlier play--is much more clearly given human-like characteristics of sympathy, whereas in Othello, there is a degree of personification, but the human characteristics are not as clear. The metaphor has become more abstract, thus showing the more sophisticated characteristics of Shakespeare’s later work. The essay concludes on this note, that Shakespeare’s work evolved in such a way that he was merely able to suggest associations and meanings more easily than his earlier
Corfield, Cosmo. "Why Does Prospero Abjure His 'Rough Magic,'" Shakespeare Quarterly. 36 (1985): 31-4 8.
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
Knight,G.Wilson. “The Shakespearean Superman: An essay on The Tempest.” The Crown of life: Essays in Interpretation of Shakespeare’s Final Plays. Oxford: Oxford University Press, 1947. 203-255