Character Profile for the Mother-in-Law Essay

Character Profile for the Mother-in-Law Essay

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Character Profile for the Mother-in-Law

I will be discussing the Mother-In-Law in this extract in the first
person. I am a lady of about 60 years of age, and I am a low-class
peasant, shown by the behaviour of my son, and how I address him. I
will use a country accent, as I live on the other side of the mountain
to Grusha and the play's other characters. I will adopt a slightly
hunch-backed posture to emphasise my age. I will also adopt a slightly
creaky, whining tone of voice.

We first see the Mother in Law attempted to hurry along her son's
wedding because she is concerned that she won't get paid if he dies
before the wedding is completed. To emphasise my sense of urgency, I
would move my cupped palms very quickly and haphazardly before me to
convey a sense of needing to hurry. When I turn to Lavrenti, I have
just realised Grusha has a child - an added complication which I
believe I can get more money from. I would therefore cross my hands
across my chest, and place emphasis on the word 'child', saying it in
a slightly higher tone than I usually speaking in because I want to
give a sense of shock to Lavrenti.

When I explain that I won't survive the shame, I will bring my palm to
my forehead, closing my eyes, and then look up towards heaven before I
then look back down to the ground and "sob" loudly, rubbing my eyes as
I do so in order to convey to Lavrenti the immense shame I am feeling,
but my unconvincingly-loud crying - essentially crocodile tears -
would indicate to the audience that I am an insincere person who
doesn't really mean what she says. While I speak at this point,
whatever I say will be squeaked hesitantly, wi...

... middle of paper ... when my son, Yussup, gets up. I will be
amazed and incredulous as I believed my son's end was night. To convey
this, I would gape at him, standing rooted to the same spot, and then
shake my head whilst my eyes where closed, then opening them once more
and blinking twice to indicate that I cannot believe what I am seeing.

In the next part of the scene, when I tell Grusha that my son wants
her, I will say the line while placing particular, mocking, stress on
the word 'peasant' because I do not really see my son in this way but
enjoy addressing him thus because I am quite a heartless person. When
my son complains that his water is too cold, I will immediately say my
line about fetching some hot water very quickly, because he is the
kind of person that is easily upset, and I do not want to incur his
wrath if possible.

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