Courtly Love in Troilus and Criseyde
Courtly love was a popular theme in literary works and poetry in thirteenth century Europe. Andreas Capellanus, chaplain to Marie de France and author of the classic The Art of Courtly Love defines courtly love as "...a certain inborn suffering derived from the sight of and excessive meditation upon the beauty of the opposite sex, which causes each one to wish above all things the embraces of the other and by common desire to carry out all of love's precepts in the other's embrace." In reality, courtly love was no more than an explicit court of rules for committing adultery. However, in literary works, the basis of chivalry became the presentation of lover's passion for one another and their consideration for others. I will be examining Geoffrey Chaucer's literary masterpiece, Troilus and Criseyde in light of this courtly love tradition.
The origins of courtly love are obscure. It is claimed to have come from Moorish influence as the Arab poets brought lyrics of lady love to Europe, or to have been European in origin, influenced by the Celts, Cathars, and Neo-Platonists. From this tradition, however, many popular ideals originated which are still common beliefs and practices. For instance, ideals about sex and society such as love at first sight, fidelity, secrecy in love, the faultless woman, and the superiority of the lover all seem to have come from this courtly love tradition. Chaucer's Troilus and Criseyde is often considered to be a classic example of this courtly love tradition.
It is a subject of controversy today as to whether or not courtly love actually existed in England in the Middle Ages. Many critics believe that it did not actual...
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Elements in the poetry of courtly love express the need for a love affair to remain secret. The object of a poet’s love in these poems is typically a married woman, or unattainable by some other means. Andreas Capellanus’s The Rules of Courtly Love captures this element of forbidden love by saying, "marriage (was) no real excuse for not loving" (Cap 115-116). As Patrick Ford wisely pointed out, the need to maintain secrecy in a forbidden affair is not a new idea to modern readers. These elements of courtly love do not escape Dafydd’s poetry. His poem "Secret Love," among others, emphasizes the level of secrecy necessary in maintaining a love affair. Dafydd considers himself a learned lover, who found that "The best form of the words that work / Is to speak love in secrecy" (Sec 1-2).
Forbes, Shannon. "'To Alisoun Now Wol I Tellen Al My Love-Longing': Chaucer's Treatment of the Courtly Love Discourse in the Miller's Tale." Women's Studies 36.1 (2007): 1-14. Academic Search Premier. Web. 16 May 2013
The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom of Camelot, captivated listeners in courts throughout Europe. A famous Arthurian legend narrates the story of Lancelot, King Arthur’s noblest knight, who betrays his lord after falling in love with the king’s wife, Guinevere, by participating in an affair with her. Such enthralling romances, with their popular theme of blossoming adoration between a knight and his lady, appealed particularly to the female court audience as a refreshing step away from the epic conquests of brave male warriors. In fact, it was these ladies of the court who extracted the sweet essence of courtly love from these flowery romances. Eleanor of Aquitaine, Queen of England and France and ardent patron of the arts during the early twelfth century, envisioned traditions of courtly love promulgated with chivalry and troubadour poetry. The chivalric code during Queen Eleanor’s time added points of courtesy and tenderness to balance a knight’s valor and violence in battle. Troubadours wrote their verses to the honorable codes...
Michael Camille ,The medieval art of love : objects and subjects of desire (New York : Abrams, 1998.),11-13http://www.metmuseum.org/publications/bulletins/1/pdf/3258994.pdf.bannered.pdf Internet accessed 24 March 2011
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
“The Knight’s Tale”, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This last concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely. Also, it gave women the opportunity to be an important element in the story – not only decorative. However, when scrutinizing the tale, the readers can realise that all the aspects of a knight’s love are exaggerated and conveyed throu...
Geoffrey Chaucer has successfully developed several themes which are seen throughout his works. Although the literary techniques that Chaucer uses are not his own, these themes which reoccur are in the one of a kind style which defines Chaucer's works.
In this essay, we have been asked to evaluate two psychological perspectives’ in relation to “typical behaviour”. The perspectives I have chosen is the behaviourist and biological approach, to be able analyse these approaches, I have decide to use the case study of the death of the two year old ‘James Bulger’ and with this, the relevant therapy’s used by each perspective.
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
“The noble knight slays the dragon and rescues the fair maiden…and they live happily ever after.” This seemingly cliché finale encompasses all the ideals of courtly love, which began in the Medieval Period and still exists today. While these ideals were prevalent in medieval society, they still existed with much controversy. Geoffrey Chaucer, a poet of the period, comments on courtly love in his work The Canterbury Tales. Through the use of satiric elements and skilled mockery, Chaucer creates a work that not only brought courtly love to the forefront of medieval society but also introduced feministic ideals to the medieval society. At times, Chaucer even makes readers question his beliefs by presenting contrasting elements of principle in The Knight’s Tale and The Wife of Bath’s Tale, both tales told in his profound, multifaceted The Canterbury Tales.
The Knight’s Tale, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely; and women, the opportunity to be an important element in the story – not only decora...
Courtly love was the term used to describe the courtship rituals between noble men and women. This usually involved a dashing knight falling instantly in love with a strikingly beautiful woman. Most of these relationships did not result in marriage because it was thought that love only existed outside the bonds of marriage. The ritual of courtly love had rigid codes of conduct associated with it. Shakespeare took his writing to new levels by subtly defying the codes of conduct and relating courtly love to relationships between both two men and a man and a woman.