Film Trailer Portfolio Essay

Film Trailer Portfolio Essay

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Film Trailer Portfolio

When the task of creating a film trailer was first put to us, I had
several ideas for the movie's context. The first was of a movie in the
action genre that dealt with revenge, whilst the other two were in the
horror genre. The horror genre appealed to me more, as a low budget
film can still have the desired effect by use of different filming
techniques, and I wanted to depend more on a psychological aspect. My
first idea was to do a film about a poltergeist. I had watched several
films such as "Poltergeist", but wanted to create a film that relied
less on visual effects, something that leant towards the style of
Albert Hitchcock, who is still seen today as the "Master of Suspense".
This Poltergeist idea did intrigue me, but I could not think of a plot
thick enough, or original enough to capture an audience.

The remaining idea was more original, and would create the correct
feel of the horror genre. This idea leant more towards several horror
films from the 1970s, when a crop of films also used religious
undertones to great effect. My idea was for an ancient relic to be
uncovered that posed a threat to religion, an idea that didn't require
special effects or large production values. I took this idea and tried
to further it by thickening out the plot for the trailer. To do this,
I researched other films in the same genre.

I looked directly at three films from the last three decades, "The
Exorcist", "The Name of the Rose" and "The Sixth Sense". I was first
attracted to these films by the techniques that had been used to
produce the desired effect on the audience.

The Exorcist (William Friedkin 1973)


... middle of paper ...

... on a Panasonic Digital Camera, and
was edited using Pinnacle Studio software on a PC. All of the footage
was shot without the use of a tripod after several experiments to see
what presented the storyline the most effectively. Most notably at the
beginning of the trailer, a short zoom shot towards a radio speaker
was attempted with a tripod, but the elegant and fixed camera movement
lacked the character and ambience that was available when recorded
handheld, especially with the emotional sound bite that accompanied
the shot.

I decided to use two different tints

Editing during "I dare not say"

I wanted the speed of the trailer to change when I was editing, from
calm and mellow camera movement with slow transitions, to brisk and
abrupt movement with quick transitions. This was my idea of
representing chaos.

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