Analysis of Blade Runner by Ridley Scott Essay

Analysis of Blade Runner by Ridley Scott Essay

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Analysis of Blade Runner by Ridley Scott

Blade Runner, directed by Ridley Scott and based on Philip K. Dick's
novel, Do Androids Dream of Electric Sheep, is a Sci-fi slash Noir film
about a policeman named Rick Deckard (Harrison Ford) in a decrepit
2019 Los Angeles whose job it is to "retire" four genetically
engineered cyborgs, known as "Replicants". The four fugitives, Pris
(Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brian James), and their
leader, Roy Batty (Rutger Hauer), have escaped from an off-world
colony in order to find their creator and bully him into expanding
their pre-determined four-year life span. This film originally flopped
when it came out in 1982, but since has become a widely acclaimed cult
classic with a director's cut to boot. A large part of the success
that this movie has received can be attributed to its ability to
operate on many different levels.

Blade Runner focuses around the adventures of Rick Deckard, a bounty
hunter, whose prey are the replicants, androids who are virtually
indistinguishable from humans. The story is set in downtown Los
Angeles, in the year 2019. This is a post nuclear holocaust world,
where the sun is darkened by the fallout and acid rain continually
falls. Six replicants of the Nexus 6 generation, the most advanced,
have escaped from their off-world colony, where they were being used
as slave labor. The leader of the replicants, Roy Batty, is on a
mission to find more life for himself and the others, for they only
have a four year life span and are on the verge of death. Roy is a
military style replicant, so he has killed many people in
inter-galactic wars and continues to ki...

... middle of paper ...

...s out. "Should the replicants kill to
gain moral life? Should Harrison Ford be killing them simply because
they want to exist? These questions begin to tangle up Deckard's
thinking…especially when he becomes involved with a female replicant

The ultimate relevance of Blade Runner lies in its challenge of what
it must mean to be human. It raises the eternal gnawing doubt as to
our own humanity or lack of it. These are the same issues raised by
the great religions and philosophies of the past. And it goes to how
we respond to the pain of those around us. Do we reach for the one
downed by the crushing perplexity of modernity or do we merely pass
by, forgetting about that grizzled human lying on the sidewalk who is
drowning in the gutter created by the disintegrating and dehumanising
post-modern existence?

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