The mystical town of Mocondo brings new hope, fantasy and a never ending ride for the people who live there. Jose Arcadio Buendia, the main character in Gabriel Garcia Marquez's One Hundred Years of Solitude (1967), yearns for a life of magic and new discovery, so in his seeking he uncovers the town of Mocondo. "...A village of twenty adobe houses, built on the bank of a river of clear water that ran along a bed of polished stones, which were white and enormous, like prehistoric eggs" (1). He watches the rise and fall of his town over the period of almost one hundred years before he passes on. The town sees everything from gypsies and their startling discoveries to war and its aftermath. All of the many characters are anything but normal, ranging from having seventeen children to being born with pig-like tails. Marquez makes the reader's imagination run wild with all of the strange things that happen, with his style of writing...magical realism.
As a child, it is very easy to have an imagination and it does not seem a difficult task to envision flying carpets and men with two heads; but as a person grows older this imagination seems to pack its bags and head out the door. Although with Marquez's book, the imagination comes running back begging for more. It is hard to separate real from fantasy in his book as he melts things together so well. An excellent example takes place on page twenty-two:
...he had been born...with cartilaginous tail in the shape
of a corkscrew and with a small tuft of hair on the tip. A
pig's tail that was never allowed to be seen by any woman
and that cost him his life when a butcher friend did him the
... middle of paper ...
... happen. It did, although, not quite as quickly...the cow bore triplets two months later. This started becoming a trend for whatever kind of animal they bought, or already had. Their barn became overflowing, and it was extremely difficult to keep tabs on. This was good for them though, as they became rich from selling their livestock, without trouble.
Somehow, throughout the four hundred forty-eight pages in this book, the author keeps feeding the imagination without padding any aspects. He writes so well, that once a person starts to get caught up in the story, there is no coming back. Even if a person thinks that they are beyond help with repairing the creative side of the brain, there is hope with One Hundred Years of Solitude.
Marquez, Gabriel G. One Hundred Years of Solitude. Argentina: Editorial Sudamericanos, 1967.
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