Starting with the historical context, we find that Scarlett O'Hara is not a feminist. All though out this artifact, Gone With the Wind, the Civil War is present with a focus on the South. In this film, we meet Scarlett O'Hara who is lovesick for Ashley Wilkes, who is engaged to his cousin, Melanie Hamilton. At a barbeque at Twelve Oaks, the Wilkes plantation, Scarlett has to face reality that Ashley will never be her own. Very jealous with Ashley's engagement, Scarlett accepts a wedding proposal from Charles Hamilton, in order to have revenge on Ashley. Scarlett is letting her spite get the best for her when she makes judgment calls. She feels at th...
... middle of paper ...
...Rhett and Scarlett were together, they represented the New South. They both taught for themselves and did not need a set of rules to follow for society.
In conclusion, we find that Scarlett O'Hara does not fit the mold of the cult of true womanhood. We find this to be true using visual artifact of Gone With the Wind. Scarlett lacks the qualities of the cult of true womanhood. This cult is described to be a mold for the "perfect" woman. Piety is devotion and reverence to parents and family. Domesticity is the quality of home life. Purity is the act of being pure and without blemish. Submission is total surrender of power to one another. We have answered our question on Scarlett being a feminist character in this picture. We proved that she is not a feminist character by using the historical context, her character traits and her relationship with Rhett Butler.
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