Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
allegory and symbolism in nathaniel hawthornes young goodman brown
analysis of young goodman brown by nathaniel hawthorne
analysis of young goodman brown by nathaniel hawthorne
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Young Goodman Brown Looses Faith in The Woods
In the story "Young Goodman Brown," written by Nathaniel Hawthorne, the author introduces evil images to tempt and delude Young Goodman Brown as he made his way through the woods. Goodman Brown, by the end of his journey, understands there is an evil side to human nature and believes that man is doomed by "original sin."
The main character, Goodman Brown is introduced as a well-mannered man who is happily married to Faith. Initially, the language such as "sunset" and "pink ribbons" symbolizes light and a positive environment in Salem Village, where the story takes place. Then, as Goodman Brown journeys through the woods, changes in the environment make him change the way in which he sees the world and people around him.
From the time he decides to go to the woods at night, this peaceful panorama presented in his hometown changes. Evil images like "devil, lonely thick boughs, "1 add an obscure and negative side to the story.
He had taken a dreary road, darkened by all the gloomiest trees of the
forest, which barely stood aside to let the narrow path creep through and
closed immediately behind (p. 62).
This example reflects the change in environment for Goodman Brown after he left the positive world of the village. He felt he was passing through an unseen multitude since he could not know if there was someone concealed by the trees. This situation makes him question: "What if the devil himself should be at my very elbow" (p. 62). Goodman Brown, who wasn't aware of the existence of an evil side to the world, is being introduced to it through the natural objects in the woods, which provided a warning sign of the evil to come.
S...
... middle of paper ...
...ream" (p. 70). Now the natural world and even his wife and fellow Puritans reveal a concept of evil to him. This makes him lose his faith in his religion and his own people. "My faith is gone! ... There is no god on earth; and sin is but a name. Come devil; for to thee is this world given" (p. 67). Whenever the minister talked about the sacred truths of religion, with the bible in his hands: "...then did Goodman Brown turn pale, dreading lest the roof should thunder down upon the gray blasphemer and his hearers" (p.70). His new attitude towards life in the village is a measure of his acceptance of the idea that man is doomed by "original sin."
Work Cited
Nathaniel Hawthorne, "Young Goodman Brown," in Literature: Reading and Writing the Human Experience, eds. Richard Abcarian, Marvin Klotz, Peter Richardson, 7th ed. (New York: St. Martin's Press, 1998), p.62.
Immediately Jesus reached out his hand and caught him. "You of little faith," he said, "why did you doubt?" (Matthew 14:31) The manner in which Goodman Brown based his faith is a very good example of how not to base one’s faith. The strength of Goodman Browns faith was based on his wife’s faith, his trust in his neighbors, and his personal experiences. The strength of one’s faith is one of the most important aspects of any person, and it is especially important in the story Young Goodman Brown.
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
The confusion which the dark woods create for Goodman Brown symbolizes the blindness Goodman Brown has to the Puritan town’s corruption and evil. The beginning of his journey the readers acknowledge that Goodman Brown, “had taken a dreary road, darkened by all the gloomiest of trees of the forest” (Hawthorne 261). The willingness which Goodman Brown has to take a dark and gloomy road symbolizes the willingness for Goodman Brown to stay blind to all that is going on throughout the town. The woods themselves being darkened and gloomy suggests the secrets that are hidden and if found could lead to great sadness. Since Goodman Brown is blind to the evil rituals that occur in the woods and his willingness to go into the woods, his actions suggest that Goodman Brown is living in a false sense of security. While walking through this dark and gloomy road, Goodman Brown and the traveler come across Goody Cloyse. During this instance the traveler’s walking stick becomes full of life and Goody Cloyse disappears soon after (Hawthorne 264). This situation with the walking stick in the woods shows the reader that the woods hold the truth and Goodman Brown’s obscurity of the truth. Continuing on his journey, Goodman Brown finally comes to the clearing. In that moment Goodman Brown, “Stepped forth from the shadow of the trees” (Hawthorne 269). As Goodman Brown does this he is awakened to the complete truth of the town. He sees the congregation, the supposedly holy people, his wife who was pure and innocent, and the ritual. Goodman Brown has emerged from his comforting darkness and out into the clarity that would separate the truth and the façade that the townspeople had made for the town. The moment in which he steps out, however, is when the Deacon asks for the new converts to come out (Hawthorne 269). This signifies a natural attraction to the area
Finally, Jig retakes control of the situation when, after The American Man takes the bags over to the station, she returns saying to The American Man “’I feel fine…There’s nothing wrong with me. I feel fine.’” This shows that she has accepted that the relationship with The American Man is over, and that she now has accepted that she is in control of her own life and situation. This causes The American Man to finally take the submissive role, as Jig has now claimed her dominance.
Fanny, the narrator's wife, reminds the narrator of what he used to be. More specifically, when he sees and talks to Fanny, the narrator remembers his daughter and the life he had. This would explain why he is so distant when speaking to his wife, when he does speak to her at all, that is. The narrator even fell asleep when he took Fanny out to the movies. In the narrator's words: "I fell asleep, and I'm afraid I snored" (Busch 869).
One of Blake’s most famous works is The Songs of Innocence and The Songs of Expe...
Elizabeth Bennet is the second oldest in a family of five girls and no boys. Her family is what some people might call a dysfunctional one. Mr. and Mrs. Bennet have opposite and clashing personalities but at the same time they share a likeness. Mr. Bennet is not a social man and does not communicate with his family much. He is often found through out the novel hiding away in his library with a book. While on the other hand Mrs. Bennet is very social, does not shut her mouth and has probably read very few books in her life. She is portrayed as a modern day airhead who runs her life to please onlookers. No matter how opposite they sound they do have one joining quality. Mr. And Mrs. Bennet are both far from being good parents and successful authority figures. That is where Elizabeth's problems begin.
William Faulkner's "Barn Burning" provides an excellent example of how conflicting loyalties can affect decisions. In Faulkner's story, the main character, Sarty, faces such a dilemma. On one hand, Sarty has the morals that society has instilled in him in spite of his father. One the other hand, Sarty has the loyalty to his father because of the blood ties shared between them and the fact that his father raised and provided for him. Ultimately, it is these conflicting ideas that will lead to Sarty's final decision.
To sum up, Jig has realized her desires, motivations, and traits that convey her needs. The story is an acknowledgment of an everyday struggle that women deal with. Jig realizes that she needs to do what makes her happy, not what makes her companion happy. The story implies how the companion felt, not how Jig felt about the abortion. Jig's character grows emotionally, and builds up confidence throughout the story. Her thoughts about her companion change throughout the story. "Do you feel better?" he asked. "I feel fine," she said. "There's nothing wrong with me. I feel fine"(191). Jig is a powerful woman and is not persuaded to make a decision with which she is not comfortable.
Young Goodman Brown goes into the forest at first with only a small expectation of what he is going to experience. Of his fellow Puritan society he sees the bad seeds as well as supposed men and women of the utmost regard. He sees virgin girls filled with reverence and innocence, and even members of the church present at the devil’s ceremony. This causes Young Goodman Brown to question his entire upbringing and trust in his society. It creates...
...e and believe that Blake is radical and heretical. Therefore, Songs of Experience presents social commentary more clearly as Blake provides a more direct, perhaps more radical, speaker.
In his work, Songs of Innocence and Experience: Shewing the Two Contrary States of the Human Soul, William Blake uses the aforementioned contrasting states of being to illustrate his unique view of the world around him. Through this work, Blake lays bare his soulful views of religion and ethics, daring the reader to continue on in their narcissistic attitudes and self-serving politics. While Blake's work had countless themes, some of the most prevalent were religious reform, social change, and morality. Philosophically, one would think that William Blake was a Deist; however Blake rejected the Deist view of life. He was a devout Christian, yet he also wanted nothing to do with the church or their teachings. These views give Blake a refreshingly sincere quality with regards to his art and writings. Blake frequently alluded to Biblical teachings in his work and, more often than not, used corresponding story lines to rail against the Church's views and accepted practices. One may say however, that Blake's universal appeal lies within his social commentary. Similar to a fable, Blake weaves a poetically mystical journey for the reader, usually culminating in a moral lesson. One such poem, "A Poison Tree," clearly illustrates some of William Blake's moral beliefs. With his use of imagery, as well as an instinctive knowledge of human nature, William Blake shows just how one goes from the light to the darkness (from innocence to experience) by the repression of emotions.
In Songs of Innocence and of Experience, Blake differentiates between being experienced and being innocent. In the poem "Spring," the speaker focuses on the coming of spring and the excitement surrounding it which is emphasized by the trochaic meter of the poem. Everyone, including the animals and children, is joyful and getting ready for the new season, a season of rebirth and a new arrival of nature’s gifts.
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...